"An Old Woman from Cyprus" by Antri PAFITI
Antri Pafiti is a woodcarver from Cyprus. From October 27 to November 1, 2025, the 16th "Yiding Cup" Woodcarving Skills Competition was held in Putian, China, where 40 woodcarving contestants from across the country reached the final. Antri Pafiti was invited as a guest demonstrator for the purpose of facilitating cross-culture dialogue and mutual learning through the universal language of art.
An Old Woman from Cyprus was created on site by Antri Pafiti. The artwork shows an old Cypriot woman sitting quietly and spinning wool with a traditional spindle called an adráchti. With calm and skillful hands, she twists the wool into thread – the first step in making cloth. Through this simple and peaceful moment, the artwork honors the strength, wisdom, and tradition of Cyprus – a connection between the past and the present. The spindle was a symbol of patience, creativity, and daily life for women in the Cypriot countryside. It was not only a tool for work, but also a part of their stories, songs, and memories.
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"Fishing by the Cold River" by YE Zhu
Born in 1983 in Yongjia County, Wenzhou, Zhejiang Province, YE Zhu is a Master of Arts and Crafts of Hainan Province, a council member of the Hainan Arts and Crafts Association, a member of the China Arts and Crafts Association, and the representative inheritor of Yongjia Woodcarving, a regional intangible cultural heritage tradition. He began learning woodcarving in 2000 under his father and later studied with GAO Gongbo, a Master of Chinese Arts and Crafts.
In 2015, YE Zhu founded Wenzhou Muzhu Woodcarving Co., Ltd., which now serves as a non-intangible cultural heritage practice base for Tongji University and as an official intangible cultural heritage inheritance base in Yongjia County. His works have been exhibited and awarded at numerous cultural expos and design competitions. His piece International Dragon Boat was selected as a 2023 Wenzhou Featured Cultural Gift.
From June 7 to June 11, 2025, YE Zhu was invited to participate in the Iran–China Woodcarving Cultural Exchange Event, organized by the International Wood Culture Society. During the exchange, he created Fishing by the Cold River on site.
Artwork Title: Fishing by the Cold River
Artwork description: In this work, the artist preserves approximately 70% of the wood’s original bark and natural form, carving upon it a smiling elderly Chinese fisherman. Holding a fishing rod and carrying a basket full of fish, the figure returns home with a rich catch. The piece symbolizes the artist’s fruitful cultural exchange journey abroad. The entire work is carved using traditional techniques of Boxwood Carving, a national intangible cultural heritage of China, embodying the spirit of craftsmanship while conveying the depth and continuity of Chinese culture through woodcarving art.
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"The Oriental Smile" by ZHOU Yang
ZHOU Yang has been engaged in artistic creation for more than 30 years. He is currently a Senior Arts and Crafts Master, a Master of Arts and Crafts of Zhejiang Province, and an inheritor of Shaoxing’s Intangible Cultural Heritage in root carving. He also serves as Director of the Mihe Craftsmanship Museum in Shengzhou City. He has been awarded the honorary title of “National Rural Youth Arts and Crafts Master” by the Communist Youth League of China and is an appointed national-level woodcarving art researcher at the China Wood Carving Museum.
ZHOU Yang has participated in overseas cultural exchange visits organized by China’s Ministry of Culture and Tourism, conducting live carving demonstrations in countries such as Egypt and France, as well as in Hong Kong and Taiwan, China. He has also represented China in woodcarving technique exchange activities held by the International Wood Culture Society in Turkey, Nepal, and the United States. His creative focus is the Chinese Maitreya (Budai Monk) theme. His distinctive “Smiling Maitreya Travels the World” series has been included in the Chinese People’s Association for Friendship with Foreign Countries’ “Telling China’s Story Well” initiative, making it the only selected case from Zhejiang Province.
From June 7 to June 11, 2025, ZHOU Yang was invited to participate in the China–Iran Woodcarving Cultural Exchange organized by the International Wood Culture Society, during which he created the work The Oriental Smile on site.
Artwork Title: The Oriental Smile
Artwork Description:
Using the natural grain and color of the wood, the artist carved an image of Maitreya Buddha. Humanity needs smiles, tolerance, and confidence to face all aspects of life, as well as reverence for nature—values that embody the spirit of Maitreya. The image of Maitreya Buddha has been passed down in China for thousands of years, and its artistic expression continues to evolve, conveying the emotional and cultural spirit of the Chinese people.
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Henan Week of China Pavilion at Expo 2025 Osaka: Woodblock New Year Picture Event Kicks Off
On August 21, the Henan Week opened at the China Pavilion of Expo 2025 Osaka with the theme "Innovative Henan, Win-Win Cooperation." The three-day event features cultural exchanges and displays of intangible heritage, including Kaifeng Woodblock New Year Pictures, demonstrated by renowned artist Li Li.
Li Li, born in 1980, is the director of the Woodblock New Year Picture Museum in Kaifeng and a national-level inheritor of the craft. Alongside his brother Ren Tao, he learned the art from their father, Master Ren Helin, and has dedicated his life to preserving the tradition.
During the event, Li Li gave live demonstrations of the woodblock printing process, drawing large crowds. Over a thousand visitors participated in hands-on printmaking on the first morning alone.
Originating in the Northern Song Dynasty, Kaifeng Woodblock New Year Pictures often depict myths, legends, and historical tales, expressing hopes for luck, peace, and happiness. The Door Gods prints are especially iconic, known for their bold, vivid style.
The event allowed international visitors to engage directly with Chinese heritage, with this ancient art form building a bridge between cultures.
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Japan Pavilion | EXPO 2025 - IWCS Film Series
Designing a better future begins with how we relate to nature, materials, and daily life—from the way we build to the way we live.
This film explores the Japan Pavilion at Expo 2025 Osaka, Kansai—an architectural project built with domestically grown cedar CLT, where the boundary between interior and exterior is intentionally softened.
Through its structure, visitors experience changing light, shifting perspectives, and the passage of time—reflecting principles found in traditional Japanese architecture and Japan’s approach to living with nature.
Rather than offering conclusions, the film observes the space and its ideas—inviting audiences to reflect on what remains with them afterward.
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Dialogue Theater - Sign of Life | EXPO 2025 - IWCS Film Series
In this IWCS Expo 2025 documentary series, featuring DialogueTheater – sign of life Pavilion. Through an in-depth conversation with architect Mr. Takashi Suo, we uncover the story and vision behind the project—how two former wooden school buildings from Nara and Kyoto have been reimagined, what it means to create a building with memory, and why breathing new life into an old structure matters today.
The film reflects on architecture as dialogue: between past and future, people and place, and the enduring role of cultural spaces in shaping our shared human experience.
Produced by the International Wood Culture Society (IWCS)
Subscribe to follow our IWCS Expo 2025 series, where each film shows how wood is not only something we build with, but also something that carries memory, inspires innovation, and connects people.
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#??????????? #DialogueTheater #??????? #signoflife
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Sumitomo Pavilion | EXPO 2025 - IWCS Film Series
Presented by the International Wood Culture Society (IWCS), this mini-documentary explores the inspiring story behind the Sumitomo Pavilion at Expo 2025 Osaka.
Constructed from sustainably sourced Japanese Cypress and Cedar grown in Sumitomo’s own forests, the pavilion embodies a remarkable 400-year legacy of forest stewardship. Guided by insightful conversations with Mr. Terajima, Deputy Director of the Sumitomo Pavilion, and Mr. Honma, Architecture Producer, we uncover how this deep-rooted historical bond shapes every detail—from its mountain-inspired architecture and carefully selected materials, to interactive experiences.
Join us in exploring how Sumitomo Pavilion inspires us all to treasure and protect forests—for the future we’re designing today, and for generations yet to come.
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Trailer | EXPO 2025 - IWCS Film Series
This film introduces IWCS’s Expo documentary series—a collection shaped through three months of filming across the pavilions and the many stories of Expo 2025 Osaka. The series follows a reverse storyline, tracing a journey from the future back to our origins.
We begin with circular architecture and sustainable cities, move through wooden design and cultural heritage, then return to the landscapes and oceans that shaped human life, before arriving at the essential dialogue between wood and humanity.
Through the perspective of the International Wood Culture Society, we hope to offer not only images and narratives, but a way of seeing the interconnected world we share—a world where nature, culture, and human creativity are not separate chapters, but parts of an evolving story.
#Expo2025 #OsakaExpo2025 #WorldExpo2025 #IWCS #InternationalWoodCultureSociety #WoodCulture #WoodArchitecture #TimberDesign #SustainableCities #CircularArchitecture #DocumentarySeries #CulturalHeritage #FutureCities #RegenerativeDesign
#WoodCraft #PavilionStories
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"Restore Green to Nature" by CHEN Baoming
Chen Baoming is a National First-Class / Senior Technician, Renowned Craft Artist of Fujian Province, Famous Arts and Crafts Master of Quanzhou City, Outstanding Technical Expert of Quanzhou City, and a recipient of the May 1st Labor Medal of Quanzhou City.
He began his apprenticeship in 1988 under a veteran craftsman from Hui’an, continued advanced training at Hongfa Craft Factory in 1990, and graduated from the Department of Art and Design at Northeast Normal University. In 2009, he founded the Yi He Yuan Woodcarving Craft Factory.
After decades of unremitting dedication, he has received numerous honors, including “Fujian Root Carving Art Master,” “Fujian Province Gold Medal Craftsman,” “National Arts and Crafts Industry Technical Expert,” and “China Woodcarving Champion.”
From June 7 to June 11, 2025, Chen Baoming was invited to participate in the Iran–China Woodcarving Cultural Exchange Event organized by the International Wood Culture Society. During the event, he created the work Restore Green to Nature, and collaborated with Xie Zhenggen on the piece Chinese Dragon.
Artwork Title: Restore Green to Nature
Artwork Description:
Centered on the theme of “everlasting green waters and mountains,” the work vividly portrays Su Dongpo planting trees. In the sculpture, Su Dongpo holds a hoe in one hand and a cup in the other, gazing into the sky as if contemplating how to help the sapling before him take root in fertile soil and grow strong under warm sunlight—leaving future generations a beautiful environment filled with vitality and hope.
Artwork Title: Chinese Dragon
Collaborating Artists: Chen Baoming, Xie Zhenggen
Artwork Description:
This piece employs a suspended carving technique to convey the majestic momentum of a dragon soaring into the heavens, fully expressing its powerful and commanding presence. The base, featuring the Three Sacred Mountains and Five Great Mountains, symbolizes the grandeur of the Chinese land. Ink-style coloration brings to life a Chinese dragon imbued with distinctive Eastern spirit and charm.
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Ge Yunfei is a master craftsman from Baoding and a senior arts and crafts artist. He has devoted more than forty years to the research and creation of root wood carving since 1983. He is recognized as a Root Carving Art Master of Hebei Province, a First-Class Folk Arts and Crafts Artist of Hebei Province, a Baoding Arts and Crafts Master, and the inheritor of the Ge Family Root Carving Intangible Cultural Heritage project of Baoding, Hebei. He is also the founder of the Yunfei Root Carving Art Studio.
From June 7 to June 11, 2025, Ge Yunfei was invited to participate in the Iran–China Woodcarving Cultural Exchange Event, organized by the International Wood Culture Society. During the event, he created the woodcarving artwork "Silk Road" on site.
Artwork Title: Silk Road
Artwork Description:
Inspired by ancient camel caravans, the work vividly recreates the hardships and splendor of merchants traveling the Silk Road—crossing mountains, rivers, and vast deserts. The piece symbolizes the Silk Road as a historic bridge that connected Eastern and Western civilizations.
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The 41st National Kezuroukai Competition – Osaka Katano Tournament
Kezuroukai is a Japanese woodworking event dedicated to the art of producing ultra-thin wood shavings, known as kezuribana, using the traditional kanna hand plane. The competition highlights the incredible precision of Japanese carpentry, where surfaces become so smooth that water will not penetrate them.
Beyond the contest, the event aims to preserve and pass on traditional hand-tool skills, promote the value of wood as a sustainable material, and strengthen local communities. Demonstrations, children’s workshops, and collaborations with the Takenaka Carpentry Tools Museum showcase the culture of craftsmanship and the joy of making things by hand.
International participants express admiration for Japanese tools and techniques, while organizers hope the experience inspires future carpenters, designers, and wood enthusiasts. The documentary captures the spirit of the Osaka Katano event and concludes with awards supported by IWCS and JWCS, leading toward the next Kezuroukai in Miki in 2026.
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Saeki House: A Home of Wood and Memory
This documentary explores the 363 year-old historic Japanese estate once tied to the Date Clan (also known as Sendai Domain), now preserved by descendants of the Saeki family. Through interviews of the family members, we uncover the unique architecture of the house, its deep-rooted connection to the traditional craftsmanship, and its role in safeguarding rare literary works, including those related to the famous Japanese Poet, Mr. Kenji Miyazawa. This video highlights how locally sourced wood—such as zelkova, chestnut, and paulownia—shapes the structure and identity of the house. As depopulation threatens rural heritage, this documentary celebrates the resilience of cultural memory and the importance of passing on history, craftsmanship and values to future generations.
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Saeki House: A Home of Wood and Memory (Introduction)
This documentary explores the 363 year-old historic Japanese estate once tied to the Date Clan (also known as Sendai Domain), now preserved by descendants of the Saeki family. Through interviews of the family members, we uncover the unique architecture of the house, its deep-rooted connection to the traditional craftsmanship, and its role in safeguarding rare literary works, including those related to the famous Japanese Poet, Mr. Kenji Miyazawa. This video highlights how locally sourced wood—such as zelkova, chestnut, and paulownia—shapes the structure and identity of the house. As depopulation threatens rural heritage, this documentary celebrates the resilience of cultural memory and the importance of passing on history, craftsmanship and values to future generations.
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“Shared Wood Art • Colorful Intangible Heritage”— Highlights of the Cultural & Artistic Exchange for Disability Inclusion
On November 3, 2025, the “Shared Wood Art • Colorful Intangible Heritage” Cultural and Artistic Exchange for Disability Inclusion was successfully held at the Lecture Hall of Wenzhou Open University. Jointly organized by Wenzhou Open University, the International Wood Culture Society, and the Wenzhou Disabled Persons’ Federation, the event centered on the theme “Intangible Heritage Inheritance • Inclusion of Persons with and without Disabilities • An International Perspective,” promoting cross-disciplinary integration between wood culture and traditional craftsmanship.
Greek wood artist Georgios Athanasakis, Cyprus wood artist Antri Pafiti and Gao Gongbo, Master of Chinese Arts and Crafts, along with more than 20 representatives of Wenzhou’s disabled inheritors of intangible cultural heritage, gathered with university faculty and students and media representatives to witness this cultural celebration.
The opening ceremony featured speeches by Wu Ting, Secretary of the Party Committee of Wenzhou Open University; Huang Lichun, Vice Chairman of the Wenzhou Disabled Persons’ Federation; and Su Jinling, Secretary-General of the International Wood Culture Society. The event was hosted by Zhu Xiangjun, Vice President of Wenzhou Open University.
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One Museum, One Corridor, One Wall, One Path - A Natural Canvas Painted by Ancient Tree Roots
Mr. Wu Xiaohong, Founder of Zhejiang Oriental Plum Garden Co., Ltd., personally guided a delegation from the International Wood Culture Society on an in-depth visit to the Ancient Forest Museum, the Ancient Forest Art Corridor, and other landmark sites. Through this immersive experience, the group closely encountered the profound heritage of China’s ancient forest culture and the unique artistic appeal of wood art.
Drawing inspiration from the natural grain, texture, and flowing lines of ancient tree roots, Wu Xiaohong elaborated on his original concept of “One Museum, One Corridor, One Wall, One Path.” Carefully excavated and thoughtfully displayed, these tree roots unfold like mural paintings, revealing an artistry shaped entirely by nature.
Centered on an art space themed around “traces,” Wu aims to inspire a deeper appreciation of the aesthetic and historical value embedded within tree roots. They are both tangible imprints of time and emotionally resonant works of natural art. This nature-born artistic expression and cultural depth have deeply moved many visitors, while also offering fresh perspectives for the future of wood art creation and the preservation and development of cultural heritage.
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Ancient Forest Art Corridor
The inspiration for the Ancient Forest Art Corridor came from Wu Xiaohong's trip to a cave. He used 40 ancient camphor tree roots, each with a tree age of 500-1000 years, to create a cave-like structure. The largest root is as tall as seven or eight meters.These ancient camphor roots come in various shapes, with each root having unique grains and lines, full of natural "traces."
The Ancient Forest Art Corridor is also an important part of the "Museum of Traces" that Wu Xiaohong plans to build later. Every trace, texture, and line here carries unique artistic value.
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Hand Down from Generation to Generation: Woodcarving Artist Yang Hengqing
Yang Hengqing comes from a family of woodcarvers in Hengyang City, Hunan Province. Immersed in the craft from an early age, he developed a deep interest in woodcarving. Later, while studying fine arts at a normal university, he was exposed to academic-style woodcarving, which further ignited his passion for artistic creation. In 2012, he officially devoted himself to woodcarving. Using the carving knife as his brush, Yang blends traditional techniques with modern aesthetics. His works retain an ancient charm while radiating creative vitality. They have received numerous awards at art exhibitions both in China and abroad, and many have been collected by museums.
As a Chongqing Arts and Crafts Master and an intangible cultural heritage inheritor, Yang Hengqing is not only a highly skilled craftsman but also a devoted advocate for the preservation and innovation of woodcarving culture. His creations focus on contemporary life and the spirit of the times, expressing themes of beauty and positivity through woodcarving. Meanwhile, he actively teaches and mentors young artisans, ensuring that the art of woodcarving continues to be passed down through generations.
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NEW et CURIOUS - Burning Man 2024
A new Burner from Burkina Faso, experiencing Burning Man for the first time, seeing all the spectacular arts and scenery in Black Rock City.
IWCS presents an extraordinary journey — our staff member Naze Abdou’s first experience at Burning Man.
The film follows Naze as he steps into the desert with fresh eyes, navigating the creativity of Black Rock City — from exploring massive wooden installations to joining in communal activities.
Through his perspective, we see not only the iconic temples and sculptures, but also the spirit of curiosity, openness, and connection that defines Burning Man.
This is a story about being new and curious, and discovering the connection between wood and its community in the heart of the desert.
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The Tianqin, an ancient musical instrument originating 5,000 years ago from the Luoyue ethnic group, has long been referred to as "Dingding" among the folk due to the resonant sound it produces. After in-depth research by Guangxi ethnomusicologist Fan Ximu, it was officially named "Tianqin." In the film, Mr. Qin Huabei, a fourth-generation inheritor of the Zhuang ethnic Tianqin tradition (recognized as intangible cultural heritage), passionately shares with us the craftsmanship, materials used, and the historical legacy of the Tianqin.
The making and playing of the Tianqin is not merely an artistic expression - it is also a reverent continuation of ancestral wisdom and culture. With strong support from the local government, Mr. Qin Huabei has been actively engaged in the preservation and promotion of Tianqin culture. Through teaching in schools, carefully mentoring apprentices, composing new songs, and performing, he is dedicated to ensuring that this precious cultural heritage continues to thrive and evolve in the modern era.
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Nyckelharpa Luthier Esbjorn Hogmark
Esbjörn Hogmark is currently the best Nyckelharpa Luthier. IWCS was very honored to have the opportunity to interview him. In this video, you get to see musical performances from him and his family. Apart from talking about his past life experiences, this video also shows parts of the instrument-making process.
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Yangliuqing Woodblock New Year Prints in Tianjin
Yangliuqing woodblock New Year Prints are a traditional folk art from Tianjin, China, and are recognized as one of the national intangible cultural heritages. The engraving for these prints are often carved from local pearwood, and the production combines traditional woodblock printing with hand-coloring techniques. The prints are known for their delicate details, bright colors, wide range of themes, and auspicious meanings, symbolizing the people's wishes for a better life. Yangliuqing Woodblock New Year Prints flourished during the late Ming and early Qing dynasties. Although they faced decline due to wars, natural disasters, and the impact of lithograph, they began to revive with the support of national policies.
Huo Qingyou, an inheritor of Yangliuqing Woodblock New Year Prints, with the artistic name Gu Yizhang, was born in Tianjin in 1952. Growing up in a family environment rich in artistic influence, he developed a deep passion for New Year Prints from a young age. Starting in the 1980s, Huo Qingyou dedicated himself to studying and inheriting his father’s craft, becoming one of the few Yangliuqing artists skilled in all aspects of the art—outlining, engraving, printing, painting, mounting. His efforts helped revive the nearly extinct woodblock hand-painted Yangliuqing New Year Prints, allowing them to continuously innovate and develop. Huo places great emphasis on the quality of his creations and the preservation of folk culture, while also blending traditional craftsmanship with modern market demands. Through this, he actively passes down and promotes the folk culture, helping more people understand and appreciate Yangliuqing New Year Prints.
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Innovations in Flat Cloisonné Enamel Art
Wan Peixuan, a cloisonné enamel artist from Taiwan, showcased her cloisonné artworks at the 18th Cross-Strait (Putian) Crafts Expo. In the exhibition, she used bamboo and wooden wares as the base materials, combining them with the cloisonné enamel wire inlay technique to create pieces that are both functional and decorative.
In addition, Wan Peixuan shared the inspiration she gained from participating in the International Wood Culture Society exhibition, where she integrated the flat cloisonné enamel technique with traditional mooncake molds. This demonstrated her innovative application of traditional craftsmanship and her pursuit of beauty.
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"Great Fortune and Prosperity" by Yang Dongfang
Yang Dongfang, from Jining City, Shandong Province, is a bamboo and wood carver, senior craft artist, and a first-level national technician. He won the Champion of the 13th "Yiding Cup" China Woodcarving Competition. In 2015, he founded the "Dongfang Woodcarving Studio," and in 2016, he established the "Dongfang Bamboo and Wood" brand. Over the years, he has created numerous outstanding works with a wide range of themes, receiving high praise from industry professionals and collectors. His works have won multiple prestigious awards within the industry.
The 15th "Yiding Cup" Woodcarving Skill Competition was grandly held from September 21 to 26, 2024, at the Putian Craft Art City. A total of 42 woodcarving competitors from across the country made it to the finals. This was the third time Yang Dongfang participated in the "Yiding Cup," and he created the work "Great Fortune and Prosperity" during the final competition.
Title of the Work: "Great Fortune and Prosperity"
Description of the Work: The piece is titled "Great Fortune and Prosperity," a play on words that sounds like "Great Rooster and Prosperity." It showcases the expressive brushwork technique of traditional Chinese painting on wood, making full use of contrasts between solid and empty space to create a unique form of expressive wood carving. The exaggerated portrayal of the rooster's sharp expression, as it gazes intently at the praying mantis, vividly captures the rooster’s combative nature.
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2024 Cross Strait (Putian) Crafts Expo
From September 29 to October 2, 2024, the International Wood Culture Society was invited to host the Wood Culture Experience Hall during the 18th Cross-Strait (Putian) Craft Expo. This event, themed "Diversity of Wood in Culture," included exhibitions and experiences on topics such as wood knowledge, wood with clothing, food, housing, transportation and entertainment, wood art, and a small woodworking workshop. Among these, the wood art section showcased wood carvings from 16 countries along the Silk Road, reflecting the history, culture, and art of different nations. It also featured Chinese wood carving works with "loong" elements as a theme, created by Chinese wood artists.
In the Wood Culture Experience Hall, through hands-on participation and immersive activities, the audience is no longer just a spectator. They are encouraged to spark their own creativity and take home a unique emotional experience. Wood is a recyclable, renewable, and durable environmentally friendly material. The International Wood Culture Society hopes that through such an experience hall, it can inspire a love for wood and promote the responsible use of wood and forests.
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Fuzhou Frog Ship by Zhang Shengzhi
Zhang Shengzhi, born in April 1970 in Fuzhou, Fujian, is a senior teacher of General Technology at Fuzhou No. 8 School. He is a subject leader in Fujian Province, a training target for educational experts in Fuzhou, a part-time associate professor at Fujian Education Institute, and a practical supervisor for master's students at Fujian Normal University. Zhang has long been dedicated to teaching General Technology and Labor Education in senior high schools. He specializes in using woodworking projects as teaching tools to cultivate students' core competencies, such as innovation, engineering thinking, and practical skills. Zhang is passionate about various forms of wood carving, wood turning, woodworking, and wood culture, and he actively shares his knowledge and influences the younger generation.
The 18th Cross Strait (Putian) Crafts Expo was held from September 29 to October 2, 2024, at the Putian Arts and Crafts City Exhibition Center. During the expo, the China Artisan Cup Innovation Design Competition, organized by the China Arts and Crafts Society, was also held. A piece titled "Fuzhou 'Frog Ship'", recommended by the International Wood Culture Society, won the Gold Award in the Craft Arts category of the competition.
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Wood Culture Experience Center at The 2024 World Forest Products Exhibition
The 2024 World Forest Products and Wood Products Exhibition held at the Nanning International Convention and Exhibition Center in Guangxi from November 23 to 25. The International Wood Culture Society (IWCS) presented the "Wood Culture Experience Center" in the International Pavilion. Around the theme of "Diversity of Wood in Culture", the Wood Culture Experience Center began with wood knowledge, providing an immersive cultural experience for the audience through wood and life, mortise and tenon production, and international forest crafts to feel the important role that wood plays in clothing, food, housing, transportation, art, entertainment and education.
The exquisite decoration and rich exhibition content in the Wood Culture Experience Center fully mobilized the audience's sensory experience, attracting many guests to explore and feel the benefits of wood and the unique charm of wood culture. IWCS will continue to work on the Wood Culture Experience as a brand, to promote the importance and value of wood and the responsible uses of wood and forest.
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The 40th National Kezuroukai Hadano Tournament
The 40th Kezuroukai celebrates Japan's rich woodworking heritage, showcasing masterful skills and timeless techniques like hand planing and the use of the yari-kanna. This event is not just a demonstration of craftsmanship but a bridge between generations, fostering knowledge and wisdom through hands-on experiences. With a focus on preserving traditional methods while inspiring innovation, it highlights the artistry of enhancing wood’s natural beauty. By emphasizing education and youth engagement, Kezuroukai ensures its legacy endures, connecting culture, craft, and community. This milestone event reflects the dedication to excellence and sustainability that defines Japan’s woodworking tradition, making it truly inspiring.
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From July 24-26, 2024, the "2024 First Macau International Percussion Competition and the Sixth China Marimba Arts Festival" was successfully held at the City University of Macau. This video features a performance from the event and was recorded, filmed, and edited by the International Wood Culture Society.
The marimba ensemble piece Splendor Stars was brilliantly performed by the "Liu Keke Percussion Ensemble." Founded in 2023, the ensemble is led by Zhang Liu, a young percussionist and JIAXUN Keyboard Percussion Artist, serving as its Artistic Director. The members include winners of major national competitions and students from prestigious music conservatories. The ensemble has won the Gold Award in the Keyboard Percussion category for the Youth Social Group at the 17th National Youth Percussion Competition.
Composer: Chin Cheng Lin
Arranger: Zhang Liu
Performed by: Zeng Haoliang, Lin Zhihan, Lin Yuheng, Wu Shuzhe, Gao Zhikai, Lin Weikun, Xu Hanyi
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The Journey of Iranian Woodcarver, Alireza Bavandpour at the Yiding Cup Event
The 15th Yiding Cup Wood Carving Competition was grandly held from September 21 to 26, 2024, at the Putian Arts and Crafts City. This competition was jointly organized by the China National Light Industry Council, the China Arts and Crafts Association, and the Trade Union of Financial and Commercial Workers, Light Industry and Textile Workers, Tobacco Industry Workers. A total of 42 woodcarving contestants from regions including Shandong, Zhejiang, Hunan, Inner Mongolia, and Fujian advanced to the finals.
With coordination from the International Wood Culture Society, the competition specially invited renowned woodcarving artist Alireza Bavandpour from Kermanshah Province in western Iran to participate in the exhibition and performance. Alireza Bavandpour is the coordinator of the society's Iran Working Group, the organizer of five regional events for World Wood Day in Iran, and a three-time invited participant in the live woodcarving projects for World Wood Day. During the event, he created a piece titled Homeland, symbolizing Iran's rich and ancient civilization. His participation brought a more diverse and professional perspective to this year's "Yiding Cup" competition.
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Collector Liu Dong’s Obsession and Persistence
At the age of 17, Liu Dong began working at a furniture factory in Beijing, where he learned skills such as carving and the restoration of ancient artifacts. Later, he established the Mujushanfang Restoration Studio, specializing in the ancient artifact restoration and ancient architectural components.
Since 2008, Liu Dong has been collecting antiques from regions such as Shanxi Province. His collection is divided into four main categories: tables, seats, cabinets, and wood carvings, with the largest number of items being incense tables. In an interview, he explained that the earlier pieces in his collection are made from pine wood, while furniture from the Ming and Qing dynasties is mostly made from elm wood, locust wood, walnut wood, poplar wood. Liu Dong hopes to one day turn these collections into an exhibition, allowing more young people to take an interest in and appreciate them.
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“Uproar in Heaven” is a traditional opera from the Chinese Beijing opera repertoire, with its story adapted from chapters five and six of the classic novel “Journey to the West”. From July 24-26, 2024, the "First Macau International Percussion Competition and the Sixth China Marimba Arts Festival" was successfully held at the City University of Macau. This video showcases one of the performances from the event, arranged by Wang Jianhua and performed by seven musicians, including Zeng Haoliang and Lin Zhihan. The video was recorded, filmed, and edited by the International Wood Culture Society.
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Fengxiang Dyeing - A Profile of Luo Shilin, Inheritor of the Bouyei Ethnic Clothing Tradition
Fengxiang Dyeing is a traditional resist dyeing and printing technique. It involves using resin from old liquidambar formosana, mixed with a small amount of butter, which is simmered over low heat and then filtered to create maple oil used as a wax seal. A brush dipped in the melted liquidambar formosana oil mixture is used to paint patterns on handwoven white fabric. The fabric is then dyed with indigo, and after dyeing, the oil is removed by boiling the fabric in hot water, followed by rinsing in clean water, drying, and pressing. In 2008, Fengxiang Dyeing was included in the national list of Intangible Cultural Heritage.
Luo Shilin, the inheritor of the sixth batch of Bouyei ethnic clothing projects in Guiyang, is a native Bouyei. She has a deep appreciation for the traditional culture of her village and cherishes the traditional craftsmanship passed down by her ancestors. After completing her university studies, she made the resolute decision to return to her village, joining other young people in taking on the mission of rural revitalization.
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Presented by the International Wood Culture Society, this video delves into the evolution of traditional Swedish wooden architecture. Featuring insights from two architects, viewers are taken on a journey from the historical to contemporary uses of wood in Swedish architecture, showcasing the enduring significance and versatility of this material in building design.
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Moments (Burning Man 2023)
Presented by the International Wood Culture Society, "Moments: Luz and Nox — Art in Motion" is a visually stunning documentary that explores the profound impact of art installations at Burning Man. Through its distinct segments, Luz and Nox, the film offers a unique perspective on how these dynamic artworks breathe life into the desert landscape, engaging with elements like sandstorms, rainfalls, light, and shadow to create a transient yet impactful presence.
This visual journey not only showcases the unique art and culture of Burning Man but also reflects the International Wood Culture Society’s dedication to sustainability and innovation.
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Root Carving of “Great Han Historical Records” by Wu Kun
Wu Kun is a master of arts and crafts from Sichuan Province, China. In 1995, he founded the first wood carving factory in Lushan County—Lushan Dongfang Root Carving Factory. He has devoted himself to wood and root carving, excelling in fine carving skills and innovative thinking. His works have won 164 gold, silver, and bronze awards in more than 40 national, provincial, and municipal arts and crafts competitions.
Many of Wu Kun's works are inspired by Han Dynasty culture. His "Great Han Historical Records" series consists of six pieces, including "Recovering the Lost Land," "Prayer," "The Source of Great Han," "The Song of Great Han," and "The Shame of Great Han," among others. Through skillful design and vivid carving, the artist reflects and showcases Lushan's rich historical heritage as the "Hometown of Han Dynasty Artifacts."
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Nanfeng Nuo Carving - Luo Chunming, the Inheritor of Nuo Mask Carving
Nanfeng Nuo Dance is hailed as the "living fossil of ancient Chinese dance." Every year, the Starting Nuo is on the first day of the Chinese New Year and the Concluding Nuo is after the Lantern Festival. During this period, Nuo troupes follow ancient rituals, performing ceremonies to expel ghosts and epidemics, praying for good weather and abundant harvest, and household peace. Nuo masks are symbolic representations of Nuo culture and serve as vessels for deities during Nuo Rituals. Consequently, the carving of Nuo masks has become an ancient folk art.
As one of the many Nanfeng artists engaged in Nuo mask carving, Luo Chunming has been practicing this craft for over 30 years. Currently, there are more than 100 types of Nanfeng Nuo masks, totaling over 2,000 pieces, primarily made from poplar wood and camphor wood, with camphor wood being the more commonly used material. Nanfeng Nuo masks feature a wide variety of characters with diverse and unique designs. In addition to iconic figures such as Zhong Kui, the God of Wealth, and Nuo Grandpa and Nuo Grandma, there are many characters from folk stories, including notable figures from “The Journey to the West" and "Romance of the Three Kingdoms."
The production process of Nuo masks involves Wood Selection, Rough Blank, Fine Billet, Polishing, Coloring. As a prop used by performers, Nuo mask carving demands high quality. The masks must not only be well-carved and expressive on the outside but also comfortable to wear inside, achieving excellence both externally and internally. Luo Chunming emphasizes the importance of staying true to one's original intentions and dedicating oneself to the craft. He believes that mastering the skills and ensuring their transmission will be a lifelong pursuit for him.
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The "Grand Gathering of Screens" Exhibition on Ancient Screen Art
The "Grand Gathering of Screens" exhibition on ancient screen art is a themed exhibition held in conjunction with the release of the new book "Screens." It is jointly organized by Zhongmao Shengjia International Auction Co., Ltd., Wanquantang Ancient Furniture Art Museum, and China Forestry Publishing House, and is displayed at the Shengjia Art Center. The exhibition runs from May 12 to 31. Over 30 rare and unique screens are making a prominent appearance at the Shengjia Art Center.
Mr. Liu Chuansheng is a collector and connoisseur of ancient Chinese furniture and the founder of the Beijing Wanquantang Ancient Furniture Art Museum. His deep connection with screens began with a love at first sight for a black lacquer painted screen and a black lacquer plain screen. This sparked over twenty years of relentless exploration. His long-term observation, reflection, and insights into screens have culminated in the book "Screens."
On the day of the event, Mr. Liu Chuansheng led the attendees on a tour of the "Grand Gathering of Screens" exhibition on ancient screen art and introduced some of the exhibits. Following the tour, the attendees gathered to engage in a discussion on the topic of "Inheritance and Innovation in Ancient Furniture Art."
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The 9th National College Youth Carpentry Skills Competition
From April 11 to 14, the 9th National College Youth Carpentry Skills Competition and the 2025 World Wood Day International Young Adult Furniture Making Invitational (China) Qualification Competition was successfully held at Guizhou Traffic Technician and Transportation College.
As one of the regional events of World Wood Day 2024, themed "The Diversity of Wood in Culture," this year's carpentry competition focused on "Caring for the Left-behind Elderly and Children in Rural Areas." Participants were required to design blueprints in advance and complete a hand-crafted "chair with armrests" within 16 hours. The main material used for the competition was beech. A total of 28 contestants from 15 provinces and municipalities, including Zhejiang, Hubei, Sichuan, Heilongjiang, Shanghai, and Tianjin. These contestants came from various institutions, including universities, vocational colleges, and technician schools, with the youngest being only 16 years old.
During the competition, the contestants showcased their skills and creativity by crafting chairs with diverse styles, all demonstrating their care and love. They exchanged techniques and insights, not only displaying exceptional craftsmanship but also showing great spirit and passion for woodworking. Ultimately, Huang Wenliang from Guizhou Traffic Technician and Transportation College won first prize and will be invited to represent China in the 2025 World Wood Day International Young Adult Furniture Making Invitational.
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A Visit to Bethlehem Mission Society
Swiss alphorn player Mike Maurer made a journey to Taitung arranged by IWCS and WWDF to show the gratitude of 70 years of Bethlehem Mission Society of Switzerland's evangelization in Taiwan.
The first stop was the Bethlehem Mission Society where he learned about the history and legacy of the missionaries; Piyoxo Catholic Church and the grave of the fathers, where Mike’s music served as a tribute to their enduring spirit and profound impact. Later, Mike visited Taitung Art Center, Bethlehem Love Art Exhibition where 34 artists record and pass on the touching stories of the mission. Also founded by Swiss priest, Kung-Tung Vocational High School woodworking department considered as the cradle of Taiwanese woodworking, Mike had the chance to listen to the angelic vocal of the choir, marking this magical journey full of thankfulness.
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Explore Nepal's Natural Heritage Chitwan National Park
On July 22, 2023, a group of twelve members from the International Wood Culture Society embarked on a cultural tour of Nepal, heading to the capital city, Kathmandu, for a week-long cultural exploration. After visiting the ancient Newar village of Bungamati in the southern part of the Kathmandu Valley and several renowned UNESCO World Heritage sites in Nepal, the expedition arrived at the Chitwan National Park located on the vast plains of southern Nepal.
Chitwan National Park was once the royal hunting grounds of Nepal and was inscribed as a UNESCO World Heritage Site in 1984. It serves as a natural wildlife reserve in the Himalayan foothills region, covering an area of 930 square kilometers. The fertile soil nourished by river sedimentation supports dense forests and picturesque landscapes within the reserve. It harbors a rich diversity of flora and fauna, with documented sightings of 68 mammal species, 544 bird species, 56 reptile species, and 126 fish species. It is renowned for its population of unicorn rhinoceros and Bengal tiger.
Under the guidance of jungle guides, members of the expedition embarked on jungle exploration. Whether it was hiking through the jungle, riding in canoes, visiting the Elephant Breeding Center, or observing animals at night, everyone experienced unique and novel adventures. At the special request of the expedition, the jungle guides provided detailed introductions to the trees in the forest. Chitwan is characterized by tropical and subtropical forests, with approximately 70% of the park covered by Shorea Robusta. The remaining vegetation includes 20% grasslands, comprising over 50 different types of grasses, including Saccharum spp, renowned for its towering height. The guides particularly highlighted the cotton tree, with its tall and straight trunk, which serves as excellent material for making boats. The canoe used by the expedition was made from this type of tree.
Chitwan National Park is a beautiful gift from nature, marking the perfect conclusion to the week-long Nepalese Wood Culture Tour. Through cultural exchanges and exploration, the tour delved deeply into Nepal's culture and nature, life and art. This mysterious and magnificent land has left all members of the expedition with unforgettable memories of its beauty!
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April 11th is World Parkinson's Day. In order to awaken everyone's understanding of Parkinson's, Taiwan Tulip Movement Disorders Association hold various activities every year during World Parkinson's Day. April 11th 2024, it's the first Parkinson's Table Tennis Tournament. Every participant enjoyed the competition and had a wonderful experience.
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Traditional Handloom Weaving
Handloom weaving is the ancient art of crafting textiles using a loom operated manually, rather than by automated machinery. This time-honored tradition has roots tracing back to antiquity and continues to play a vital role in numerous cultures globally. Each culture boasts its distinct style and technique of handloom weaving, contributing to the rich tapestry of human creativity and heritage. The documentary was filmed in Bahrain.
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Wood Culture Tour - Exploring Nepal's Cultural Heritage
On July 22, 2023, a group of twelve members from the International Wood Culture Society embarked on a week-long cultural exploration trip to the capital of Nepal, Kathmandu.
After visiting the ancient Newari village of Bungamati in the southern Kathmandu Valley, the tour proceeded to explore Nepal's famous UNESCO World Heritage sites over the next two days. These included the largest Buddhist stupa in Nepal, Boudhnath Stupa, the oldest temple in Asia, Swayambhunath Temple, the pilgrimage site of Pharping, the Mahabuddah Temple built in 1585, and the renowned open-air museum of Patan Durbar Square.
Nepal is renowned for its unique architecture and carvings. During the Malla Dynasty, Nepal reached its peak in architectural, artistic, and cultural development. Its classical temple architecture, palaces, and unparalleled carving and decorative arts have contributed to the splendid UNESCO World Heritage sites we see today.
The distinctive cultural and historical landscape of Nepal left a profound impression on the members of the exploration team. The exquisite wood carvings, stone sculptures, bronze artifacts, and architectural decorations found everywhere deeply captivated several Chinese wood carving masters. Within the cultural heritage and in the lives of the people, one can truly feel the profound cultural heritage of Nepal.
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Bill Prickett: Sculpting the Essence of Nature
This documentary glimpses into the life and work of Bill Prickett, a master woodcarver based in Kent, UK. Born in 1965 with a passion for wildlife, Bill's journey took him from working at Windsor Safari Park to exploring the world's natural habitats, from the Congo to Australia. The film highlights Prickett's meticulous approach to his craft, from selecting the perfect piece of wood to the final touches that breathe life into his sculptures.
Influenced by his diverse experiences and deep bond with wildlife, Prickett's work seeks to embody the spirit of the natural world. His sculptures, varying from realistic portrayals to abstract interpretations, echo the behaviors and personalities of their wildlife subjects. Whether working with traditional wood or modern plywood, Prickett thoughtfully selects materials that best express the distinct qualities of each piece.
Bill Prickett's sculptures are not just artworks; they are narratives of his life's journey, a testament to his belief in the power of natural beauty and the stories it can tell. For more on his sculptures and philosophy, visit his official website at https://www.billprickett.co.uk/
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A music video depicting a woman trying to runaway and find a sacred safe haven for herself in the woods. The video was shot at the Sequoia National Park in California.
Wooden Musical Instrument: Native American Flute
Performed by Rose Angel, a recording artist flutist, singer & song writer.
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Asahikawa is located in the center of Hokkaido, Japan and is Japan's northernmost island. Asahikawa is the region with the richest forest resources in Japan. Due to its unique natural geographical conditions, Asahikawa City has gradually developed into an important timber-producing area, furniture industrial area and trade center in Hokkaido, Japan.
The Asahikawa Design Center was established for the manufacturers and furniture companies that gather here. In addition to various kinds of furniture, there is also a museum introducing the history of Asahikawa furniture, a laboratory where tourists and locals can experience Asahikawa furniture and skills, and a selection area where you can buy furniture and handicrafts. Asahikawa International Furniture Design Fair (IFDA) was founded in 1990 and joined the UNESCO network in 2019. The Asahikawa Design Center also exhibited some outstanding competition entries.
In August 2023, the International Wood Culture Society team visited the Asahikawa Design Center. Under the leadership of Business Director Kevi Sugimoto, they visited the center and experienced the exquisite craftsmanship of Asahikawa furniture.
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Boxwood carving, a traditional folk handicraft, utilizes boxwood as its primary material, primarily crafted in Yueqing City, Zhejiang Province. Renowned for its slow growth, boxwood is often associated with the adage, "It takes a thousand years to grow a boxwood." Its enduring appeal lies in its resilient yet smooth texture, fine grain resembling ivory, and elegant yellow hue that deepens over time. These qualities, combined with its simple yet beautiful appearance and moderate hardness, make boxwood an exceptional choice for crafting intricate small-scale sculptures.
Ni Chengzhong is a national-level woodcarving researcher, a master of arts and crafts in Zhejiang Province, a senior arts and crafts artist, and a member of the Chinese Folk Literature and Artists Association. In 2013, he became a disciple of Wang Duchun, a master of Chinese arts and crafts and a national-level inheritor of intangible cultural heritage. The founder of Jirui Hall was employed by Yueqing Vocational Secondary Technical School to teach boxwood carving.
Exhibit name: "Warmth"
Exhibit size: 55cm×36cm×80cm
This boxwood carving depicts vanishing rural life, with three children huddled together in winter, exuding human warmth through their playful interactions. By blending relief and round carving techniques, the artist expands the expressive potential of boxwood carving.
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Return with Abundant Harvests by Gong Yuanxun
"The Dongchao Woodcarving Art School" is a fusion of the core techniques of woodcarving from Dongyang and Chaozhou, making it a "hybrid" woodcarving genre. Its founder, Master Li Zhongqing, combines the flat relief technique of Dongyang woodcarving with the three-dimensional modeling characteristic of Chaozhou woodcarving, resulting in artworks that possess both the layered depth of Dongyang woodcarving and the three-dimensional quality of Chaozhou woodcarving.
Gong Yuanxun, senior arts and crafts artist, master of arts and crafts in Chaozhou City, was born in 1985. He studied wood carving at the age of 18 and studied under Li Zhongqing, a master of Chinese arts and crafts. He was deeply taught and taught by his respected teacher. He has been engaged in research on Chaozhou Dongchao woodcarving art. He is the author of "Eastern Chao" Participants in the "Wood Carving Art School" project have created many outstanding works. His works have won many national and provincial gold awards.
Exhibit name: "Return with Abundant Harvests"
Exhibit size: 37cmX37cm X65cm
Shrimp and crab baskets in Chaozhou wood carvings symbolize the joy of fishermen's abundant harvests and their cultural legacy. For generations, these marine motifs have been cherished symbols for coastal communities, showcasing the exquisite craftsmanship of Chaozhou Dongchao wood carvings.
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Xian Shou (Offering Longevity) by Huang Qingluan
Longan woodcarving, deeply rooted in history, derives its name from the abundant longan wood found in Fujian. Renowned for its solidity, fine texture, and soft color, longan wood offers a unique canvas for artistic expression. The distinctive "curls" and "scars" of ancient longan trees lend a one-of-a-kind character to these carvings, setting them apart from other woodwork. Embodying the essence of Fujian wood carving, longan woodcarving stands as a cornerstone of China's rich artistic heritage, representing one of the nation's four major wood carving traditions.
Huang Qingluan was born in 1979 in Dongqiao Qianqin, Xiuyu District, Putian City. He had a talent for painting and art since he was a child. He studied under the master of wood carving, Mr. Min Guolin, and learned his true story. In recent years, he has been taught by Mr. Gao Gongbo, a master of Chinese arts and crafts, in the art of root carving. At the same time, he also became a disciple of Mr. Fang Wentao, a master of Chinese arts and crafts, and has perfected the art of figure sculpture. Huang Qingluan has been an artist for more than 20 years and is good at round carvings and root carvings of longan wood. On the basis of traditional skills, coupled with innovative factors in his understanding of wood carving creation, his works are mainly poetic expressions of imagery, artistic conception, and interest. On the basis of adhering to traditional technology, it has also made innovative developments. Its masterpieces have been collected by many museums at home and abroad, and have won dozens of gold, silver, and bronze awards at various expos.
Exhibit name: "Xian Shou (Offering Longevity)"
Exhibit size: 80cmX61cmX130cm
"Xian Shou (Offering Longevity)" is a masterpiece crafted from natural longan wood, embodying a harmonious blend of tradition and artistry. The depiction of "Shou Xing (longevity star)" exudes a serene aura as he gracefully holds a crutch, while the accompanying boy presents a Canistel, symbolizing abundance and vitality. Through meticulous carving techniques, the essence of the original tree roots is preserved in most materials, imbuing the artwork with an authentic natural charm. Witness the seamless fusion of craftsmanship and nature in this captivating creation.
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Win Together by Wang Xiancun
Boxwood carving, a traditional folk handicraft, utilizes boxwood as its primary material, primarily crafted in Yueqing City, Zhejiang Province. Renowned for its slow growth, boxwood is often associated with the adage, "It takes a thousand years to grow a boxwood." Its enduring appeal lies in its resilient yet smooth texture, fine grain resembling ivory, and elegant yellow hue that deepens over time. These qualities, combined with its simple yet beautiful appearance and moderate hardness, make boxwood an exceptional choice for crafting intricate small-scale sculptures.
Wang Xiancun, a senior arts and crafts artist, a master of arts and crafts in Zhejiang Province, a member of the Chinese Folk Literature and Artists Association, a member of the Wood Sculpture Committee of the China Arts and Crafts Association, studied under Mr. Yu Dingliang, a master of Chinese arts and crafts. Over the years, his exhibited works have won dozens of gold and silver awards. He has participated in domestic and foreign wood carving skills competitions many times and won awards. He has been employed by Yueqing Vocational High School to teach boxwood carving.
Exhibit name: "Win Together"
Exhibit size: 65cm×22cm×30cm
This piece employs a tug-of-war competition to symbolize the significance of teamwork. As individuals come together, each grasping onto the same rope, it underscores how collaborative efforts can lead to mutually beneficial outcomes, fostering a sense of unity and achievement for all involved.
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Okinawa Ukulele Exhibition 2023
The Okinawa Ukulele Exhibition 2023 was hosted in Itoman, Okinawa, Japan. Luthiers from Japan, Korea, and Taiwan exhibited their handcrafted ukuleles beside non-stop musical performances from Japanese, Korean, and Taiwanese musicians.
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International Wood Culture Hall at the 17th China Putian Straits Arts and Crafts Fair
The 2023 International Wood Culture Exhibition took place from September 28 to October 2, 2023, concurrently with the 17th China (Putian) Straits Arts and Crafts Fair. The International Wood Culture Society was invited to host this exhibition, featuring meticulously crafted distinctive carvings from artisans in nearly 50 countries and traditional handicrafts from Nepal, showcased at the Putian Arts and Crafts City.
The exhibition showcased items in five major categories. The 16 exhibits in the "International Wood Carving Art Exhibition" were works from the wood carving project held during the "World Wood Day" celebration in Siem Reap, Cambodia, in 2018. The rattan work "Pangolin" was a design piece from the 2018 "World Wood Day." The "Wishing Tree" was created in response to the 2021 "World Wood Day" activities, designed and produced by students from Yueqing Vocational School under the guidance of their teachers. The exhibition also featured representatives of China's traditional four major wood carving inheritors, presenting works from Dongyang Wood Carving, Boxwood Wood Carving, Longan Wood Carving, and Chaozhou Wood Carving. During the exhibition, coinciding with the Mid-Autumn Festival, the organizers held a small special exhibition of wooden cake molds. The exhibited items, originating from Hebei, Shanxi, and Shandong, were handcarved works by inheritors of intangible cultural heritage, expressing blessings and auspicious meanings.
In the interactive experience area of the exhibition, Ratna, the President of the Nepal Woodcarving Association, brought traditional Nepalese handicrafts such as wooden lattice windows and wooden masks. He also gave on-site demonstrations of traditional Nepalese wood carving for the audience. Dharma, the former president of the Nepal Handicraft Association and an artist specializing in Thangka painting and sculpture, showcased many exquisite Thangka artworks and demonstrated the art of Thangka painting on-site, highlighting Nepal's unique cultural heritage. A handmade experience area was also set up, allowing visitors to craft items such as chopsticks and spoons, providing them with a hands-on experience of the joy of craftsmanship.
Wood carving is a universal language, and the 2023 International Wood Culture Exhibition allowed the audience to appreciate both the global features of wood carving techniques and the integration of diverse cultures. It also provided an opportunity to admire traditional Chinese carving art. The organizers hope to promote the idea of "wood is good" and collectively move towards a greener and more environmentally friendly future.
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With the passion for Taiwan Acacia, the founder of The Egg, Mr. Yu-Cheng Chen has turned the once mainly used as firewoods and railroad ties into table tennis rackets, hats, and drinkwares. To add more values to Taiwan Acacia, The Egg has designed series of products to make the best use of the native species.
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IUFRO D5 All Units Introduction
The collection of all IUFRO Division 5 units introduction videos.
- IUFRO 5.00 - FOREST PRODUCTS
- IUFRO 5.01 - WOOD AND FIBRE QUALITY
- IUFRO 5.03 - WOOD PROTECTION
- IUFRO 5.04 - WOOD PROCESSING
- IUFRO 5.06 - PROPERTIES AND UTILIZATION OF PLANTATION WOOD
- IUFRO 5.07 – BIOREFINERY
- IUFRO 5.10 - FOREST PRODUCTS MARKETING AND BUSINESS MANAGEMENT
- IUFRO 5.11 - NON-WOOD FOREST PRODUCTS
- IUFRO 5.12 - SUSTAINABLE UTILIZATION OF FOREST PRODUCTS
- IUFRO 5.15 - FOREST PRODUCTS CULTURE
- IUFRO 5.16 - WOOD IDENTIFICATION
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Craftsmanship is Boundless - Nepalese Artists Presented the Yiding Cup Wood Carving Competition
The 14th "Yiding Cup" Wood Carving Competition sponsored by the China Arts and Crafts Association was held grandly in Putian Arts and Crafts City from September 19 to 26, 2023. A total of 40 contestants including masters of arts and crafts, technical experts, college teachers, and inheritors of woodcarving from Hunan, Zhejiang, Fujian and other provinces and cities across the country were shortlisted for the finals.
Under the coordination of the International Wood Culture Society, the competition specially invited Ratna Muni Bramhacharya, president of Nepal Woodcarving Association, and Dharma Raj Shakya, the immediate past president of Federation of Handicraft Association of Nepal. They carved "Bodhisattva" and "Ganesha" at the event site, both figures are rich in Nepalese woodcarving cultural characteristics. Two outstanding Nepali artists performed on the same stage as several other Chinese arts and crafts masters, interacted and learned with the contestants, and jointly presented an international woodcarving feast for the "Yiding Cup" competition. The diverse skill inheritance and regional customs demonstrate the profoundness and colorful charm of woodcarving culture.
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The 1st National Workers Woodworking Skills, the KaoGong Cup Handmade Carpentry and Furniture Design
The First National Workers' Woodworking Skills Competition and the "KaoGong Cup" Handmade Carpentry and Furniture Design Competition was held on October 21, 2023 at the Beijing Panjiayuan Antique Market. The competition is sponsored by The Chinese Workers' Technical Association, The National Innovation Alliance for Wood Culture and Creative Industries under the National Forestry and Grassland Administration, and organized by the Beijing Design Society, the International Wood Culture Society and other units.
The "KaoGong Cup" competition includes two categories: Handmade Carpentry and Furniture Design. The competition is divided into Written Test and Practical Exercise. Among them, the Handmade Carpentry Practical Exercise requires contestants to complete the production of a stool with "Four Legs Eight Orientations" within the prescribed 300 minutes. Furniture Design require contestants to conduct design research and planning in the early stage. The designed furniture works are in line with the theme of furniture design and production (seating) in the context of rural revitalization. Ultimately, winners will be selected depending on their oral defense from those who submitting their works. More than 50 artisans and students from Anhui, Beijing, Hunan, Heilongjiang, Inner Mongolia and other provinces and cities participated in this competition.
"KaoGong" comes from "KaoGong Ji", which is the first scientific and technological work in ancient China that clearly records the government handicraft manufacturing industry and its technical specifications. The aim of holding the National Workers' Woodworking Skills Competition is to promote and inherit traditional Chinese woodworking culture, improve the professional skills level of the handmade woodworking and furniture design industries, and demonstrate the rich cultural connotation and infinite charm of traditional woodworking skills.
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Harmony in Nature's Rhythms - Bill Miller (Live All)
Delve into the soulful melodies of southwest Wisconsin with a unique collaboration between the International Wood Culture Society (IWCS) and the Native American artist, Bill Miller.
This live performance was recorded at the iconic Leo & Leona's on Oct. 1st. Bill's music, deeply rooted in the whispers of forests and the narratives of trees, not only showcases his profound connection to his heritage but also harmonizes perfectly with the essence of our documentary "Tapping into Nature's Sweetness, A Maple Syrup Story," a film that celebrates the maple syrup traditions of southwest Wisconsin. This unique blend of music, wood culture, and storytelling not only enriches the cultural tapestry of the community but also embodies the core mission of IWCS. It serves as a reminder of the intricate relationship between humanity and the environment, celebrating the profound beauty of nature and the preservation of heritage.
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Harmony in Wood - Bill Miller's Flute Performance (All)
Bill Miller's flute performance is a captivating celebration of the beauty and cultural significance of wooden instruments. With skillful hands, he weaves rich, earthy melodies that resonate with our connection to nature, tradition, and the artistry of wood. His music brings wood to life, captivating our senses and merging culture, nature, and artistry into a harmonious experience.
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Exploring Newari Traditional Village in Nepal
On July 22, 2023, a group of twelve members from the International Wood Culture Society’s Nepal Wood Culture Tour team went to Kathmandu, the capital of Nepal, for a week-long cultural inspection.
The first stop of the delegation came to Bungamati, a Newari village located in the southern part of the Kathmandu Valley. Bungamati is an ancient village with profound cultural heritage in Nepal. It is famous for its woodcarving craftsmanship passed down from ancestors to this day. Shanta, a well-known local carving master who has participated in World Wood Day activities many times, led everyone to visit the ancient village. He explained in detail the exquisite carvings of wooden doors and windows in traditional brick buildings, and also introduced the altars, temples, pagodas, and communities in the village, pavilions for the elderly, ancient wells, etc.
In the studio of Shanta, several woodcarving masters from China and five woodcarving masters from Nepal began their first international exchange collaboration in an intense and orderly manner. Together they completed the woodcarving creation of "Eye of Peace". The work merges the respective cultural and aesthetic elements of China and Nepal, expressing the common aspirations of the artists of the two countries and their beautiful blessings and expectations.
Afterwards, the delegation visited Khokana Village, which was the first village in Nepal to be lit up with electricity in 1911. Everyone visited the ancient rapeseed oil production process in this ancient village.
The ancient village allows everyone to deeply understand the true face of rural life in Nepal, see the natural beauty and simplcity of people, and understand the indispensable role of religious belief in their daily lives. The handicrafts they adhere to will inevitably become more popular in the future and passed down among craftsman with tenacity character.
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The 2023 Traditional Wood Carving Forum on Inheritance and Innovation
The 2023 Traditional Wood Carving Forum on the Inheritance and Innovation was successfully held in China (Putian) Strait Arts and Crafts City on the morning of September 29. Approximately 80 participants from wood carving industry professionals and students of relevant vocational and technical schools attended the forum.
Seven speakers well explored the theme Wood in Culture Heritage. Ms. Li Huiying, president of Fujian Arts and Crafts Association and director of the Wood Carving Special Committee, presented a speech on the status of Fujian wood carving. She introduced the inheritance and development of the four major wood carving production areas of Fujian. Mr. Dharmar Shakya, academician of Nepal Academy of Fine Arts, former President of the Federation of Handicraft Association Of Nepal, gave a talk on “Nepali Sculptures and its Creators” .
Followed by talks from wood carving artists of the most distinguished carving schools, Mr. Lu Tingfeng, representative of Dongyang wood carving, made a presentation on “Wood carving inheritance, school-enterprise training mode exploration”, Mr. Ni Chengzhong, representative of Huangyang wood carving, gave a speech on “Artificial intelligence wave - the future of traditional wood carving”, Mr. Huang Qingluan, representative of Longan wood carving, talked about “Inheritance and innovation of building longan wood carving”, with Mr. Gong Yuanxun, representative of Teochew wood carving, discussed about “Practice and innovation of dongchao wood carving art school”.
At the end of the forum, Ms. Su Jinling, Secretary General of International Wood Culture Society, gave a presentation on “World Wood Day - Building a Global Platform for Wood Culture Exchange, Learning and Promotion ”, which introduced how World Wood Day as a cultural event on March 21st to highlight wood as an eco-friendly and renewable biomaterial and to raise awareness on the key role wood plays in a sustainable world.
This forum is organized by International Wood Culture Society and Fujian Arts and Crafts Association. Co-organized by Wood Carving Professional Committee of Fujian Arts and Crafts Association and Putian Yabo Exhibition Service Co., Ltd,. Supported by the World Wood Day Foundation, Yueqing Vocational Secondary Professional School, Dongyang Fenghe Arts and Crafts Co., Ltd., Putian Qingluan Wood Carving Art Museum and Chaozhou Dongchao Wood Carving Art Museum.
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Sound of Wood from Aershan
Aershan City is located in the northwest of Inner Mongolia, across the southwestern foothills of the Greater Khingan Mountains. It is rich in forest resources. Common woods include elm, pine, and birch. Bai Chunshan is a cadre of an enterprise in Aershan. He often uses his spare time to go into the mountains with his wife Liu Yan to look for discarded wood to make root art and small handicrafts. In 2004, by chance, Bai Chunshan found a piece of wood and used his ingenuity to make it into a "one-piece" erhu.
Over the next twenty years, after they found wood that met the angle requirements for making violins, they made them into instruments such as Erhu or Sihu. This wood is rare and they have only made eight instruments to date. These musical instruments, in which the piano stem and the piano barrel are integrated, have no splicing, no gaps, and no cracks, which reduces the damage to the tone during the propagation of sound waves, thus improving the sound quality. The sound played with it is beautiful and rich, and has been recognized by many professionals.
Currently, Bai Chunshan is rated as the inheritor of the intangible cultural heritage of Aershan City. He has also successfully applied for a Utility Model Patent for "a stringed instrument with a rod and sound box integrated to improve timbre." After that, he and his wife will continue to search for and make one-piece musical instruments, and hope that more people can hear the sound of Aershan Linhai played by these instruments.
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Tapping into Nature's Sweetness - A Maple Syrup Story
Embark on a voyage with the International Wood Culture Society (IWCS) in "Tapping into Nature's Sweetness, A Maple Syrup Story." This documentary delves into the heart of southwest Wisconsin's maple syrup heritage. Journey amidst the region's forests, observing the devotion of local craftsmen, artisans, and the wisdom of the Ho-Chunk elders. More than a story of syrup, this film pays homage to the connection between our forests and the traditions they nurture.
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The 3rd “Mimi Zhikang Cup” Elderly Wooden Toys Competition
The 3rd “Mimi Zhikang Cup” Elderly Wooden Toys Competition was successfully launched in Lishui City, Zhejiang Province on May 25 of 2023. With the theme of "Wooden toys in hand, Healthier I am", the event actively responds to the problem of population aging, carrying forward the Chinese traditional virtues of respecting and caring for the elderly. Through the scientific elderly puzzle wooden toy games, it achieves the effect of preventing and alleviating the brain aging to make the elderly become healthy and happy with wooden toy playing.
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Recreating Zheng He Ancient Ships
Fu Kunxiang, the inheritor of Ancient Ship Model Making Skills. He joined the Yunnan Provincial Model Aircraft Team at the age of 17 and has been making ship models for more than 40 years. After retiring from the aircraft model team, Fu Kunxiang founded a ship model studio. In 2012, Fu Kunxiang decided to replicate Zheng He's fleet and use ship models to recreate Zheng He's voyage to the Western Seas. More than 600 years ago, the Ming Dynasty navigator Zheng He sailed a treasure ship to the Western Ocean seven times and opened up a Maritime Silk Road. This was the largest maritime voyage in ancient China with the largest number of ships and sailors and the longest duration. It created an unprecedented feat in the history of world navigation.
Fu Kunxiang traveled all over the country, retracing Zheng He's footsteps, asking local veteran shipwrights for ancient boat-making techniques, going to museums to consult historical materials, and looking for clues about the fleet from unearthed cultural relics. Fu Kunxiang pays attention to all kinds of details, and the craftsmanship of the ship model is very fine, including carpentry, bleaching and dyeing, sewing, carving, painting, painting, etc., to truly restore the ship type of Fu Ship and watertight compartment structure of Zheng He's treasure ship.
Fu Kunxiang's goal is to completely replicate 808 Zheng He's fleets. His biggest dream is to take them on a tour along the new Maritime Silk Road to recreate the magnificent history of Zheng He's fleet. The sailing journey shows the world the unique Chinese ancient ship building skills and the long-standing charm of ancient ship culture.
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Tales of Dreamers (Burning Man 2022)
This Burning Man documentary film “Tales of Dreamers” is set in the heart of Black Rock City. Delving into the transformative power of dreams, it vividly shows how attendees' visions shape the event.
Highlighting Burning Man’s Sustainability Goals, the film underscores the importance of integrating these goals into the dreams and aspirations of participants. Through a series of interviews with artists, organizers and a range of contributors, “Tales of Dreamers” provides a kaleidoscopic view of the collective dream that embodies the spirit of Burning Man.
In this film, the dreams carry a depth and diversity mirroring the participants themselves, each contributing to a broader panorama of sustainable, inclusive and imaginative future.
Aerial Cinematography: @jamenpercy @mattemmi @randlarson
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Recompose: Wang Shen
Performance Team: WangJiaXun Percussion Group
The Dual Olympics City is a percussion ensemble piece adapted by Wang Shen. Since Beijing successfully hosted both the Summer and Winter Olympic Games, it became the first “Dual Olympics City” in the world. This work combines the theme songs of the two Olympic Games with a promotional song. Retaining the different musical styles of each work, it uses the orchestration method of marching percussion, which is an innovation in the form of percussion performance.
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Wooden Handmade Pool Cues feat. K.F Cues
Let’s follow Awens custom cues of K.F Cues to learn more about the craftsmanship of making the pool cues: from the wood species selection, making processes to how different wood species affect the performances and bring different pleasures for players.
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Recompose: Wang Shen
Performance Team: WangJiaXun Percussion Group
The Hymn to Life is a percussion ensemble piece adapted by Wang Shen. Retaining the original music style and rhythm of The Lonely Warrior, this work incorporates the melody and rhythm elements of Coldplay's Viva La Vida at the beginning of the music, and used the ensemble form of keyboard percussion and drums to show the pure music performance, which made the audience have a refreshing experience and feeling.
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This is a video about Millar Ukulele. The audiences get to see how Millar ukuleles were crafted in first part of the video. The second part is a live musical performance played with two different Millar ukuleles. The last part is audio and visual comparison between different Millar ukulele models.
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Jiangzhou Drum Music - The Fighting of Bull with Tiger
Drummer: Gao Chenxu, Feng Piaoyang
Performance Team: WangJiaXun Percussion Group
Jiangzhou Drum Music is a traditional folk music in Xinjiang County, Shanxi Province of China, listed as the world intangible cultural heritage by UNESCO.
"The Fighting of Bull with Tiger" is a representative piece of Jiangzhou Drum Music, featuring two large drums on stage, symbolizing the two beasts of the bull and tiger. The music consists of three chapters: meeting, playing, and fighting. Using flexible drumming techniques, the players shows the audience the stubbornness and fierceness of the bull and the mighty and brave of the tiger.
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All Trades and Professions in the Market - Beijing Wenwange Woodwork Museum
All trades and professions is a common name for all kinds of handymen in the market, involving clothing, food, housing, transportation, agriculture, engineering, education, entertaining, health and other aspects. In the past, limited by the level of craftsmanship, most of the objects used in people's lives were made by hand. With the changes of the times, the industrial level is highly improved, and the social division of labor is becoming more and more detailed, and some old trades have gradually disappeared.
The exhibition “All Trades and Professions in the Market" in Beijing Wenwangge Woodwork Museum reproduces the interesting life in the city and the world in the past through various old objects, from which people can feel the craftsmanship that has been passed down to the present.
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Carpentry - Beijing Wenwangge Woodwork Museum
Wenwangge Woodwork Museum is located in Tongzhou District, Beijing. This museum, established in 2017, aims to research, collect and display Chinese folk woodwork crafts and woodwork art.
In this video, Wang Wenwang, Curator of Wenwangge Woodwork Museum leads us to know the carpenter's shop, and learn about carpentry tools, wood furniture, lacquer craft, wood types and wood mortise and tenon. He hopes that through these exquisite woodwork art exhibitions, the traditional Chinese culture and traditional woodwork skills can be promoted.
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The 20th National Cultural Week (SNC) celebration in Bobo-Dioulasso (Burkina Faso)
The National Cultural Week in Burkina Faso is an annual event that aims to promote the cultural heritage of the country. The event is organized by the Ministry of Culture and brings together artists, musicians, dancers, and other performers from across the country to celebrate the rich cultural diversity of Burkina Faso. This year the 20th edition of the SNC was celebrated from April 29th to May 6th in Bobo-Dioulasso, the second-largest city of Burkina Faso.
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An Excerpt of Peking Opera - Climbing the Mountain, Fighting the Tiger
Recompose: Wang Jiaxun
Xylophone: Wang Shen
Suona Horn: Shi Nannan
Performance Team: WangJiaXun Percussion Group
“Climbing the Mountain, Fighting the Tiger” excerpted from the Peking Opera work "Outsmart the Tiger Mountain" was recomposed by the founder of the group, Wang Jiaxun, in 1995 and premiered at the Pontivi Festival in France in 1997.
The work combines Western melodic percussion instruments like xylophone, marimba, vibraphone, and traditional Chinese Peking Opera percussion instruments such as drums, small gongs, cymbals and large gongs.
The combination of Chinese and Western orchestration not only retains the tradition of music, but also gives it vitality, bringing more fresh and rich experience to the audience.
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World Expo 2020 - UAE Heritage and Innovation for the Future
In the video interview featuring Walid Swessi, Ahmad Abdulrahman Bukhash, and Dr. Robert Platt, the discussion centers on the cultural heritage of the United Arab Emirates (UAE). The participants delve into several topics, including traditional architecture, pearl diving, and past trade practices. The EXPO pavilion's exhibit, which showcases the UAE's culture and diverse environments such as mountains, deserts, and coastal areas, is also highlighted. The interview explores the features of the UAE's wooden tower house, characterized by a courtyard and a tower for ventilation. Furthermore, Dr. Robert Platt examines the sustainability and versatility of timber as a building material and its application in various pavilions at the Expo. Overall, the interview offers valuable insights into the UAE's cultural heritage, traditional architecture, and sustainable building practices.
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Longan Wood Carving Artist Huang Qingluan (China)
Longan Wood Carving belongs to one of the four major wood carvings in China. It is the most representative handicraft in Fujian wood carving and a unique traditional handicraft in Chinese woodcarving. It is named because the material used for carving is Longan wood, which is abundant in Fujian. Longan wood actually comes from the longan tree. Its material is hard, the texture is fine, its color is ruddy, and its trunk is full of burls. The wood carving works created according to its natural form are fairly natural and vivid. Longan wood carving has appeared in the Ming and Qing Dynasties, and were mainly based in places around Fuzhou, Putian, and Quanzhou. It has a wide range of themes, including accurate and meticulous carvings, animals, figures, root carvings, furniture, and items to play with, etc.
Huang Qingluan, the inheritor of Putian Longan Wood Carving has been dedicated in wood carving for more than 20 years. He apprenticed under Min Guolin, Master of Longan Wood Carving, and was good at round carving, root carving. As a craftsman, Huang Qingluan is constantly improving, challenging and breaking through himself on the road of art. His works are mainly based on poetic expressions of imagery, artistic conception, and interest. He has innovated and developed on the basis of adhering to traditional techniques. His works have been collected by many museums across the country and abroad, and have won various awards many times.
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The Making of a Table Tennis Racket
The Representative of Ariex Sports, Mr. Chung-Wei CHEN demonstrates and explains the complete process of table tennis rackets making from the raw wood material selection to wood processing, grinding and sealing to the final product. In addition to the rackets making, he also puts a lot of effort into improving the rackets quality, performance and design.
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Djeguele Festival (Ivory Coast) - The Balafon in the Spotlight in Boundiali
The seventh edition of DJEGUELE festival also called the Balafon Festival took place in Boundiali, a place located at the Northern part of Ivory Coast. It is an annual cultural event held in Ivory Coast to celebrate the balafon and promote West African music and culture. During the festival, musicians, and dancers from across West Africa come together to perform and compete in various categories. The DJEGUELE Festival is a significant event for the people of Ivory Coast and West Africa, as it celebrates their cultural heritage and promotes intercultural exchange and understanding. The festival also attracts tourists and visitors from around the world, who come to experience the vibrant music, dance, and culture of West Africa.
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Nuo Dance - Chinese Traditional Rituals and Performances
With more than one hundred dancing troupes at its most prosperous era, Nuo Dance has a long history and once widely spread with strong religious and artistic characteristics. In 2006, Nanfeng Nuo Dance was listed as Chinese national intangible cultural heritage. Shiyou is a village in Nanfeng County, where the Nuo Dance maintains its ancient style with the most traditional features. The inheritor Ye Genming introduced that Shiyou Nuo Dance is divided into four steps. The Starting Nuo is on Chinese New Year's Eve. Then Dancing Nuo will last for 16 days. Searching Nuo and Concluding Nuo are on the night of the 16th day of the first lunar month. Nowadays Shiyou Nuo Dance has a total of 11 masks and 8 performances, such as “Kai Shan”, “Paper Money”, “Thunder God”, and so on. Nuo masks are an important component of Nuo culture. Nuo masks are usually made of willow wood or camphor wood. After elaborately carved and painted, each mask is endowed with a rich expression and bright character. After a long period of development and innovation, Nuo Dance has gradually evolved into a folk dance with diverse styles. As an ancient folk art, it has both functions of sacrifice and entertainment, symbolizing people's expectations for a better life.
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Ruudga Fiddle in Burkina Faso
Burkina Faso has a rich musical tradition, with various types of drums, balafons, and stringed instruments such as the kora, the ngoni and the RUUDGA being popular. The Ruudga is an African traditional instrument mainly used by the MOSSI people in Burkina Faso. It is played like a violin and is stereotyped to be played by blind people. In the ancient time women did not have access to it.
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Cultural Heritage - Taiwan Lantern
Lanterns are an ancient traditional handicraft. It combines painting, paper craft, embroidery and sewing (thorn stitching), and other crafts. In addition to lighting functions, it is also of great decorative value. It is an important part of the annual custom culture. Every year around the Lantern Festival, people hang lanterns one after another to create a festive and auspicious atmosphere.
After thousands of years of evolution, lanterns have developed differently in different regions, and their varieties and uses have become increasingly colorful. The structure of Taiwanese lanterns is handcrafted from Taiwan's three-year-old high mountain Phyllostachys Bambusoides with good toughness. The outer part is usually made of Zhangzi paper, which is windproof and rainproof, and durable. Traditional Taiwanese lanterns include Dragon and Phoenix Lantern, Dragon and Tiger Lantern, the Lantern of Wealth, Children and Longevity, and the Lantern of Nine Dragons Fighting for The Pearl. There is also an Umbrella Lantern that uses the production principle of oil-paper umbrellas, which can be easily stored like paper umbrellas when not in use. In Minnan dialect, the Chinese character "Lantern" and "Ding" are homophonic, so hanging lanterns has the saying of many children, good fortune and seeking for light. Colorful lanterns also imply family reunion, career prosperity, health and longevity, and people's expectation for a better life.
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Musical Bow by Timbiri Winsey (Burkina Faso) & Group Performance with Traditional Instruments
Timbiri WINSEY is a renowned musician from Burkina Faso. He plays a variety of musical instruments, mainly string instruments among which the MUSICAL BOW. It is the most basic of stringed instruments. The mouth bow also called musical bow is so called because it is shaped like a small bow between which is stretched a fiber string. The string measures between 50 and 70 cm, the bow between 80 and 130 cm. Tim WINSEY explained to us that the musical bow also called LOLO in the BAMBARA language was passed on to him by his grandfather. In this video, Tim WINSEY produces the sound of Birds when they call for rain and the sound of water which is according to him the simplest and fair natural gift.
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International Wood Culture and Arts Show (China)
The 16th China (Putian) Strait Arts and Crafts Fair was held in Putian on 24 - 27 November, 2022. The International Wood Culture Society and the World Wood Day Foundation were invited to participate in the event. During the exhibition, the International Wood Culture and Art Exhibition Area exhibited 150 art pieces created by 105 artists and young students from 73 countries, including 128 woodcarving pieces, 81 pieces of wooden designs, 14 pieces of wooden furniture. All the displayed wooden artworks were shipped from Austria to China in early 2021, and the diversity and innovation of artworks were well received by the audience. In addition, the International Wood Culture Society and UU elephant held an on-site wooden toys experience for children. The safe, environmentally friendly, educational, and interesting wooden toys have been loved by many children and adults.
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The Story of Wood - Wooden Artworks Reflecting Dream of the Red Chamber (China)
Zhenbei Art Gallery is located in Dongcheng District, Beijing, and there’re 73 pieces of "Dream of Red Chamber" themed furniture collected in the Gallery. These works are all made of precious wood such as old Suanzhi and red sandalwood. Four handicraft masters in the Asia-Pacific region, Lu Guangzheng, Feng Wentu, Gao Gongbo, and Lin Xueshan served as consultants while 120 craftsmen took 12 years to hand-carve all furniture. There are more than 16,000 characters in "Dream of Red Chamber" being carved on the furniture, and the total frame of carvings is nearly 600 square meters. The whole set of works are made of precious and exquisite materials, rigorous mortise-and-tenon structure, and excellent craftsmanship. Currently, this series of works has been included in the Guinness Book of World Records. These unique "Dream of Red Chamber" themed works not only reflect the extensive and profound Chinese traditional culture, but also a perfect interpretation of the "craftsmanship.” Mr. Qiu Ganqing, the owner of Zhenbei Art Gallery, hopes that people can concentrate on creation, create masterpieces handed down from generation to generation, and jointly inherit and carry forward China's excellent traditional culture through learning and visiting these fine arts.
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Festival Dary (Chad) - Introduction
The National Festival of Arts and Dary Cultures is an annual cultural festival that is being held in Ndjamena, capital city of Chad. The event was launched on Saturday, December 24th by the President of the Republic, General MAHAMAT IDRISS DEBY ITNO. The month long event gathered people from all walks of life. After the official opening ceremony, the festival will be a place to see cultural expressions through handicraft products, to attend a timber and non-timber forest products exhibition, and to watch traditional music and dance performances.
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Elderly Wooden Toys Competition in China
On November 23, 2022, the first Wooden Play Competition for the Elderly in Zhejiang Province was grandly held in Yunhe, Lishui, Zhejiang. More than 80 elderly people from 9 prefecture-level cities in the province met friends through the game and enjoyed the health and happiness brought by the wooden play educational exercise. This wood play competition for the elderly aims to help the elderly establish a healthy lifestyle through physical and intellectual activities, cultivate their good interests and hobbies, enrich everyone's spiritual and cultural life, and enable the elderly to be active and active in their old age. Learn what you have learned, be happy when you are old, and have a healthy and colorful old age life. At the same time, it is also hoped that by holding such wooden game competitions, it will show the cultural heritage of traditional Chinese wooden games, increase the cultural connotation of competitive games, and further inherit and promote traditional culture and ancient wisdom.
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Centro Mestre Noza Tour with Vanderley Alves Costa
In the center of Juazeiro do Norte - CE there is a mansion that once belonged to the Ceará Military Police, but which now blooms with colors and shapes as it houses the Mestre Noza Popular Culture Center . Small rooms around a patio concentrate what is most traditional in Ceará and Northeastern artisanal culture. Named in honor of the late woodcut artist Mestre Noza, the Centro de Cultura Popular aims to concentrate the region's handicrafts to boost their dissemination and sale. Operating since 1983, the Center is a cooperative with more than 100 registered artisans with varied works, from wood, clay and iron, to natural fibers and recycled material.
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Palace of Longevity and Health (Palace Museum in China)
Shoukang Palace (Palace of Longevity and Health) is located in the Palace Museum in Beijing. It was built in 1735 by Emperor Qianlong of the Qing Dynasty for his mother Empress Dowager Chongqing after he succeeded to the throne. In this video, Mr. Zhou Jingnan, a researcher of the Palace Museum, led us to visit Shoukang Palace to learn about its history, organic system, palace style and furniture display. He especially introduced a set of Red sandalwood screen and throne integrating carving, bamboo filament inlaying, tapestry and One-hundred-treasure inlay and other skills. At the Back hall, a large Huanghuali wood cabinet, 2.9 meters high and 1.76 meters wide with dragon carving was also explained in detail. Through this visit, we can feel the profundity of traditional Chinese furniture and the perfection of the ancient Chinese furniture making skills.
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A Relaxing Tour of Centro Mestre Noza in Brazil
In the center of Juazeiro do Norte - CE there is a mansion that once belonged to the Ceará Military Police, but which now blooms with colors and shapes as it houses the Mestre Noza Popular Culture Center . Small rooms around a patio concentrate what is most traditional in Ceará and Northeastern artisanal culture. Named in honor of the late woodcut artist Mestre Noza, the Centro de Cultura Popular aims to concentrate the region's handicrafts to boost their dissemination and sale. Operating since 1983, the Center is a cooperative with more than 100 registered artisans with varied works, from wood, clay and iron, to natural fibers and recycled material.
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World Expo 2020 - Trees for Good
This video explores the main theme of World Wood Day 2022 "Trees for Good" at World Expo 2020 in Dubai and how green environments were created in the desert with indigenous plants, potted plants and numerous flora. Aside from the landscape itself, many pavilions also used plantations as part of their decoration and wood as the primary material for the structure. The idea of "Trees for Good" is not only about how trees are good to us, but more importantly is how we can contribute and preserve the forests and environment sustainably for the future.
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Longshuncheng - Inheritor of Century-old Jingzuo Furniture - II
"Longshuncheng" is a century-old brand well-known in Beijing. The origin of its history can be traced back to the Tongzhi period of the Qing Dynasty in 1862. After the public-private partnership was implemented in the 1950s, 35 woodwork workshops in Beijing formed the Longshuncheng, which has continued to develop to this day and played a vital role in the inheritance of Jingzuo (Beijing Style) furniture. In this video, Mr. Liu Gengsheng, the fifth inheritor of Longshuncheng, leads us into the Longshuncheng Jingzuo Museum of Intangible Cultural Heritage, to understand the century-old historical development of Longshuncheng, to get into the rigorous and exquisite cultural artistic conception of Jingzuo furniture, and to learn and appreciate the numerous precious collections accumulated by Longshuncheng
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Fire in the West (Overview Promo)
World Wood Day Foundation and International Wood Culture Society (IWCS) are honored to work with Rocky Mountain Research Station (RMRS), to present a series of videos: Fire in the West.
In the last few decades, wildfires in the west have become an increasing problem for the USA.
In this series of videos, hosted by Mr. Steve Ambrose, we have invited scientists and researchers to talk about different topics of the wildfires in the west USA. Through presentations and discussions, we would like to open a conversation to the public about how and why wildfires occur and hope to bring more awareness and understanding about them.
https://www.fs.usda.gov/rmrs/events/world-wood-day
http://www.worldwoodday.org/2022/regions_event/45
#WorldWoodDay
#RockyMountainResearchStation
#FireInTheWest
#Wildfires
#WUI
#BarkBeetles
#ClimateChange
#FireManagement
#FireRegimes
#GiantSequoia
#Aspen
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Longshuncheng - Inheritor of Century-old Jingzuo Furniture - I
"Longshuncheng" is a century-old brand well-known in Beijing. The origin of its history can be traced back to the Tongzhi period of the Qing Dynasty in 1862. After the public-private partnership was implemented in the 1950s, 35 woodwork workshops in Beijing formed the Longshuncheng, which has continued to develop to this day and played a vital role in the inheritance of Jingzuo (Beijing Style) furniture. In this video, Mr. Liu Gengsheng, the fifth inheritor of Longshuncheng, leads us into the Longshuncheng Jingzuo Museum of Intangible Cultural Heritage, to understand the century-old historical development of Longshuncheng, to get into the rigorous and exquisite cultural artistic conception of Jingzuo furniture, and to learn and appreciate the numerous precious collections accumulated by Longshuncheng.
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Wooden Architecture at World Expo 2020 in Dubai
Wood is an outstandingly sustainable building material. This year EXPO 2020 was held in a desert environment. Many participated countries decided to utilize wood as their primary building material for their pavilions. All the EXPO 2020 wooden pavilions were constructed with various design styles, building techniques, and cultural influences. Each pavilions were able stand and shine in the desert environment. This video is a dashing showcase of all the major wooden pavilions from EXPO 2020.
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Inheritance of Ingenuity Interview with Duan Guoliang, a Master of Jianchuan Woodcarving
Jianchuan woodcarving originated in the Tang and Song Dynasties and has a history of more than a thousand years. In the past, Jianchuan woodcarving was mainly used for the decoration of building components and doors or windows. Most of the woodcarving themes are flowers and animals, and the techniques are presented in relief carving, especially featuring by hollow relief carving. Jianchuan woodcarving is a unique school of woodcarving in Southwest China with strong local characteristics. In 2011, Jianchuan woodcarving was listed as a national intangible cultural heritage. Chinese arts and crafts master Duan Guoliang is a representative figure of Jianchuan woodcarving. He has been engaged in the woodcarving industry for more than 50 years, and his works are rich in themes, especially the traditional landscapes, flowers, birds and figures, which are exquisite and delicate. He also perfectly integrates myths, legends and historical allusions into woodcarvings. He led the team to carve the large-scale woodcarving "Zhang Shengwen's Picture Scroll", which is 97.6 meters long and 1.8 meters high, consisting of 134 woodcarvings and is permanently collected by the Yunnan Nationalities Museum. Master Duan Guoliang attaches great importance to the inheritance and development of Jianchuan woodcarving. He has trained a large number of apprentices and students for the Jianchuan furniture and woodcarving industry at Jianchuan Xingyi Classical Furniture Woodcarving Factory which was founded by him. In addition, many creative new products developed by his team that promotes new developments of Jianchuan woodcarving and set a benchmark for practitioners in traditional industries.
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Fire in the West - Aspen & Fire: A Burning Issue
Fire in the West – Aspen & Fire: A Burning Issue
World Wood Day Foundation and International Wood Culture Society (IWCS) are honored to work with Rocky Mountain Research Station (RMRS), to present a series of videos: Fire in the West.
In the last few decades, wildfires in the west have become an increasing problem for the USA. Through presentations and discussions with experienced researchers, we would like to open a conversation to the public about how and why wildfires occur and hope to bring more awareness and understanding about them.
In this video, we have invited Dr. Paul Rogers, Professor from College of Natural Resources, Utah State University and Western Aspen Alliance; Dr. Stanley G. Kitchen, Research Botanist from RMRS (former); Dr. Wayne D. Shepperd, Research Scientist from RMRS (former);
and Jessica Brewen, Science Delivery specialist with RMRS. Hosted by Steve Ambrose, retired Forest Service employee and now volunteer for IWCS, this presentation and discussion shows us the relationship between Aspen and fire. In this group demonstration, Dr. Rogers, Dr. Kitchen, and Dr. Shepperd, explain the importance and specialty of Aspen, and its challenges and possible solutions while facing the wildfires.
Outlines:
Presentation by Dr. Paul Rogers, Dr. Stanley G. Kitchen, and Dr. Wayne D. Shepperd.
Aspen (Populus tremuloides) & Fire: A Burning Issue
# Background of Aspen basics.
# Fire regimes & time.
# Restoration with fire.
# Adaptive management.
# Aspen futures.
Group discussion: Q&A
# Possible factors that reduced fire frequency in a historical period of time.
# How does eco system change when the dominating tree species are changed after the fires?
# How do you protect large areas of Aspen recovery after fires?
# Have you worked with managers directly and what does it look like?
# How do Aspen respond to prescribed burning?
# Advices for land managers.
# Aspen’s advantage for recovering after the fires.
# Oldest Aspen has been found or known of.
# Is Aspen more resistant to drought than mixed conifer?
# Western Aspen Alliance
# Aspen carving = heritage?
More information about RMRS and Fire Fuel & Smoke Program:
https://www.fs.usda.gov/rmrs/
https://www.fs.usda.gov/rmrs/science-program-areas/fire-fuel-and-smoke
More about Aspen:
https://western-aspen-alliance.org
More questions? Contact our presenters!
Dr. Wayne D. Shepperd: wshep647@gmail.com
Dr. Stanley G. Kitchen: stanley.kitchen@usda.gov
Dr. Paul Rogers: p.rogers@usu.edu
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In Memory of Garry Knox Bennett
The video reveals the early background and life of Garry and the training he had in art school and how those experiences and knowledge constantly affected his design of creative work. Through the conversation between Garry and his wife Sylvia, we have the opportunity to realize Garry's perspective and enthusiasm in the process of creating artwork as well as the reason for using coloring as an element of design in making furniture.
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Fire in the West – Giant Sequoia and Wildfire in the 21st Century
World Wood Day Foundation and International Wood Culture Society (IWCS) are honored to work with Rocky Mountain Research Station (RMRS), to present a series of videos: Fire in the West.
In the last few decades, wildfires in the west have become an increasing problem for the USA. Through presentations and discussions with experienced researchers, we would like to open a conversation to the public about how and why wildfires occur and hope to bring more awareness and understanding about them.
In this video, we have invited Dr. Kristen Shive, lead scientist of The Nature Conservancy, California Chapter, and Jessica Brewen, Science Delivery specialist with RMRS. Hosted by Mr. Steve Ambrose, retired Forest Service employee and now volunteer for IWCS, this presentation and discussion demonstrate how giant sequoias are affected by wildfires in the 21st century.
Outlines:
Presentation by lead scientist of The Nature Conservancy, California Chapter: Dr. Kriten Shive –
Giant Sequoia and Wildfire in the 21st Century
# Basics about giant sequoia.
# Historic fire regime.
# Fire history of giant sequoia.
# Change of fire regime.
# Does giant sequoia have better resistance to high severity fires?
# After the fire. Regenerate?
# Tools to help.
# What should be the focus now?
Group discussion: Q&A
# Public’s reaction towards fire.
# Why do sequoias seem to have limited area for growing?
# Is it possible to increase their growing areas?
# How do you get the seeds from sequoia’s special corn manually for plantation?
# How is the successful rate to regenerate saplings in high severity fire areas?
# How do high severity fires impact other forest recourses?
# How did the indigenous people use fire as a tool?
# Is it possible to save injured sequoias?
# How do you measure temperatures in the past?
# The most massive organism on earth?
# Definition of crown ratio.
# Does the height of sequoias make the fire bigger?
# Reasons for 2020 and 2021 the bad years for fires?
# Are redwoods facing the same challenges now?
# What is the Nature Conservancy doing in terms of forest management?
# The cooperation between RMRS and sequoia study.
More information about Wildland Fire Management Strategy:
https://www.forestsandrangelands.gov/strategy/thestrategy.shtml
More information about RMRS and The Nature Conservancy:
https://www.fs.usda.gov/rmrs/
https://www.scienceforconservation.org
More World Wood Day and Fire in the West information:
https://www.fs.usda.gov/rmrs/events/world-wood-day
http://www.worldwoodday.org/2022/regions_event/45
More questions? Contact our presenters!
https://www.scienceforconservation.org/our-team/kristen-shive
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World Expo 2020 - Azerbaijan Pavilion - Seeds for the Future
Azerbaijan Pavilion is inspired by nature, dedicated to the future of humanity. Only by investing in the future now can people secure a sustainable tomorrow. The leaf-shaped roof symbolises an endless energy process. Every leaf transforms the sun's energy into vital power.
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Jinghu is the main accompaniment instrument of traditional Chinese opera Peking Opera, and is also a typical bamboo wooden instrument. With the development of Peking Opera, Jinghu has also been inherited and innovated in long-term practice. Liu Zhenghui is one of the practitioners, especially in the research, application and promotion of bionic python skin and bionic snake skin. In this video, Liu Zhenghui enthusiastically shared his experience and handicraft of Jinhu-making and Jinhu playing skills.
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World Expo 2020 - The Forest - Storing Carbon in Dubai
This mini-documentary presents the “Sustainable Forestry and Timber Construction” forum on 15th March at EXPO 2020 Dubai hosted by Sweden and Malaysia Pavilion. Staffan Schartner, Head of Construction started a parallel guided tour of the Sweden pavilion. Representatives from the Malaysian pavilion, amongst others, who share a common interest in a global movement for sustainable relation between forests and forest industry, were invited to discuss more about sustainable timber constructions and the benefits of using wood as a prime building material.
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The Brilliance of Beijing Palace Lantern
Palace lantern is the lanterns used in the palace. They are mainly made of fine wood as the structure, inlaid with silk yarn or glass, and painted with various patterns on the outside. Palace lantern originated in the Eastern Han Dynasty and flourished in the Sui and Tang Dynasties. They are famous for their graceful appearance and full of palace style with strong local characteristics. Beijing palace lantern is a kind of palace lantern classification. It got its name because it was made in Beijing and has royal characteristics. The typical style of Beijing palace lantern is that it has six sides and two layers, and the frame is Mortise and Tenon structure, which can be taken apart and convenient for transportation. Generally, the heads of Beijing palace lantern is mainly carved with dragons. The pattern is divided into three categories: flowers, figures and landscapes. The main implication of the pattern is to express the meaning of wealth and honor. Due to uses for different situation, Beijing palace lantern has gradually evolved into styles like ball lantern, child-mother lantern and others. With exquisite workmanship and selected materials, Beijing palace lantern not only has the practical value of indoor lighting, but also has aesthetic value as an artistic decoration.
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World Expo 2020 - Australia Pavilion - Blue Sky Dreaming
The theme encapsulates Australian optimism and creativity and celebrates Australian diversity and collaboration, envisaging a future of infinite possibilities founded on 60,000 years of innovation. Experience true Australian culture and hospitality, and enjoy a series of immersive and dream-like exhibition experiences.
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World Expo 2020 - Nigeria Pavilion - Rising in Value
Nigeria is a nation with immeasurable potential and opportunities and a country with a promising future. Let’s walk through 'Opportunity City' and its streets bursting with energy: Resilience Avenue, Respectful Avenue, Hardworking Avenue and Enterprising Avenue.
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World Expo 2020 - Rwanda Pavilion - Remarkable Rwanda
Rwanda is a beacon of hope and model of African progress. Journey through time, experience Rwanda as a kingdom, discover stories of culture and heritage, and witness the remarkable pace the country has grown through leadership and innovation.
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A Tribute to Garry Knox Bennett
The video reveals the early background and life of Garry and the training he had in art school and how those experiences and knowledge constantly affected his design of creative work. Through the conversation between Garry and his wife Sylvia, we have the opportunity to realize Garry's perspective and enthusiasm in the process of creating artwork as well as the reason for using coloring as an element of design in making furniture.
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World Expo 2020 - Finland Pavilion - Sharing Future Happiness
The snowy white Arabic tent architecture that situated in the Mobility District is the Finland Pavilion, some said that they brought snow to the desert, and in fact, they also brought the Finnish happiness to Dubai to share the future happiness. Let’s enter the tent and explore more in the Gorge area.
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Fire in the West – Changing Fire Regimes in the Western US Forests
World Wood Day Foundation and International Wood Culture Society (IWCS) are honored to work with Rocky Mountain Research Station (RMRS), to present a series of videos: Fire in the West.
In the last few decades, wildfires in the west have become an increasing problem for the USA. Through presentations and discussions with experienced researchers, we would like to open a conversation to the public about how and why wildfires occur and hope to bring more awareness and understanding about them.
In this video, we have invited Dr. Sean A. Parks, Research Ecologist with Rocky Mountain Research Station (RMRS) and Jessica Brewen, Science Delivery specialist with RMRS. Hosted by Mr. Steve Ambrose, retired Forest Service employee and now volunteer for IWCS, this presentation and discussion demonstrate how and why fire regimes in western US forests have been changed.
Outlines:
Presentation by RMRS Research Ecologist: Dr. Sean A. Parks –
Changing Fire Regimes in Western US Forests
# We are seeing increasing area burns in western US landscapes.
# High severity fire burns all or most trees in a forest.
# Natural drought cycle and fire.
# We might be see more extreme fires in the future.
# The importance of fire deficit from late 1800s.
# Less fire or more fire?
# Fire regime.
# What fire scar can tell us.
# Dry forests in western US.
# Difficulties of forests to recover after high severity fire.
# Lessons from wilderness.
Group discussion: Q&A
# The effect of Johnson fire in 2021.
# Possibility of the small section with stand replacing fire area to recover.
# What dendrochronology could tell us about the drought.
# Intentional burning of indigenous people prior to 1800.
# Fire is maintaining the forest.
# Could we nurse the seedlings to be more resistant to drought condition?
# Mega fires today.
# Difference and similarity between modern prescribed fires and cultural fires in the past.
# Are we doing enough prescribed fires?
# Save what we have instead of trying to restore what we had.
# What regular people could do to help?
# Reason for more moist and colder areas to have extreme fires.
# Do tree species start moving due to climate change?
More information about Wildland Fire Management Strategy:
https://www.forestsandrangelands.gov/strategy/thestrategy.shtml
More information about RMRS and Aldo Leopold Wilderness Research Institute:
https://www.fs.usda.gov/rmrs/
https://www.fs.usda.gov/rmrs/science-program-areas/aldo-leopold-wilderness-research-institute
More World Wood Day and Fire in the West information:
https://www.fs.usda.gov/rmrs/events/world-wood-day
http://www.worldwoodday.org/2022/regions_event/45
More questions? Contact our presenters!
https://www.fs.fed.us/research/people/profile.php?alias=sean_parks
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The video shows the early background and life of Garry, also the training Garry had in art school and how those experiences and knowledge affect his creation and design of work. Through the conversation between Sylvia Bennett and him, we have the opportunity to realize Garry’s perspective in the progress of creating artwork as well as the reason for using color as an element of design in making furniture.
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World Expo 2020 - Laos Pavilion - Tradition, Cultural Conservation and Progress
Laos relies on its agriculture and traditional handicrafts, people of Laos make good use of natural resources to enrich their culture and seek for the opportunity to be seen by the world. A variety of items displayed in the pavilion to introduce and present the most authentic and original of Laos. Welcome to Laos - Tradition, Cultural Conservation and Progress.
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World Expo 2020 - Luxembourg Pavilion - Resourceful Luxembourg
Welcome to “Resourceful Luxembourg - Where Luxembourg’s resources become your opportunities.” Luxembourg is a country located in the heart of the Europe, the structure of the pavilion itself represents the openness, resourceful, and reliable of Luxembourg. Luxembourg is also a multicultural country that welcomes everybody. Let’s explore more about “Luxembourg’s diversity, connectivity, enterprising spirit, far-reaching commitment to sustainability and beautiful nature."
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World Expo 2020 - Slovenia Pavilion - Green and Smart Experience
60% of Slovenia is covered by forests, and it’s the first country to be established as a Green Destination. Slovenia Pavilion is designed to provide an enormous amount of outdoor greens with water covered by a gigantic wooden roof, the building itself looks like a floating green oasis. Let’s follow the Commissioner General Matic Volk to explore the Slovenia Green!
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World Expo 2020 - Malaysia Pavilion - Energising Sustainability
Malaysia Pavilion is delivering a Net-Zero Carbon Pavilion, it’s a concept and design of the rainforest canopy with floating forest, water feature, and surrounded by 16 species of trees and over 3000 pots plants to give an over all experience of the rainforest. Let’s find out more with the Pavilion Director Michelle Lau.
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Fire in the West - Changing Fire Management in the Western US
World Wood Day Foundation and International Wood Culture Society (IWCS) are honored to work with Rocky Mountain Research Station (RMRS), to present a series of videos: Fire in the West.
In the last few decades, wildfires in the west have become an increasing problem for the USA. Through presentations and discussions with experienced researchers, we would like to open a conversation to the public about how and why wildfires occur and hope to bring more awareness and understanding about them.
In this video, we have invited Dr. Mark A. Finney, Research Forester with Rocky Mountain Research Station (RMRS) and Jessica Brewen, Science Delivery specialist with RMRS. Hosted by Steve Ambrose, retired Forest Service employee and now volunteer for IWCS, this presentation and discussion focuses on changes of fire management in the western US and more.
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World Expo 2020 - Guinea Pavilion - Journey through History and Heritage through Water
Guinea is a country in West Africa, bordered on the west by the Atlantic Ocean. It's known for the Mount Nimba Strict Nature Reserve, in the southeast. The reserve protects a forested mountain range rich in native plants and animals, including chimpanzees and the viviparous toad. On the coast, the capital city, Conakry, is home to the modern Grand Mosque and the National Museum, with its regional artifacts. At the entrance of Guinea’s pavilion at expo 2020 Dubai, visitors are welcome with two giants wooden sculptured thrones. It is said that anyone who sits on the throne and makes a wish it will come true. With Fatoumata Conde, we had a guided tour around the pavilion to discover the richness of Guinea’s culture and its diversity.
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World Expo 2020 - Austria Pavilion - Austria Makes Sense
Austria Makes Sense" is the theme of Austria Pavilion in EXPO 2020. Explore the 5 senses of Smell, Touch, Hearing, Eyesight and Taste within the Pavilion. 38 shiny white cones form the pavilion ensemble. The sophisticated architectural concept turns the simple shape of a cone into a complex, merging space. An architecture that combine the Arabic and Western Design to give an opportunity for sustainable building in the future.
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World Expo 2020 - Vanuatu Pavilion - A Paradise of Harmony and Sustainability
Vanuatu which means ‘the land for us’ in the local language is a South Pacific Ocean nation made up of roughly 80 islands that stretch 1,300 kilometers. Harborside Port Vila, the nation’s capital and economic center, is on the island of Efate. The city is home to the Vanuatu National Museum, which explores the nation’s Melanesian culture. With the theme ‘a paradise of harmony and sustainability’ Vanuatu pavilion is located at mobility district. The pavilion is very rich in its content and visitors get to experience a unique lifestyle.
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Wing Chun Wooden Dummy - Master Wang Zhipeng
Due to its unique properties, wood is widely used in martial arts equipment, and the wooden dummy is one of them. In the Wing Chun boxing training, the wooden dummy is used as simulated opponents for practicing. The body, arms, and legs of the wooden dummy are pre-calculated according to the Wing Chun moves, which can help practitioners adjust the posture and angle of the moves.
Master Wang Zhipeng, the founder of the Beijing Yiquan Wing Chun Martial Arts Academy described how he became attached to Wing Chun, introduced different versions and purposes of wooden dummies, and demonstrated all 108 moves on the wooden dummy.
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Fire in the West – Wildfire and Climate in the Western US
World Wood Day Foundation and International Wood Culture Society (IWCS) are honored to work with Rocky Mountain Research Station (RMRS), to present a series of videos: Fire in the West.
In the last few decades, wildfires in the west have become an increasing problem for the USA. Through presentations and discussions with experienced researchers, we would like to open a conversation to the public about how and why wildfires occur and hope to bring more awareness and understanding about them.
In this video, we have invited Dr. Charles H. Luce, Research Hydrologist with Rocky Mountain Research Station (RMRS) and Jessica Brewen, Science Delivery specialist with RMRS. Hosted by Steve Ambrose, retired Forest Service employee and now volunteer for IWCS, this presentation and discussion focuses on how climate change have and will affect wildfires in the western US and more.
Outlines:
Presentation by RMRS Research Hydrologist: Dr. Charles H. Luce -
Wildfire and Climate Relationships in Western US
# Why wildfire in the west has been increasing in recent times.
# Potential climate drivers of increased wildfire.
# How reduced snowpack, warmer temperature, and reduced summer wetting impact fire.
# How change of consecutive dry days affects wildfire spreading.
# Warming enabled upslope advance in western US forest fires.
# Declining precipitation and increasing evaporation have increased wildfire.
Group discussion: Q&A
# Low fire? High fire? How forests are affected by different kind of fires.
# Climate change and fire severity.
# How climate change research help land management.
# Could we foresee the impact climate change will bring to forest resources?
# How plants and animals adjust themselves to climate change.
# Are there any areas that could escape from the severity of climate change?
# Dendrochronology as a tool for climate change study.
# Does climate change bring more impact to western US than other areas?
# Definition of extreme fire.
# Why we need fire.
# Wildfire vs prescribed fire.
# Disturbance is part of the story.
# Serotinous cones.
# Pine tree in the North Pole?
# Mesic forest.
# Is climate change going to change our landscape?
More information about Wildland Fire Management Strategy:
https://www.forestsandrangelands.gov/strategy/thestrategy.shtml
More information about RMRS and Air, Water, & Aquatic Environments Program:
https://www.fs.usda.gov/rmrs/
https://www.fs.fed.us/rm/boise/awae_home.shtmlS
More questions? Contact our presenters!
https://www.fs.fed.us/research/people/profile.php?alias=cluce
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World Expo 2020 - Poland Pavilion - Inspired by Nature
World Wood Day Wood culture tour is currently in Dubai expo 2020. It brings you to discover Poland’s pavilion which according to Director Moneer Faour, is inspired by nature. The spectacular architectural work is blended with different sorts of wooden elements to present the beauty of wood and nature.
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World Expo 2020 - Syria Pavilion - We Will Rise Together
The Pavilion is collectively build by 1500 families. It showcases the rich Syrian culture as a nation and as individuals.
The messages from Syrian's pavilion: All the paintings are signed with the "I am Syrian" to convey the message that what unites us is much more than what divides us. And message to the future is collectively with 1500 Syrians and drawing on each piece of peach wood from everywhere and transfer to the world. Even we have lot of challenge, but we are trying to pass over and connect all people rising together.
Syria is a country in the Middle East, with a coastline at the eastern Mediterranean Sea. The name "Syria" historically referred to a wider region. The pavilion shows the countries love for arts and artifacts. The friendship that they have shown in their pavilion is as sweet as their honey which they handed over to us for free. We shall continue rising together.
The section of drawings on wood is very beautiful, and Syrians of all ages and beliefs participated in it. Creating a section that brings together the feelings and ideas of a large group of Syrian people is a beautiful thing.
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Mask in Burkina Faso represent protective spirits that can take animal forms or can appear as strange beings. Originally, masks perform important social and environmental functions, governing human behavior with nature. It is also the best time for initiations which begin at the age of seven and allow access to the world of adultWith masks, all the groups are identical. Masks festivals are an opportunity for repentance and cleaning up all the mistakes made throughout the year.s. Later, those who continue the initiation will be able to wear masks. The masks you see in this video are called Fabric masks or white masks: they represent spirits and only come out at night. They belong to ethnics groups called BOBO and NUNA, a population living in the western part of Burkina Faso. The costume is made from strips of unbleached cotton, woven in the traditional way. The white mask is often attached to a rope held by an unmasked man. These masks mainly participate rituals and ceremonies of their lineages. Some villages have an impressively large cone-shaped mother mask as well as feather masks, which are much rarer and uncommon. Each mask has a precise symbol corresponding to the needs of the village. The manufacture of these masks remain secret. During masks performances, a local beer called DOLO accompanies the musicians, while the women following the procession give some drinks to the masks. In Burkina Faso, masks are vital to the communities they belong to.
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World Expo 2020 - Mali Pavilion - The River of Gold
Wood Culture Tour presents Mali’s pavilion at Expo 2020 Dubai. Pavilion Director Nakhana Kadiatou Diakite Prats took us on a tour through her pavilion to showcase Mali’s economic opportunities and its cultural diversity. Everything is art in Mali according to her. Wood is essential to daily life in Mali from traditional craft, architecture, fabrics to musical instruments. For her arts and culture are the pillars on which we can build a sustainable future.
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World EXPO 2020 - Swedish Forest Pavilion - Co-creation for Innovation
Wood Culture Tour in Dubai Expo 2020 take you to Sweden Pavilion: The Forest in the Sustainability District! The Pavilion features interactive simulation and give visitor an experience to walk and stroll in the woods.
5 Facts from the Sweden Pavilion Website below
1. The Swedish Pavilion to Expo 2020 in Dubai is situated in the Sustainability District 2. For the first time ever a sustainable building completely in timber is erected in the UAE. 3. Approximately 2,600 cubic meters of timber has been used for the structure. Approximately half of it in the substructure. 4. Every cubic meter of spruce timber, weighing approximately half a tonne, contains the carbon from almost 900 kg of CO2 (and the O2, the oxygen, now in the atmosphere.) 5. A comparable structure in reinforced concrete would create a CO2 footprint of around 1,200 tonnes. The net effect of “The Forest” as a timber building compared to a concrete structure is somewhere between 3,000 and 3,500 tonnes less carbon dioxide in the atmosphere.
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The Brazilian Woodcarver - Panta Tavares
Born in the cultural town of northeast Brazil - Juazeiro do Norte, state of Ceara. Panta had an uneasy childhood, he spent most of his teenage life in rebellion, one day he found out drawing was his emotional outlet, he puts anger and anxiety aside, felling into the world of expressing himself through art. Later he decides to put flat drawings in dimensions, he started to be a tattoo artist, he quickly gained reputation by covering old tattoos and lively transmitting fresh images on human body. Eager to expand artistic vision, Panta thought "art should be 3D, it is supposed to be seen in different angles and aspects", he joined Centro de Cultural Popular Mestre Noza- birth place of numerous renowned artists and woodcarvers of Ceara. Furthermore, he was apprenticed to master Edival Rosas. Fascinated by different faces and transformations a piece of wood can present, as Panta says "art and wood revived my life, when I get a piece of wood, I can immediately imagine where it should be curved and where should be pointed, it is because the wood speaks for itself". Without academic formation, Panta acquired intimate relation with wood by his senses, emotions and heartfelt passion toward the world and art.
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Fire in the West – Wildfire and Bark Beetles
World Wood Day Foundation and International Wood Culture Society (IWCS) are honored to work with Rocky Mountain Research Station (RMRS), to present a series of videos: Fire in the West.
In the last few decades, wildfires in the west have become an increasing problem for the USA. Through presentations and discussions with experienced researchers, we would like to open a conversation to the public about how and why wildfires occur and hope to bring more awareness and understanding about them.
In this video, we have invited Dr. Sharon M. Hood, Research Ecologist with Rocky Mountain Research Station (RMRS) and Jessica Brewen, Science Delivery specialist with RMRS. Hosted by Steve Ambrose, retired Forest Service employee and now volunteer for IWCS, this presentation and discussion focuses on two elements that impact forests directly: wildfire and bark beetles. In her demonstration, Dr. Hood explains how fire effects tree defenses and forest resistance to bark beetles; and how we could create resilient conditions in forests to withstand beetle outbreak and other disturbances.
Outlines:
Presentation by RMRS Research Ecologist: Dr. Sharon M. Hood-
Effects of compound disturbances in ponderosa pine forests.
#Wildfire and bark beetle both are both common disturbances.
#How changes in fire regime affect bark beetles.
#Bark beetle and tree defenses.
#Resin ducts and resin flow vs. bark beetle attack.
#Fire and resin ducts.
#How fuel treatments affect forest resistance to mountain pine beetle.
Group discussion: Q&A
#What causes the bark beetle outbreaks.
#Climate and resin production.
#Tree ages and resin ducts.
#Fires and resin ducts.
#How resin protect trees from beetles.
#How beetles survive in fires.
#Mountain pine beetles’ outbreak.
#Difficulties with fuel treatments against bark beetles.
#Progression of bark beetle attacking.
#Bark beetles study and prevention across countries.
More information about Wildland Fire Management Strategy:
https://www.forestsandrangelands.gov/strategy/thestrategy.shtml
More information about RMRS and Fire Fuel & Smoke Program:
https://www.fs.usda.gov/rmrs/
https://www.fs.usda.gov/rmrs/science-program-areas/fire-fuel-and-smoke
More questions? Contact our presenters!
https://www.fs.usda.gov/rmrs/people/shood
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Kaihua Root Carving "My Motherland and Me"
Fourteen root carving artists were invited to Kaihua County, Zhejiang Province of China on December 1-7, 2019. During the one-week on-site creation, besides an independent carving work by each of them, under the theme of "My Motherland and Me," together with one Chinese master carver, all of them carved an image that best represents their own motherland on the same piece of root material. The event is the“Belt and Road” International Root Carving Cultural Exchange Week held in the Kaihua Root Palace Cultural Tourism Zone, which is the third time cooperation between the International Wood Culture Society and Kaihua County People's Government. The large-scale root carving artwork with profound meaning was completed by Nairi SAFARYAN from Armenia, Guilhem BOUISSOU from France, Bernd Uwe WINTER from Germany, Alireza BAVANDPOUR from Iran, Fuad Eyad Fuad KHASAWNEH from Jordan, BOUNNAMPHA Oudom from Laos, Jean Lewis DICK from Mauritius, Shanta Raj TULADHAR from Nepal, Nicolae TEISANU from Moldova, Milijana LAZOVIC from Serbia, Miriam BAJKAI from Slovakia, Bong Ki PARK from South Korea, Mohamed Abbakar Hissan Ismaiel from Sudan, Mirmakhsud MIRRAKHIMBAEV from Uzbekistan and Fang Yi from China.
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Fire in the West - Wildland/Urban Interface (WUI) Insights from Social Science and Human Dimensions Research
Fire in the West - Wildland/Urban Interface (WUI)
Insights from social science and human dimensions research.
World Wood Day Foundation and International Wood Culture Society are honored to work with Rocky Mountain Research Station (RMRS), to present a series of videos: Fire in the West.
In the last few decades, wildfires in the west have become an increasing problem for the USA. Through presentations and discussions with experienced researchers, we would like to open a conversation to the public about how and why wildfires occur and hope to bring more awareness and understanding about them.
In our first video, we have invited Dr. Sarah M. McCaffrey, Research Forester with Rocky Mountain Research Station (RMRS); Dr. Jeffrey T. Morisette, Program Manager of Human dimensions program; and Jessica Brewen, Science Delivery specialist with RMRS. Hosted by Mr. Steve Ambrose, the theme is regarding a crucial facet in wildfire research: Wildland/Urban Interface (WUI). In the presentation, researchers will provide insights from social and human dimension research. Their research focuses on ways to help communities be proactive about living in areas where fires are part of the natural process in forests.
Outlines:
Presentation by RMRS Human Dimensions program director: Dr. Jeffrey Morisette
#Wood is good, and not all fires are bad.
#The work at the RMRS and Human dimensions program:
#Definition of WUI
Presentation by RMRS Research Forester: Dr. Sarah McCaffrey
#What is WUI.
#WUI doesn’t equal to fire risk.
#WUI expansion doesn’t necessarily mean fire risk increase.
#Language consideration regarding WUI discussion.
Group discussion: Q&A
#Biggest challenge for this research so far.
#Landowner’s responsibilities and how the officials can help.
#Move or not move after the fire? Take Paradise Fire as an example.
#What people can do to protect their property.
#What the community can do to help the fire.
#Landscape Fragmentation for social science and human dimensions.
#How do you see social science research and human dimensions evolving into the future?
#It’s not about how to control fire, it’s about relearning how to live with it, thrive with it.
#Allow fire to play its natural role in the system.
More information about Wildland Fire Management Strategy:
https://www.forestsandrangelands.gov/strategy/thestrategy.shtml
More information about RMRS and Human Dimensions Program:
https://www.fs.usda.gov/rmrs/
https://www.fs.usda.gov/rmrs/science-program-areas/human-dimensions
More questions? Contact our presenters!
https://www.fs.usda.gov/rmrs/people/jeffrey.morisette
https://www.fs.usda.gov/rmrs/people/McCaffrey
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World Expo 2020 - Gabon Pavilion - Harmony with Nature
IWCS is in Dubai for the World Expo 2020 that will last 6 months, from October 1st to March 31st 2021. For the first time in World Expo history, it gathers organization and 192 countries from around the world, each country with its own pavilion. The Expo2020 is governed by three main themes which are SUSTAINABILITY, OPPORTUNITY and MOBILITY . This huge event seek to bring the world together for cleaner, safer and healthier future for all, so does IWCS. To showcase the rich and diverse culture, tangible and intangible cultural heritage of each country represented in Dubai world Expo2020, we meet the directors or commissioner generals of each pavilion for better understanding of the topics mentioned above. In this video we are with Gina NZENGUE the director of Gabon pavilion . She first introduced the artworks displayed in her pavilion, how they represent her country . She also discussed with us her understanding of SUSTAINABILITY, OPPORTUNITY and CHALLENGES. Let’s discover together what Gabon has as contribution to reach our common goal.
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Wood and Life - Art Show of International Wood Cultural Works
The "Wood and Life" International Wood Cultural Works Exhibition was co-sponsored by the International Wood Culture Society and the Jianchuan County People's Government in Jianchuan, Yunnan on September 30, 2021. This exhibition was the first time for the International Association of Wood Culture to exhibit all 148 work pieces from its collection in China.
The exhibition was open to the public at the Graz City Hall and the Stübing Open Air Museum in Austria for two months. All 148 work pieces were created by 105 artists and young students from 73 countries including China, Germany, Italy, New Zealand at the World Wood Day event in Austria in March, 2019. There were 126 pieces of woodcarving, 8 pieces of wood design, and 14 pieces of furniture all based on the theme of “Wood and Life.”
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Lira Nordestina - A Cordel String Literature Workshop in Brazil
Northeast Brazilian arid interior called the Cariri region, after its original Indian inhabitants. This region’s richness of its traditional expressive forms has caused it to be hailed as the authentic Brazil.
Woodcut prints in Brazil began as an offshoot of a folk art known as “literatura de cordel” (string literature). Since the 19th century, folk poets elaborates rhymed verses about real and imaginary events and characters, pamphlets are displayed at fairs hanging from a string, and wood-carved cover bears graphic depictions of the contents.
Inherited from his grandfather, Lira Nordestina, a cordel press of string literature in Juazeiro do Norte is managed by Master José Lourenço and a group of woodcut print making artists (xylographer), to continue its artsy folk art tradition.
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Jon Brooks Studio Furniture Maker
"My artwork is about collaboration with nature, using naturally formed hardwood, which is found and harvested in the local forests that surround my home and studio in southern NH. This wood presents itself in an array of shapes and forms suggesting possibilities for furniture and sculpture. I am attracted to the architecture of nature as a compelling dance of control and chaos. My art is about cooperating with the tree shapes I find to create a balance of form, function, and craftsmanship. Color and surface design play an important part of my expression."
-- Jon Brooks --
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PANAFEST - A Ghana Cultural Event
The Pan African Historical Theatre Project now known as PANAFEST is a cultural event held in Ghana every two years for Africans and people of African descent. It was first held in 1992. This year it took place at Cape Coast castle. Thousands of enslaved Africans, sometimes from hundreds of miles away, were brought to Cape Coast Castle to be sold to British slave ships. During the interim period, Africans were imprisoned in what the British called “slave holes,” or dungeons in the basement of the Castle that had little ventilation and no windows. On that occasion we attended some of the cultural activities during our wood culture tour in Ghana. Due to COVID 19 pandemic the number of participants was controlled and limited but we were able to enjoy some traditional musical performances, handicrafts exhibitions, rituals performance, payers and speeches only to name those. Chiefs from different villages of Ghana were invited and their entrances to the event venue were spectacular one after another. An appointment is fixed in two years times with the hope that the sanitary situation will get back to normal very soon.
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Wood Culture Tour - Ghana Canoe
Our wood culture tour meeting with the fisherman and the canoes makers in MOREE, a village in Cape Coast located at the central region of Ghana is unforgettable. The villagers shared their experience with wood, how is it important to their community. In that village canoes making and fishing are the main activities after farming. During our conversation with them we were told that fishing has some rules, prohibition, and rituals in sum, the fishermen have their own traditional way of fishing. All the process has been being passed from generation to generation. It all starts with canoes making that also undergoes a long process. According to them fishing has been beneficial to Ghana as a nation and specially theirs families. To make a canoe they used the trunk of a tree called “WAWA” in the local language. Seeing them work on that long wood slab is very satisfying and amazing to watch. The canoes making process involves everyone, old people and young one support each other with mutual help. When they are done making the canoe or when they want to change its position they gather to push the canoe to the ideal position. They do it singing local encouragement and warrior’s songs. The atmosphere is overwhelming. We interacted with them within a short period of time and they automatically turned some of our words into lyrics. The slogan Wood is Wood is immediately turn into a song. The fisherman told us that they are using wood for survival purposes. Stop using wood, would mean stop living for them. They fully understand that they should not waste wood, rather it should be used when needed, when necessary. They understand that wood should be used in a responsible way because their survival depends on the durability of wood and other forest products.
It takes four to six days for eight to ten people to finish one canoe. When the canoe making is completed it is either sold to another village or it is brought on the sea for fishing. The fishermen in MOREE goes on the see at night for finishing, only to come out the next day. “Fishing provides food to everyone in this community and wood is the only material we get the canoes from. So we should not forget to restore the forest where we get that wood from” said one of them. One thing is sure that we should come together as one to protect our forest for ourselves and for future generation.
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Appreciate Mooncake Molds - Learn about Mid-Autumn Festival Traditional Folk Culture
Cake mold collector Mr. Wang Laihua is the chief expert of the Institute of Public Opinion of Tianjin Academy of Social Sciences, China. He started collecting cake molds in 1995 and has been collecting cake molds for more than 20 years. He has collected 7,000 to 8,000 molds so far. As a scholar, he is not only collecting, but also doing research, and solved the problems encountered in the collection through research. Therefore, he published two books and many articles. Broadly speaking, the folk culture contained in the mold expresses the pursuit of auspiciousness of Chinese people through the decorative carving, which is the most important folk characteristic. In addition, it is the shaping of beauty. The aesthetic effect has always been their pursuit. The aesthetic value is also very prominent. It should be valued and protected, and should be continued carrying on.
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Araucaria - The City Tree Of Curitiba
Araucaria, as the city tree of Curitiba, is an ancient species from the dinosaurs time. A fossil stone from Araucaria with around 250 million years was stored in Parana, Brazil. Researcher Dr. Ivar Wendling from Embrapa Forestry, gave us a detailed explanation about the important of Araucaria, from seedling cultivation, nuts producing, to the usage of wood and its fiber. Araucaria is native to some parts of the cold regions in South Brazil as well the north of Argentina and some parts of Paraguay. This long-lived tree species contributes so much to fauna, to mankind and natural environment at many aspects, and also helps us know the climate change of the past times.
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Alex Sefah Twerefour, a Renowned Woodcarver from Ghana
Alex Sefah Twerefour is one of the renowned woodcarvers in Ghana. He has over 43 years experience in sculpting and has exhibited in Ghana, Canada, and New York. He deals in contemporary arts, specializes in wood and concrete sculptures. He is the former director of Ghana's Art Centre in Accra. Some of his works can be found at the National Theatre, Ministry Of Information, the Presidential Lodge (Peduase Akuapem), University of Professional Studies (formerly IPS), Dworwulu Blind (Akronpong - Akuapem), Aburi Girl's Senior High School, Nkwatia Chief Palace (kwahu/ Eastern Region). In this video, Alex is sharing his point of view about the beauty and importance of wood.
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Garry Knox Bennett Studio Furniture Maker
In Alameda, California, Garry Knox Bennett (born October 8, 1934) is an American woodworker, furniture maker, metalworker, and artist known for his whimsical, inventive, and unconventional materials and designs work. His long-established workshop and studio are in Oakland, California.
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A Selection of Traditional Woodturning
The video contains several traditional woodturning in the world presented by the International Wood Culture Society.
- Traditional Woodturning in Mwenge Tanzania
- Set Turning of Shawo Wooden Bowl
- Traditional Bowl Turner in UK - Robin Wood
- Traditional Woodturner in Morocco - Hassan El Farissi
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Hooped Wooden Barrel Maker - Bao Mingpei
Wooden buckets have a long history. Since ancient times, wooden buckets have been necessities in people's daily life. They can be used to hold water, bathe, or hold various items. Hooped wooden barrels are mainly made of iron wire or copper wire as the hoop. Each board of the barrel is fixed and bound together by bamboo pins to make it into the required shape and ensure the joints are tight. Commonly used hooped wooden barrels such as round wooden jars , Octagonal wooden jars, buckets, wooden plates, rice buckets and etcetera. The master who makes wooden buckets is called "a cooper,” also known as “a hooped bucket maker" among people. Master Bao Mingpei, who is nearly sixty years old, is the inheritor of the intangible cultural heritage hooped bucket making skills in Ninghai County, Zhejiang Province. He has been engaged in hooped bucket craft for more than 40 years and is a well-known "hooped bucket maker" in Ninghai. Master Bao said that when hooped bucket craftsmanship was booming, most places have hooped bucket shops, specializing in making, selling, or repairing wooden buckets for people. In addition, there were many coopers who carried bucket tools hanging on their shoulder, shouting in the streets and alleys asking people for making or repairing wooden buckets. The wood material used in the hooped buckets includes Neem, Camphor, Fir, and other tree species. Nowadays, some people choose Mahogany as the raw material to make hooped bucket crafts. The hoop used in the traditional hoop buckets is made of bamboo strips. Later, with the continuous improvement of the craft, iron wire or copper wire is often used as the hoop. Commonly used tools for hooped buckets are different types of planers, shaper, knives, hand saw, winding saw, axe, and etcetera. The hooped bucket is mainly handmade. Master Bao said that it usually takes one or two days to make an ordinary bucket, and it takes at least three or four days to make a larger bucket. With more and more use of aluminum products and plastic products, the demand on wooden buckets has gradually decreased, and the inheritance of hooped bucket craftsmanship has faced a great challenge. Nowadays, with the support from the government, Master Bao Mingpei has established the Dexinfang Art Gallery in Huchen Township, Ninghai County, which is mainly used to display hooped buckets and jars for tourists, so that the traditional technique of hooped buckets can be inherited and promoted.
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Hooped Wooden Barrel Maker - Bao Mingpei (promo)
Wooden buckets have a long history. Since ancient times, wooden buckets have been necessities in people's daily life. They can be used to hold water, bathe, or hold various items. Hooped wooden barrels are mainly made of iron wire or copper wire as the hoop. Each board of the barrel is fixed and bound together by bamboo pins to make it into the required shape and ensure the joints are tight. Commonly used hooped wooden barrels such as round wooden jars , Octagonal wooden jars, buckets, wooden plates, rice buckets and etcetera. The master who makes wooden buckets is called "a cooper,” also known as “a hooped bucket maker" among people. Master Bao Mingpei, who is nearly sixty years old, is the inheritor of the intangible cultural heritage hooped bucket making skills in Ninghai County, Zhejiang Province. He has been engaged in hooped bucket craft for more than 40 years and is a well-known "hooped bucket maker" in Ninghai. Master Bao said that when hooped bucket craftsmanship was booming, most places have hooped bucket shops, specializing in making, selling, or repairing wooden buckets for people. In addition, there were many coopers who carried bucket tools hanging on their shoulder, shouting in the streets and alleys asking people for making or repairing wooden buckets. The wood material used in the hooped buckets includes Neem, Camphor, Fir, and other tree species. Nowadays, some people choose Mahogany as the raw material to make hooped bucket crafts. The hoop used in the traditional hoop buckets is made of bamboo strips. Later, with the continuous improvement of the craft, iron wire or copper wire is often used as the hoop. Commonly used tools for hooped buckets are different types of planers, shaper, knives, hand saw, winding saw, axe, and etcetera. The hooped bucket is mainly handmade. Master Bao said that it usually takes one or two days to make an ordinary bucket, and it takes at least three or four days to make a larger bucket. With more and more use of aluminum products and plastic products, the demand on wooden buckets has gradually decreased, and the inheritance of hooped bucket craftsmanship has faced a great challenge. Nowadays, with the support from the government, Master Bao Mingpei has established the Dexinfang Art Gallery in Huchen Township, Ninghai County, which is mainly used to display hooped buckets and jars for tourists, so that the traditional technique of hooped buckets can be inherited and promoted.
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Senufo's Woodcarving in Ivory Coast
The World Wood Day Foundation's film crew visited famous Senufo's family woodcarvers. They are in Korhogo, a city located in the northern part of Ivory Coast. Their art is transmitted from father to son. They mainly carve Senufo's family masks and the Hornbill which is significance to them.
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Tadao Arimoto is a woodworker currently running a workshop in Pittsburgh, Pennsylvania, he studied product design in Kyoto, Japan and came to the United States in 1976. The enthusiasm of using wood as the main material was initiated by the time when he saw a bench made by a sculptor Shigeru Ueki. He designs and builds things with the user in mind. And the things he builds are functional, strong, and visually quiet. Time is an important element in his work. His design ideas are mostly inspired from nature and also, he works with the changes and histories contained in wood.
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The final documentary of the International Wood Culture Society (IWCS) featuring Burning Man series touches on the foundation: the momentary home for 80,000 citizens in the Nevada desert – Black Rock City. The fundamental elements of Black Rock City are a mixture of different groups and communities. “Mirage” unfolds multiple layers of this complex, temporary, ever-evolving desert city. Through this documentary, audiences get a behind-the-scenes glimpse into how this center of creativity is designed and built every year from scratch, then vanishes into dust.
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Brian Ferrell is a creator of sculpturally functional livingware, originally from Greensburg Pennsylvania. In addition to teaching at Seton Hill University, Brian is also on the Board of Directors for the Society of North American Goldsmiths. His work varies from tableware and shelving, to dining sets and lounge chairs. These pieces utilize materials such as carved wood, pewter, steel, and stainless steel. All of his pieces begin with a common object, slightly abstract these everyday items, giving them the dual purpose of sculpture and function.
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The Japanese Wood and Culture Seminar
The Japanese Wood and Culture Seminar is organized by the Japan Wood-Products Export Association (JWPEA) to promote the quality, usage, art and culture of Japanese wood materials. The following four lectures are presented for the comprehensive understanding of the Japanese wood and culture, together with the traditional and modern application of wood materials, knowledge and techniques.
Characteristics of Yakisugi, presented by Nakamoto Forestry (Download PDF)
Interior of Tea-Ceremony Room, presented by Hanamasu Mokko Ltd. (Download PDF)
Characteristics of Shina from Hokkaido and Shirakaba, presented by Takizawa Venner Co., Ltd. (Download PDF)
Japanese Wood Culture and Promotional Activity for Education of Wood, presented by Japan Wood Culture Society (JWCS) (Download PDF)
Japan Wood-Products Export Association (JWPEA)
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2021 WWD - Carbon Storage
Welcome to 2021 World Wood Day, CO2 & Wood. Trees absorb CO2 and contain carbon within wood. Sustainable bio diversity forestry and responsible use of wood could expand carbon storage, and using wood could help reducing CO2 emissions. An eco-friendly material, wood is good.
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Traditional Bowl Turner in the UK - Robin Wood
In the Middle Ages of Europe, the wooden bowl was one of the common tablewares used on the dining tables. The bowl-turning craft using a pole lathe in the UK had been practiced since the 16th centuries and lost after the last professional practitioner of the traditional craft George Lailey (1869-1958) passed away. Mr. Robin Wood had successfully recreated this disappeared foot-powered lathe and self-taught the skills since the 90s. Furthermore, he has been promoting this traditional bowl woodturning skill for the past 30 years.
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Nepali Music Temples - Naasa Dyo Temple, Kathmandu
There are many gods in Nepali culture. In this video, Ram Prasad Kadel, the founder of the Music Museum of Nepal will show you one of the music temples in Kathmandu, Nepal. This video will show you the Naasa Dyo Temple, Kathmandu.
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Traditional Craft of Handmade Wood Comb
The wooden comb has a long history and is the tool we use to adjust hair in the daily life. Master Xu Liren is the inheritor of the Dongyang Wooden Comb traditional craft. He has been learning since 19 years old and has applied 6 national patents for his handmade wooden comb craft up to now. Even after making the wooden comb for 68 years till the year of 2020, he still treats it attentively in every process.
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Dramyin - Tibetan Plucked String Instrument
Dramyin is a traditional Tibetan plucked string instrument with a long history of using in the religious festivals. Mr. Qimei Douji was a Yangqin master, and he’s invited to give lessons to some folk music lovers at the public art museum after his retirement. In this interview, Mr. Qimei Douji introduces the structure of dramyin, its unique tone and performing skills. He sings when playing the dramyin and people are attracted to dance along with the music.
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Qilin dance performance, as Chinese intangible cultural heritage, is very popular in the northwest countryside of Huanghua City, Hebei Province. It is performed during every Chinese Lantern Festival to welcome good fortune and pray for nice weather, good crops and peace. Normally, Qilin dance requires two dancers, the one in front who walks on wooden stilts, swaying with the head of Qilin, and the one behind who bends his back and moves the tail. The performance is quite a challenge, strong in action and needs closer cooperation of the two dancers. The skeleton of Qilin is made of bamboo stick and covered by fabric, on which the scales sewed with colored satin and laser paper. The head, teeth and other parts are all painted. Stilts are made of local hardwood.
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Aorelio Domingues - Paranagua Fandango Master
Ilha dos Valadares is an island belonging to the municipality of Paranaguá, in the state of Paraná, Brazil. Founded in 1648, it is Paraná's oldest city, with one of the largest ports in Brazil. Born and living on the isolated island, rabeca/ fandango master- Aorelio Domingues, who is also member of “Associação de Cultura Popular Mandicuera” (Mandicuera Popular Culture Association), leads the association in revitalizing cultural activities of the Caiçara people from the coastal region of the state of Paraná. The entity formed by a group of popular artists and masters its motto is the preservation and diffusion of their intangible heritage. With careful use of the Atlantic forest, Aorelio has developed on-hands techniques for everybody to make their own traditional folklore music instrument: rabeca and fandango. The studio, with incentives, is open daily with free access to the community, all instruments made, as well as the construction technique, are donated to small tribes along the southern coast. Inherited from his grandfather, today Aorelio and his twin daughters continues the path of diffusing cultural events and manifestations that belongs to the Caiçara people.
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Craftsmanship & Artistry of Habanos Storage: Cuban Made Humidor
Cuban crafter Neury Santana Ges is a self-taught artisan. He belongs to the Cuban Association of Artisans and Artists, ACAA. He has won several national and international handicrafts awards, many of his works decorate private collections in different countries around the world. Neury’s works also appear annually in auctions of the Habanos Festival. Auction of the Habanos Humidor took place for the first time in 1994, and has been the most important celebration during the Habanos Festival, the revenue raised during the auction will be all donated to the Ministry of Public Health of Cuba. Neury brings back memories of old Havana, Cuba with his creation of colonial architecture humidor, while he looks toward the future on socio-cultural development of Cuban made humidor craftsmanship.
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Tomsk is considered one of the oldest cities in Siberia, located on the Tomsk river and surrounded by the forests. Forest plays an essential role in the daily life of Tomsk people. Over 12 years, Ax Day is one of the most significant events in Siberia and the brand for Tomsk region, it aims to revive Siberian carpentry and joinery, to raise importance of the preservation and restoration of the historical site and villages in Tomsk, passing these ancient traditions to the next generation. Through this cultural event, people get to know the beauty of the wood and strengthen the connection with wood and forests.
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Making a Nepali Drum with Shekhar Kulu Nepali
Shekhar Kulu Nepali is a professional Nepali drum maker living in Kathmandu, Nepal. In this demonstration video, you can see him preparing animal skins for the drum to the completion of a traditional Nepali drum. He also talked about the preferred wood to make Nepali drums, and what motivated him to be a drum maker.
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Brian Newell, Studio Furniture Maker
Brian Newell is a studio furniture maker based in Fort Bragg, California, USA. At the age of eight, he began wood carving in his parents’ basement in Michigan, and later learned furniture making from the internationally renowned furniture maker James Krenov in the Krenov School of Fine Furniture from 1989 to 1990. Later in life, he spent ten years designing and building furniture in Japan and then returned to Fort Bragg, CA in 2008. This documentary was filmed in 2016 when the International Wood Culture Society film crew visited his studio, the school and the city, and Mr. Newell also talked about the struggles he faced as an artist in the interview.
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Semiluzhki Fortress - A Courier Station of The Tea Road
Semiluzhki fortress is a Russian historical site of the 17th century, located in the Semiluzhki village on the outskirts of Tomsk city. The small wooden fortress we see today was rebuilt in 2009. Because of its geographical location on the "Siberian Route", bridging from East Asia to Europe, the fortress was one of the courier stations of The Tea Road. The fortress consists of different parts: the water well, a small wooden church dedicated to Saint Nicolas and other wooden houses in Russian style. The historic objects were nicely displayed in the exhibition room, people get to know the history and the traditions during their visit. This film leads the audience into this wooden fortress to have a deeper understanding of its great history and its importance of passing these Russian traditions to the next generation.
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Located in Kaihau county, Root Palace is best known as the base of root carving culture and center for artists’ interaction worldwide. Over 3 years, the “Belt & Road" International Root Carving Cultural Exchange Week provides a platform for artists to demonstrate and showcase their art and skills. In 2019, 14 international artists from countries of Asia, Europe and Africa were invited. With diverse cultural backgrounds, various artistic styles and unique elements were presented to the audience. Both international and domestic artists joined the collaborative project, sharing their homeland symbols on the one root. During the process, invited artists get to know each other and form a tight bond. This film documented the working process, sharing the artists’ insights toward root carving, the valuable friendship and the beauty of roots.
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Os Compadre - A northeastern Brazilian folk art workshop
Located in the semi-arid sertão (hinterland) region of northeastern Brazil, Juazeiro do Norte is best known as the base of the charismatic priest and spiritual leader Padre Cícero; the famous bandit leader and folk hero of the Cangaço (banditism phenomenon of Northeast in late 19th century) Lampião; poet, songwriter and musician Luis Gonzaga who sang for this region, considered as King of Baião (northeastern Brazilian music genre and dance, similar to Samba). Although known for its aridness and hard way of life, Juazeiro do Norte has been part of mystical legends throughout history. Strongly influenced by its past, “Os Compadre” (brotherhood in Portuguese) woodcarving workshop is the union of woodcarvers from Centro de Cultura Popular Mestre Noza. Watch the video and see how Os Compadre’s woodcarver builds a bridge between woodcarving and their folk culture.
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Alumiozo Caririzeiro from Ceara, Brazil
Music group from Juazeiro do Norte, state of Ceará. Formed by talented musicians Difreitas, Airton Santos and Evanio Soares, brings the unique Cariri region style show “Alumiozo Caririzeiro”. Perfect blend of classic and local folk music, their music represents the identity of local Northeastern Brazil, revealing the climate, people, culture, sound of the region.
The group plays with self-made peculiar wooden music instruments, group leader Difreitas is also a music teacher, who designs and teaches children to make their own rabeca in a practical way, reducing 90% use of wood and local materials. Watch his simple-steps demo for the creation of rabeca and listen to the amazingly charming and interactive sound.
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Wooden Structure Duplicate of the Kileshwor, Lord Mahadev in Changu Narayan Temple
It took 9 days (a feat!), 531 timber pieces, 422 joints and 7 tons of reclaimed Sal Wood (local hardwood) to construct a wooden structure duplicate of the tiered temple in Nepal, the Kileshwor, Lord Mahadev in Changu Narayan, one of the oldest in Nepal, during the World Wood Day 2016 celebration in Nepal. The project demonstrates Nepal's unique traditional system of wooden construction.
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Love for Life - Wood Artists Culture Exchange at Wenzhou School for Special Education
Chinese and foreign wood artists at Wenzhou School for Special Education" is an extraordinary cultural exchange activity and a caring action. 20 outstanding wood artists from 14 countries gathered together, spending a memorable time with teachers and students from the special school. With the theme of "love for life", the event was jointly sponsored by the International Wood Culture Society and the Wenzhou Municipal Education Bureau. In the three-day intense and orderly wood carving activity, the artists and their student assistants completed the works in a pleasant atmosphere. All the finished works were collected in Wenzhou School for Special Education, witnessing the power of love. At the same time, DIY projects including the mini-woodturning, puppet show and puppet painting were also welcomed warmly. Students were happily took the opportunity experiencing the art and charm of wood. Chinese and foreign artists not only shared their passion, their special care and inspiration to children, but also sow a seed for their future. The event become an unforgettable memory for all the people involved.
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The 20th All Japan Junior High School Woodworking Competition & World Wood Day 2020 Memorial Contest
Since 2012, it is the second-time for IWCS to documentary the 20th All Japan Junior High School Woodworking Competition & World Wood Day 2020 Memorial Contest, included in the 20th National Junior High School Education Fair for Creative Monodzukuri (Manufacturing), held at the Umejima Elementary School on January 25th. 16 students as winners of regional contests have to finish their designed projects within 4 hours and to present their work in front of the judges and audience. The grand award ceremony then took place at the Art Center of Tokyo on January 26th, and the Chair's Award of World Wood Day Foundation (WWDF) was presented by the Director of WWDF and IWCS. The friendship together with the same enthusiasm towards woodworking is the most important conclusion of the competition.
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Over 2,500 delegates from 92 countries and regions gathered in Curitiba, Brazil from September 29 to October 5, 2019 to participate in the 25th IUFRO World Congress, which is held every five years. This is the world's highest level of international academic exchanges in the forest sector, and was held for its first time in Latin American countries.
Themed with “Forest Research and Cooperation for Sustainable Development”, the first plenary session highlighted the potential of forests, trees and forest products to mitigate climate change. In the following five keynote plenary and 350 sub-plenary and technical sessions and more than 900 posters, researchers, scholars and stakeholders in the forest sector from around the world have explored and shared the latest findings in forest research, policy management and all areas related to forests and trees.
The congress has effectively promoted the exchange of related knowledge as to current forest situation, challenges, consequences, and possible solutions, and made researchers in various disciplines around the world think about what researchers should do to contribute more effectively to the world's most pressing forest and environmental issues.
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Maya Land - Wood Culture Legacy of Mayans
Belisa Barbachano, Founder of the Maya Foundation in Laakeech and owner of Hacienda Chichén, is the daughter of Fernando Barbachano Peon who laid the groundwork for the Chichén Itzá to become one of the most popular tourist spots in the Yucatán Peninsula. In this video, Belisa introduces us to a Mayan priest and their rituals, Ceiba tree, and their work to fight against deforestation.
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Located in Gifu Prefecture, about the center of Japan and well-known for its forest coverage rate up to 80 percent, Gifu Meiboku (precious wood) Market has gathered traders from all over the country and even abroad to sell and purchase wood material in various forms, from wood slabs to logs. The Gifuken Meiboku Kyodokumiai (Gifu Prefecture Precious Wood Cooperative), established in 1947, has inherited and utilized an unique bidding system that closes bids in seconds for every piece. The auctioneers take turns to stand next to or on the items for sale, and all interested buyers follow around to bid with their ideal price in mind. To better introduce and record such an exclusive wood culture, IWCS re-interviewed Gifuken Meiboku Kyodokumiai about the history, operation, precious wood, stories and experiences of the Gifu Meiboku Market and filmed the remarkable annual event preserving it as a legacy.
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Interview with Mira Nakashima, daughter of George Nakashima, father of the American craft movement. Mira has worked with her father for 20 years and is now the owner of the George Nakashima Wood Studio where they still produce furniture designed by George. In this video, we can see the studio today and understand the respect of wood from the people who were inspired by George.
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Winds of Change - Burning Man 2018
The world is entering a new era and changing at a rapid pace, driven by science and technology.
These profoundly affect the social, economic, and cultural outlooks of societies and individuals alike. In this documentary, the 2018 BM theme of ”I, Robot” serves as a reflection of humanity. Through different layers of conversations in the film, our emphasis is on transforming consciousness and behavior in all aspects of our lives—personal, social, and planetary, also how the event affected individuals and gave them new perspectives for the needs to change.
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Studio Furniture Maker Michael Hurwitz
Michael Hurwitz is a Studio Furniture Maker based in Philadelphia. In this video he talks about his art, philosophy, future project, and his family. Michael recently being honored as one of the 2019 Masters of the Medium by the James Renwick Alliance and with his wife Mami Kato they are preparing for the upcoming exhibition at the Wexler Gallery from May 3 - July 26, 2019.
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Wood Architecture in Change: Open-Air Museum Stubing & HoHo Vienna
HoHo Vienna, the 84 meters and 24 floors wooden skyscraper is scheduled to be one of the world’s highest wooden structures upon its completion. The traditional architecture and buildings from Austria are displayed in Open-Air Museum Stubing. What they have in common is that they are all built with the material: wood. In this video, we interviewed people behind these wooden structures that present Austria’s culture and history beyond time.
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Eduardo Córdova Reyes - Cuban Percussionist
In 1982 Eduardo Córdova Reyes graduated from the National School of Art Instructors of Cuba; and in 1989 he graduated as Professor of Percussion of the National Center of Improvement for the Artistic Teaching of Cuba. From the year 1990, he works as a percussion teacher at the Vocational Art School. One day he decided to make his own instruments because the sound of his drum did not leave him completely satisfied. Thus begins an adventure in which cedar trunks, ironwork and leather begin to shape a world of sonorities and dreams in which music and crafts converge and complement each other without setting precise limits. He held exhibitions of instrument, conference, demostrations and created his musical group Obbara, participates in international event, especially World Wood Day culture event in China and Turkey organized by International Wood Culture Society which offered him an occasion to meet, play and communicate with musicians from around the world on the same stage. Córdova is also known as The King of Drums. He has devoted all his effort to acoustic music and the construction of drums. He considers his percussion teaching as a very important part in his life, which makes him fulfilled.
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2014 IUFRO - International Wood Culture Society
The World Congress 2014 of International Union of Forest Research Organization (IUFRO) was held in Salt Lake City, Utah. International Wood Culture Society (IWCS) joined the conference, and brought all participants different ways of viewing the wood culture.
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Traditional Wooden Shingle Making in Austria
Wooden shingles as a roofing have a long tradition in Austria. There are several designs depending on the regions, and one type is called the "Schieferschindel". Due to its airy setup, it is possible to use less durable wood species for this particular type, but wood quality is still a key factor in shingle production. The roofing shown in the video has lasted for 37 years and is now being replaced by the craftsmen of the Austrian Open-Air Museum Stübing.
Camera Operator: Hischam Momen
Photographer: Alice Schumacher
Editors: Hischam Momen & Sebastian Nemestothy
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Burning Man began as a bonfire ritual on the summer solstice in 1986 when Larry Harvey and a group of friends burned a 9-foot wooden effigy on Baker Beach. This act marked the beginnings of the annual Burning Man festival. This film documented the Man’s build in 2016 burn. It is a design inspired by Da Vincci’s Vitruvian Man in order to reflect the theme: Renaissance. While many participants were curious about why the Man didn’t turn as it was designed to be, this video provides the insight into the building process of the centerpiece on playa and the essence of the event itself.
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Austrian Open Air Museum Stuebing
Established in 1970, the Open Air Museum Stuebing displays 97 reconstructed historic wooden peasant houses that are mainly used to be in the Alpine Provinces. They are lined from the west to the east according to the actual geography of Austria. A house often consists of living space for both human and livestock, with various styles and roofs made of thatches or shingles. There are various kinds of wooden houses, as different designs are made to fit local geological characteristics. Prehistoric hunting huts made with local tree bark accompanied by ancient coal-making facility can also be spotted in the museum.
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A Leap of Faith - Wendell Castle
Wendell Castle was one of the most renowned contemporary artists in the US, and regardless of the traditional furniture or the modern art design, Wendell always made his own unique style of creations. Unfortunately, Wendell had passed away in January, 2018, not only was it shocking to the art field, but making the footage of Wendell’s speech about the art of furniture making at Furniture Society Conference 2016 in Philadelphia even more valuable. During the conference, Wendell elaborated on how the combination of arts, creativity, and critical thinking could have impacts on an artist’s working style. Besides, Wendell also shared anecdotes about his long artistic career and explained how the digital technology has affected his work.
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Wendell Castle - Father of the Art Furniture Movement
Wendell Castle was an internationally renowned artist from Rochester. He’s also known as the father of the art furniture movement. This short documentary video brings us to his studio, exhibition, and involvement in the furniture society. It also brings us to his personal life after a hard working day. The most Importantly, in this video, he talks about his appreciation for wood and also his ideology in art creation.
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Paete - Woodcarving Capital of the Philippines
Paete, located on the coast of Laguna Bay in the Philippines, was established by the Spaniards in 1580. Former Philippine President Ms. Arroyo announced in 2005 the town as "the woodcarving capital of the Philippines." In this small town of less than 30,000 people, there are many artisans engaged in the woodcarving industry. From generation to generation, the town was nurtured by the environment and took to the path of woodcarving. The 70s-80s of last century was the heyday of the Paete woodcarving. More than 90% of the town's population was engaged in the carving industry. At that time, the woodcarvings were mainly focused on religious stories. However, with the logging ban on timber leading to material shortages and rising prices, young people in this small town have had to make a wide range of choices. But some young people still stick to the mission of their fathers, devoting themselves to woodcarving. In the meantime, the Philippine Open University has planned to come up with some of the land in its Paete trial field, and work with local artisan’s guild to develop suitable tree species for use by wood carver craftsmen in the town.
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Mr. Brog - A passion towards Pipe-making
"Mr. Brog" is the largest manufacturers of wooden pipe in Poland. The pipes produced by "Mr. Brog" are all labeled in number before selling. More than 2,000,000 handmade wooden pipes have been produced and sold by "Mr. Brog," making it one of the largest suppliers in the European market. As a master of pipe-making, Mr. Zbigniew Bednarczyk, the founder of "Mr. Brog" shared experience with us in the design and production of pipes for the past 30 years. Why should the pipe be made of wood? What kind of wood is used? What kind of pipe is the best? Mr. Zbigniew Bednarczyk is a versatile person. In addition to designing pipes, He also loves painting, wood carving and doing some fantastic wooden furniture. He is fond of singing and dancing, but tobacco is his favorite.
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Wood Used in the Wieliczka Salt Mine
The Wieliczka Salt Mine, located near Krakow, Poland, has been exploited since the 13th century and was listed in the United Nations World Heritage List in 1978. The salt mine has 9 floors underground, 245 kilometers of tunnels, and 2391 caverns for business, meetings, and praying. It is one of the oldest and largest salt mines in Europe. As a national historical site of Poland, millions of people from all over the world travel here every year. Today, as we walk into this underground maze from the perspective of a wood lover, the mystery of the salt mine lies not only in the magnificent world of ancient underground spectacle and salt, but also the ubiquitous wood shelters which lead people to pursue the salt miners' steps and feel their work and life, diligence and wisdom.
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Ukiyo-e: Churning the Great Wave
Ukiyo-e is an iconic form of Japanese art. This woodblock print used to be a source of entertainment in the Edo era (1603- 1868) but has been diminishing since waves of modernization came 150 years ago. Thanks to generations of craftsmen and publishers striving to pass on the craftsmanship, we are fortunate to see the beautifully reprinted ukiyo-e and newly designed woodblock prints today. Wood materials and papers of high standard are also keys to the production of multicolored woodblock prints. This video is to reveal the invisible parts behind each copy of ukiyo-e and acknowledge the people who devote their life to safeguard Japan’s wood legacy.
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Surrender - Burning Man 2017
This film delves into what Oscar Wilde once said using a cultural approach, "It seems to me that we all look at Nature too much, and live with her too little." This statement is especially relevant in today's context when the world is bracing itself to enter into an more advanced era. Through different perspectives from the founders, artists and burners, we hope to inspire the audience to connect more with nature and have a humble attitude towards the vast spectrum of divine powers and energies.
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Mr. Wood is as old or as young as our planet. He is endless and will live forever if mankind does not destroy the World. Back in the days when mankind started to heavily exploit natural resources, Mr. Wood was against it. But with time, mankind proved to be able to do the best possible use of wood. This usage gives Mr. Wood a second life, he loves mankin and he is proud to be such an important resource.
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This film is about a young man who skates through the city streets looking for scraps of wood. He brings these pieces of wood home and creates an ukulele out of what he found. Most people throw away wood after it is used for whatever task it was needed for, but the potential wood becoming something new and fresh is limitless.
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In this project, this young man constructed a fully-functional shortbow by Osage orange wood. Through the process, he gets to know that wood carries the memories and cultures of ancestors.
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A young pyrography artist explores the influence of his grandfather's woodworking legacy while battling the emotional toll of his grandfather's sickness.
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The film is set around a poem that talks about the similar differences both humans and wood have, and how connected we are through those differences. The film highlights the diversity of wood/trees in relation to the diversity within humans
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The Founder of the Chain Crab Restaurant - Tatsuro Hioki
Sitting in a washitsu (a style of Japanese room), you can see the server in kimono coming with great crab cuisine on her hand. All the chopsticks and bowls are made of wood, and you couldn't help but start enjoying the feast. This is a restaurant owned by Mr. Tatsuro Hioki, who bought lumbers and designed them all on his own. Let's see how Mr. Tatsuro Hioki bult his empire and enjoy the elegant wooden design along with him.
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A story of Jan Pawlikowski, a successful and passionate luthier, who has been working with wood for 57 years. Despite his age he spends days and nights making instruments for customers from all over the world.
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A child made a wooden puppet and he established a great friendship which was denied from his father. When he grew up, he passed by a shop full of wooden toys and remembered the feeling of being a child. In the end, he reconnected the lost friendship with his little wooden friend.
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'Woodland Pioneers' follows the trainees and apprentices of the Bill Hogarth MBE Memorial Apprenticeship Trust over the course of a week in the beautiful South Lake District as they learn to Coppice, a traditional woodland management system, along with the crafts and skills associated with the harvested wood and wood products. From baskets to fencing panels, stools to coracles, the video explores the economic and environmental benefits of coppicing and the work of the trust itself in its efforts to keep ancient skills alive and stimulate the local rural economy.
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Since I was a child, wood represented a piece of magic, something familiar.
It became part of my life and everyday I understand something new about it: wood turns life into a fairy tale.
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A life spent in woodworking. More than a lifestyle, a way of living. Shot in southern Brazil, this is a film about a father and a son that developed their skills at that same time as they developed themselves working on wood.
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How can the human being overcome difficulties of life? Here is a humble example: a man who found in art, in particular in the wood sculpting, its relief.
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There is a mystery hiding behind the inimitable sound of Stradivarius’ instruments. All through the years there have been many speculations: there are those who say that he used special varnishes, alchemies handled down from father to son, or even that the trees that he used contained particular types of wood fungi. In truth, it seems that Stradivari and the other masters from Cremona were first of all experts in selecting the wood, and that they went into the forests in person to choose the most suitable trees. According to a legend, Antonio Stradivari rolled the trunks to select those with the most vibrant timbre. Until today the mystery remain unsolved.
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Grosotto, this small town is located in the north Italy. There are forests among the mountains, the bond between wood and religion is very strong. In the dim and distant past, men crafted wooden artifacts in order to feel closer to God. The small "wooden" church of the town is a perfect example of this bond.
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The Locos dancers of San Isidro is a traditional festivity celebrated in Lagunillas, Venezuela. The awarded toymaker Mario Calderón decides to stimulate the child's imagination in his town by working with wood. His idea is to maintain culture through time from generation to generation.
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"Primeval Forest" is a story about the last primeval forest in Europe, the Bialowieza forest, located on the border between Poland and Belarus. This transboundary property is exceptional for the opportunities it offers for biodiversity conservation, nevertheless it is now in danger due to excessive wood logging. This place has always been a great inspiration for artists. “Primeval Forest” presents the Bialowieza Forest from the perspective of people who care about the place deeply and understand the importance of keeping it alive for next generations.
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Mary Dunsmore- birdhouse builder
Mary Dunsmore is an avid birdhouse builder and wood-worker. Working with wood for Mary means a lot more than just to build birdhouse. Working with wood is a lifestyle.
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The Wood, the Whale, and the Sane
A story of wooden whales, a seatime cemetery and splintered hands. Sebastià is one of only a handful of old-school carpenters restoring wooden fishing boats, thus bringing a slice of Mediterranean culture back to life. A visual poem from Mallorca.
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This is an ancient oriental tale about natural forces and human greed, told by children for the future generations. Enter the world of magic and children fantasies. So, once upon a time in desert a little man met a great sacred tree, which granted his every wish. He wished for more and more without consideration for his tree. And here is what happened...
Film was created without special effects. Ideas of costumes, decorations and characters were created by children.
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What sound does wood make? In West Africa wood brings the sound of hope to Swaluman, a carpenter, and his farming father. Not only is wood essential for their daily survival, but wood is also helping them create a better future for their family.
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A look into the possible future of wood and how vital it is in preserving our way of life.
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The Birth Of A Dugout Canoe by Northmen
Latvian woodworker Rihards Vidzickis has the love and passion for creating his works by one of the most eco-friendly and beloved materials - wood. Rihards is a talented master, a real fine sculptor and a skillful carpenter, and he is running a park of wooden sculptures and furniture for people to get to know the charm of wood. In this video, it took Rihards monthslong to create a traditional expanded dugout canoe by using mostly traditional hand tools and techniques. The whole process started with stripping the bark from the tree to finally launching the completed canoe, and presented the perfect combination of craft and nature.
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2016 World Wood Day Folk Art Workshop
2016 World Wood Day Folk Art Workshop presented diverse forms of wooden folk art from 10 countries and 6 Nepali ethnic groups. Through a series of exhibition, demonstration and workshops, it offered an opportunity for participants to reflect on attitudes towards traditional woodcrafts. Even though some of them are vanishing due to modern development, wood still plays a prominent role in connecting people with nature and culture.
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Santa Cruz Wood Sculpting
A Santa Cruz wood sculptor, Gary Stevens seeks to get the form to work with what’s naturally occurring in every piece. His passion for the wood itself comes through in his art as sculpting is an outlet for his desire to create. It is in the tranquil setting of his own redwood canyon he is inspired ; and through his sculptural vessels that are variational forms of plant parts he finds a beautiful way to expose what God has created in Nature.
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On 25 April 2015, with a magnitude 7.8 Earthquake hit Nepal and major aftershock on 12 may 2015, Nepal was in disaster. The earthquake caused a massive damage to people and heritage sites including Changu Narayan area where the oldest temple in Nepal is located. This video showcases the spirit behind the renovation of the Changu Narayan, and full size replica of the Shiva temple on the 2016 World Wood Day event.
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The XIV World Forestry Congress, themed “Forests and People: Investing in a Sustainable Future,” was grandly held in Durban, South Africa from 7 to 11 September 2015. Gathering the world forestry’s sectors every six years, it serves as an important platform for experts and stakeholders to discuss related key issues and explore ways to sustainability. International Wood Culture Society (IWCS) and World Wood Day Foundation (WWDF) also took part in the exhibition and discussions to promote wood culture, a way to remind people that forest is our roots. The diversity of culture and diversity of ecological system are interconnected. We all grow and bind together and therefore, efforts by individuals and groups, big or small, are significant in building our sustainable future.
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Renowned sculptor David Best, who has designed and built nine Burning Man temples at Black Rock Desert and various temples in other countries, and his crew, made of volunteers from the United States of America, were invited to create a community stupa in honor of the people of Nepal who suffered greatly from the 2015 earthquakes. The construction site located in Bungamati, a well-known traditional woodcarving village that has had more than 70% of its buildings damaged in the earthquakes. The Temple Crew cut and drilled rough-hewn logs and planks into manageable blocks that were strung on iron rebar and fashioned into the shape of a classic Nepali stupa. This stupa is composed of thousands of pieces of wood representing earthquake victims. Along with bringing international attention to the ongoing wood carving tradition of Bungamati, this project also helped to rejuvenate the community by interacting with local people and artists. The stupa is currently displayed at the Nepal Academy and will eventually be moved back to Bungamati.
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Brick by Brick - 2016 WWD Collaborative Project
The 2016 Collaborative Project kept exploring the possibilities among traditionally-different practices through teamwork as 20 collaborators came together to create wooden sculptural works in Bhaktapur. Together with interactive playground equipment that created a safe wood environment for school children, an installation consisting of 282 carved bricks by 130 artists rose to bring hope of renewal to the community. It was an inclusive venture between creative minds and the community where skills were shared, artistic thinking was challenged, and authentic partnerships were forged through a process of collective ownership, fellowship and mutual respect. This cross-border platform encourages communal interactions while offering younger generation new experiences to discover the art in wood that is both educational and entertaining.
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Those two Kina trees are well-known and long-lived in Damascus, they have remained for many generations and attended many historic phases in early time. They were to be burned, it was the ideas of Mr. Moufak Makhoul to revive them in a certain way, and the Syrian trees never die. As the thickness and height of the trees, the process of engraving is done on the dry and died trees that are more than 130 year-old. The work is not just in related to sculpture, and as well as to give it an aesthetic value, the historic value, and the educational value of how we employ the dry trees instead of burning it. The artists tried to make them a tableau with inscriptions, and asserting the origins of art and civilization in Syria.
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Turning the bowl with a loving Heart - Training Activity at Wenzhou School of Special Education
Woodturning Training program at Wenzhou School of Special Education, set up by the International Wood Culture Society (IWCS) and the American Association of Woodturners (AAW), continued in November, 2015. Mr. Andy Chen from United States, as the instructor of this semester, gave a bowl-turning lesson to Zhu Shicheng and the students at school.
The whole staff of Wenzhou School of Special Education expressed their appreciation to IWCS and AAW. Everyone does hope Mr. Zhu could keep on practice and grasp the skill to pay back the society and the students who need more social care.
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Japanese Dashi in Grand Sawara Festival
The Grand Sawara festival has a history of 300 years. It is indeed one of the biggest festivals in Tokyo, Japan. During the festivals, Dashi is always under spotlight. Each Dashi is composed of one giant sacred doll which represents the Japanese deity and a shrine that is elaborately decorated. And Ikkyō Kitazawa is specialized in designing and engraving the surrounding walls of Dashi.
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Documentary Tour in Nepal
Nepal is a multiethnic country, including more than 59 indigenous groups which constitutes 40% of its total population. Many of the communities fully depend on forest and timber products for survival, entertainment and religious purposes. Wood is an indispensable part of their live, though its importance is diminishing due to the influx of cheap alternatives. Meanwhile, attempts are made by individuals and groups to preserve and promote their tradition of using wood.
IWCS team visited 3 of the major ethnic groups, namely Newar, Tharu and Chepang, in Kathmandu, Dang and Chitwan to explore their distinguished and diversified wood culture and introduced some of them to the global audiences in the 2016 World Wood Day celebration at Nepal Academy.
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Dream Builder - Flying and Dog Sled
“Wisdom comes as a result of dealing with mistakes,” Willis said. Retired as a pilot from Alaska Airlines, he learned over the years to make the flexible sleds. Building sleds is one thing, he says, maintaining them is a whole different beast. He decided to build the easier to repair and lighter all wood sled.
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Southeast Alaska Indian Culture and Wood Carvings
Southeast Alaska, beginning in Ketchikan, Metlakatla, Sitka, Juneau and others, is the traditional homeland of the Tlingit, Haida and Tsimshian and is rich in Indian culture, wood carving and totem. Wood carving, as an art form, reflects all the Native cultures connecting with the environment. The wood materials used come from the forest and the forms usually represent animals, spirits or places.
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2015 AAW Symposium Pittsburgh
Woodturning is more than crafting; making things out of wood on a lathe can be experienced as relaxing, soothing, satisfying, and even therapeutic. A diversified learning platform, the AAW International Symposium is dedicated to all enthusiasts with world-class demonstrations and the largest showcase of turned-wood objects. Many are inspired and developed a keen interest in woodturing and others may even find a light of hope through the creative process. It is the positive attitude towards life that makes a difference.
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A Run for the Perfect Bowl - Dale Larson
Dale Larson is a retired police officer lives in Gresham, in western Oregon, USA. He has been turning for over 38 years. His specialty is turning bowls from local hardwoods like Pacific Madrone and Big Leaf Maple. Dale has taught woodturning for over 15 years including demonstrating at the American Association of Woodturners symposiums, regional symposiums and schools John C Campbell and Arrowmont. He has published articles about wood and woodturning in the four woodworking journals.
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Inspired by Faith - Monastery of Holy Cross in Vosakos
In the fourth century, St. Helena, mother of the Roman Emperor Constantine, went to Jerusalem in search of the holy places of Christ's life. During the excavation, workers found three wooden crosses. Legend has it that the one on which Jesus died was identified when its touch healed a woman.
Instead of emphasis on the religion part, this documentary film aspires to showcase the enthusiastic relationship between artists and their wood work, as well as the meaningfulness of our encounters with wood by capturing the celebration at the Monastery of Vosakos and the interaction with local wood carvers.
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A Family Legacy: The Big Creek Lumber
Over time, legacies are thought of as the most precious inheritances or heritages in diverse forms, passing on from generation to generation. But the power of a legacy lies in how it evokes people’s shared feelings and memories, and forges an innermost bond among them. The McCrary brothers, co-founders of a wood mill, have involved in responsible forest stewardship and timber production with an abiding love for the family land along the Big Creek area, California since 1946. Upholding and expanding the legacy, they come to seek for a continuation of environment-friendly, conservation-minded management that would contribute to the sustainable living of woodland in perspectives.
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Burning Man is a weeklong festival, a mega art event with many levels of presentation to provide a platform to artists to build a variety of wooden installations and structures in a metropolis in Nevada’s Black Rock Desert. This documentary film is specifically aiming on an aspect that would inspire the caring relationship between man and nature, and as well as emphasizing on the meaningfulness of men’s encounters with wood.
In this 5 miles sq. of flat alkaline playa, wood does not only serve as the main material for art pieces, but also represents as a carrier that absorbs people’s emotions, cultures, and hopes.
The festival reached to its climax when the fifty-foot-tall giant wooden man falls, at that very moment wood has been burnt to ashes and blown away with wind along with people’s message spreading out to those who may or may not have experienced with wood or woodworking that a green and brighter future is ours to choose.
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Wood Culture Festival in Şişli
2015 World Wood Day-Wood Culture Festival was held in Şişli, Istanbul, Turkey. This event comprising wood music, folk art, and other interactive activities offers a great opportunity for the public to approach wood culture.
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San Diego Fine Woodworkers Association (SDFWA) is a well-known non-profit corporation organized in 1982, with more than 1,000 members who share the love of woodworking. Each year, SDFWA holds the exhibition “Design in Wood” with the San Diego County Fair, exhibits more than 300 pieces of art works, and demonstrates traditional woodworking techniques.
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Traditional Music of Turkey with Wooden Instruments
This Wood Culture tour will introduce you to the primary music genres and wooden instruments in Turkey. The musical culture of Turkey is shaped and influenced by the multiple ethnicities within Anatolia region through out history. It can be categorized into two genres, Anatolia Folk music and Ottoman/Turkish Maqam music. Traditional Instruments also fall under these categories as well. We will explore the materials the instruments are made from, their history, and the bound between the instruments and musicians.
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The Forest Products Laboratory
The Forest Products Laboratory (FPL) is the national research laboratory of the United States Forest Service. The focus of the Forest Products Laboratory is to apply their scientific research onto different kinds of wood utilization and to promote healthy forests and forest-based economies through the efficient, sustainable use of the Nation's wood resources.
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2015 WWD Culture Tour in Şişli, Istanbul, Turkey - Music of Wood - Lin Yao
Lin Yao was born in 1987 in Wenzhou, Zhejiang, and started to learn Pipa (Chinese lute) at 6 year old. She is the chief Pipa player in Wenzhou Folk Music Group and a music teacher in Wenzhou School for Special Education. Pipa is a short-necked, four-stringed plucked Chinese lute. It is one of the oldest Chinese musical instrument with a history over 2,000 years. Modern pipa appears as a shallow, pear-shaped body with a wooden belly, along with 29 or 31 frets. The four strings run from a fastener on the belly to conical tuning pegs in the sides of the bent-back pegbox. Its name suggests the plucking direction: pi, "to play forward," pa, "to play backward." The strings of Pipa that once made of silk, are now usually replaced with nylon-wrapped steel.
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2015 WWD Culture Tour in Şişli, Istanbul, Turkey - Music of Wood - Mbeng N'tam
Mbeng N’tam” means beauty and prosperity. This troupe consisting of traditional dancers aims to preserve the rituals and traditions of Gabon. In order to communicate this message of balance among the human being, the invisible world of ancestors and the nature, they have established an association, KOOL D’AYELE, which lends an outlook to the ancestral traditions through their dances. They have started spreading the Gabonese culture worldwide since 1998.
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2015 WWD Culture Tour in Şişli, Istanbul, Turkey - Music of Wood - Enrique Males & Patricia Gutierrez
Enrique Males performs ancestral music, expressing harmony that enriches the spirit and fertilize the country. Through ancient sounds, spiritual songs and dances, such as warrior movements and tender moves that represent fertility, their performances express the spiritual strength of the motherland - Pacha Mama. Patricia Gutierrez represents the woman land of Latin America.
The creative work of Enrique and Patricia is authentic and meaningful. Through their artistic production, people get closer to their own spirit and heart, and further to reflect on themselves and strengthen their identity.
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2015 WWD Culture Tour in Şişli, Istanbul, Turkey - Music of Wood - John Butler& Barnaby Walters
John Butler has been playing the uilleann pipes since the age of 16 when he heard them for the first time on the radio and was immediately captivated by their sound. In 2010, Butler decided to set up his own uilleann pipemaking workshop, called “Ceol Pipes”, on Achill Island off the west coast of Ireland.
Barnaby Walters builds and plays the Hurdy Gurdy, a European instrument of ancient origin. The gurdy works like a mechanical violin, with the strings being constantly bowed by a wheel, and shortened in length by a keyboard. Barnaby mainly plays traditional European dance music, as well as modern compositions in a similar style, and a variety of early music.
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2015 WWD Culture Tour in Şişli, Istanbul, Turkey - Music of Wood - L'École de Musique de Kirina
Created in 2010, the Ecole de Musique de Kirina Band is composed of 6 professional musicians who are teaching traditional instruments at the music school in kirina. They are all from famous families of musicians. Among them, Kora teacher Ladji Diabate, is brother of Toumani Diabate, the world best Kora player who has won Grammy Award. Other members include troupe director Mahamadou Diabate, Balafon teacher Karounga Diabate, Djembe performer Seydou Kone, dancer teacher Oumou Mariko, and also dundun teacher Karim Diabate.
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2015 WWD Culture Tour in Şişli, Istanbul, Turkey - Music of Wood - Tony Brazelton
Tony Brazelton is the founder of North American Alphorn Retreat, and Salzburger Echo. Salzburger Echo, which brings the Alps to their audiences, playing old world and contemporary folk music from the alpine regions of Germany, Austria, and Switzerland. The band regularly plays some of the largest Oktoberfests in the nation as well as having performed at hundreds of elementary schools across the nation to help teach children about the origin of the music and about the music itself. Tony was the third place finisher at the 2008 international alphorn competition in Nendaz, Switzerland.
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2015 WWD Culture Tour in Şişli, Istanbul, Turkey - Music of Wood - Manolis Skoutelis & John Dafermos
Manolis Skoutelis is the third generation of musicians in his family after his father and his grandfather. After completing music studies, he started to act professionally as traditional Cretan music player. Skoutelis is a very famous lyra player and singer around the island of Crete. In addition, he participates in music festivals and social events such as weddings and baptizes. He is also a very good traditional instrument maker. He can play four musical instruments: "lyra," "mandolin," "askombantoura" and "Cretan lute." Some of those musical instruments are very popular in many Mediterranean cultures.
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2015 WWD Culture Tour in Şişli, Istanbul, Turkey - Music of Wood - Mez-Me
MEZ-ME is the result of more than 40 years of evolution. All of their presentations and melodies are composed of ancestral instruments such as huēhuētl, teponaztli, tlapitzalli, ayoyote, quena and more. As a music group, they try to revive their language, usage of ancient instruments, dances, poetry and in some ways their ancestors' philosophy through music.
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2015 WWD Culture Tour in ?i?li, Istanbul, Turkey - Music of Wood - Siqinbillge & Mongolian Girl's Hoomii Troupe
Mongolian Girl’s Hoomii Troupe was founded in 2013 and composed of five Mongolian girls: Narengaowa, Chana, Chaolemenggerile, Tunala and Suerge. They specialize in Mongolian’s primitive and ethno music, especially hoomii (a type of throat singing, also known as Khoomei), long tone and traditional musical instruments like morin khuur and tobshuur. The troupe has been taking part in various domestic and international music events since it's founded. Siqinbilige, who performs along with the troupe, is a renowned Mongolian singer who has won several awards of ethno singing competitions.
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In the Northern Wisconsin, USA, there is a family named Stone Dahl who live a simple and self-sustainable life in the forest. Jarrod and April, the parents of four children, use wood, the nature material that surrounds them, to hand-made utilitarian crafts, such as baskets, boats, spoons, bowls and snowshoes…etcetera.
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Nature & Culture for a Sustainable Future
The video was shown during the XIV World Forestry Congress 2015 in Durban, South Africa in response to its theme, “Forests and People: Investing in a Sustainable Future.”
International Wood Culture Society (IWCS) explores and approaches the value and usage of wood from a cultural perspective to emphasize the significance of wood in relation to the human life.
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RETURN - Maker of Native American Style Flutes
Dennis Stubbs, the Arizona woodturner that was once a fervent collector of flutes, enjoys playing his handmade flute while strolling in the woods. It is all around his studio and house that a variety of fine flutes can be seen as he has been long drawn into the sound of them. Dennis becomes keen to make Native American style flutes—as a result of his wife’s suggestion. He crafts his works with meticulous hands in a way that is environmentally responsible, turning tree waste into recycled materials. Self-effacing as he is, the IWCS crew could literally feel his passion for wood during the filming.
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What goes on in your Dad's shed? This is a documentary following the everyday work of my Father.
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Carlos llerena Aguirre creates large woodcuts for the Biennale of Printmaking for Large Format in Venice. The Venice Printmaking Studio. Venice, Italy.
These large woodcuts and others will also be exhibited during 2015 in a solo exhibition at: The Lowe Art Museum, Coral Gables, FL. The Dynamo Art Cocowalk Gallery, Coconut Grove. FL, USA. And the Galería ICPNA Miraflores, Peru in 2016.
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A portrait of the joys and challenges of working with burl and other native woods, through the eyes and hands of master woodturner and carver Frank White. He takes us through the transformative process, from his sources of inspiration and New England burl in the woods, to working at his lathe and carving bench creating one-of-a-kind natural edge bowls and hollow vessels.
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Game of shadows - Mountain Tara and River Drina
The river Drina and Tara mountains are located in the western part of Serbia.
On July the 13. 1981. Tara becomes a National park covering area of 19.175 ha.
Due to its climate and isolation Tara preserved ancient species of trees such as pancic spruce and other almost fossil species of plants. Tara is mostly made of limestone and its average height is 1000-1200m. The highest point is Kozji Rid -1591m and the lowest 291m is at the lake Peru?ac. Vrelo River is the strongest fountain in the national park, which runs into river Drina after 365 meters. Summers are fresh and winters are cold with lots of snow. Most rainfall is in May. Driest months are July and August. Autumn is sunny and warmer then spring.
NP Tara is 80% covered with forests. There are 34 forest and 19 meadow communities. 75% of forests are mixed spruce-fir, fir and beech. Besides Pančić spruce significant plants are hazel, yew, holly, jeremičak, knapweed of derventa, peony, blechnum spicant.
There are 53 species of mammals. The most interesting are bear (Ursus arctos), and chamois (Rupicapra rupicapra) which lives even on elevation of 291m. There are 135 species of birds. 43 of them are migrating species. The most interesting are endangered species such are golden eagle (Aquila chryssetos), peregrine falcon and others.
There are more than 251 species of mushrooms. Three of them are poisonous. Amanita phalloides is the most dangerous mushroom in Europe.
Fishing on rivers and lakes within the NP is a real pleasure. There are about 40 species of fish. (mladica (Hucho – hucho), lipljan (Thumallus thumallus), gull, carp, jez (Leuciscus idus)…
In the NP Tara there are many archeological sights dating from neolith to middle ages. There are stecaks in Perucac, remnants of medieval fortress Solotnik and monastery Ra?a, built by king Dragutin Nemanji? in the 13. century.
There are 18 mountain foot paths with total length of 120km. When using those paths you should consult maps which can be bought at information points in the park.
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A man, living a meaningless existence, is tormented by his memories. His joyful past as a craftsman was dominated by wood and nature, as opposed of the present where technology and industrialization are slowly making people more and more distant from each other. If man killed nature, is there a way to give her new life? Does a dead tree remain dead after cutting it down? Kintsugi is the Japanese art of repairing broken pottery with powdered gold, silver, or platinum. The broken object gains a much higher economical and aesthetic value, because its random cracks make it unique, symbolizing the idea that breakage and imperfection can result in an even better form of aesthetic and interior perfection.
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Only Water and Wood all Around
Comacchio is surrounded by water—and it has always been surrounded by water until 1821. Before, in order to arrive at Comacchio you had to take a boat. Here wasn’t any material for bricks– it was very rare. So, one of the most used materials that has always been popular, since the times of the ancient Etruscan city of Spina, was wood. In this region there was the ancient forest called "Elisea", which was full of holly oaks, oaks and other types of trees. Over the centuries, the inhabitants of these territories developed techniques to use wood to built boats, lake dwellings and other very special fishing equipment.
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Dave is a coppice worker, leading and educating his community into more substantial and nature friendly lifestyle.
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Lumberjack sports seen through the eyes of two hopeful athletes training over the summer to get ready for the Fall season. And their coach, a seasoned woodsman with lifelong ties to the woods.
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The Billy Goats of Saaremaa
Far up in North-Eastern Europe, there is an island called Saaremaa, where men dress up as billy goats to bring good luck and fertility to households on the night of New Year’s Day. This is a pre-Christian tradition that has been carried on from generation to generation as long as people can remember. Billy goats dance, play tricks and butt people, especially girls and children. Unfortunately, this tradition is dying out. Billy goats are artefacts of local woodcraft, since men search bogs to find the finest and toughest crooked pine roots to make billy goats’ heads with horns. The only footage of billy goats available for the public is shot in the 1960s and kept in the Estonian Folklore Archives. Original soundtrack by an Estonian musician Juhan Vihterpal, played by Juhan himself. Folk tune Karjala-Soome polka played by billy goats Ain Hannus and Raimo Kald. "The Billy Goats of Saaremaa" is a video made for the contest "Wood and Humanity" sponsored by the International Wood Culture Society (http://www.iwcs.com). Author Merit Karise, teacher at the design department of Kuressaare Regional Training Centre, Saaremaa, Estonia (www.disainimajakas.ee).
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Five-Hundred and Three and Counting
Five-hundred and three guitars on, Jonny Kinkead continues to pursue his craft with a seemingly undulled fervour. A self-taught luthier, his guitars rank amongst the most prestigious currently being produced. During a career that's spanned forty years, Jonny has witnessed the decline and rising cost of quality timbers, meaning a resourceful approach is essential in maintaing his exceptionally high standards.
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A love poem from humanity to a tree.
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Chad Kaimanu Jackson was born and raised on the Central Coast of California. At a young age, Chad's father taught him the art of surfboard shaping. After spending a few years traveling as a pro surfer, Chad became interested in crafting surfboards out of alternative and sustainable resources. For the last five years he has been hand shaping unique and beautiful surfboards out of agave wood. Chad's passion for the ocean and shaping can be traced back to his Hawaiian lineage. His unique cultural background is also the driving force behind his goals to create low-impact and sustainable wood surfboards that perform at the level of current high-impact and toxic polyurethane foam surfboards.
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A short look into the world of Benoit Bergeron, carpenter, sculptor and tree lover.
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Every day, hundred of teachers in Spain are living around the wood. They join pasion for wood and vocation for teaching. They are joiners teaching the wood to students who not always have the vocation for it. Throughout this path, students learn a trade, to do their best, and they learn too to love the wood and the profession. For teachers, this is also a communal living and learning path, which is marking their life.
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Two winemakers explore the uniqueness of the oak barrels they use.
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The video gives a short overview of small kannel, a traditional plucked string instrument of the dulcimer and zither family native to Baltic-Finnic and Baltic people. It is estimated to be at least 2000 years old, some say even 3000. For almost a hundred years, especially in the Soviet time, it was out of favour, but regained its popularity in the last decade. Mart Aardam is the small kannel maker from Saaremaa portrayed in the video, who has made ca 150 small kannels.
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Okkyum Kim is an award-winning violin maker who believes that he creates new life with each violin, viola, and cello that he makes.
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How Wood is transformed into Music, one of the highest expressions of Human Soul: the special relationship between a Violinmaker and his Wood.
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Artist David Scott has spent 34 years making beautiful wood furniture.
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Tom Nilsson is a carpenter who loves woodcarving on his spare time.
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Please meet Kurt Reichmann. He is a hurdy gurdy maker from Frankfurt, Germany. His passion to build this instrument and promoting it have brought him a Federal Cross of Merit and a Musical Instrument Museum which has the largest number of bagpipes and hurdy gurdies. Moreover, he sees himself as a promoter of cultural and musical history. It is very important to him to connect people from different heritage. It was an absolute pleasure to talk to him and be able to get a little impression of what he does and has been doing. Enjoy watching the film!
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What happens to our unused & unwanted wood? This insight reveals the process of recycling & reusing reclaimed & salvage waste wood, and how it is given a new life.
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Life. An immeasurable interweaving of uncountable phenomena. An utterly inter-dependent web of seamless unfolding's. Arising, passing away..Arising, passing away..Arising, passing away. Each time one thing passes, something new is born. Each leaf that curls and fades, offers the nutrients of it's life to nourish the seed of another. Breathing in, we receive life. Breathing out, we give life. Plant life giving birth to animal life. Animal life giving birth to plant life. In every moment this sacred cycle repeats. With out one, the other cannot survive. A profound and unbreakable connection. Man and Tree are not two but one. It can be no other way.
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W.O.O.D. (Wonder Of Our Days)
A journey into the future of the diverse uses and realities through which wood marks and bounds, in an enduring naturalness, the existence of man to its own. A stream of images and sounds will try to express in a visual synthesis the concept of “Wood and Humanity”.
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For two decades Bob and Lillian Bohlen have been on a mission to change the art world's perception of wood art, from craft to fine art. By supporting and challenging wood artists to find their unique style and explore new techniques, the Bohlens have been catalysts for the development of the wood art movement. They have collected 1140 pieces and given 870 to 17 U.S. museums. The Peabody Essex Museum in Massachusetts recently put on "Audacious," the third exhibit of their collection. Here, the curator and the Bohlens tell the remarkable story of the wood art movement through the stunning work on display.
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An optical fiber field engineer living in rural New England finds balance and connection in the old ways of woodworking. He demonstrates how anyone can make a dovetail joint with hand tools, and shares his insights on the role wood plays in our lives. While encouraging us to unplug and truly connect beyond our telephones, he discovers something he never realized before.
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Wood is everywhere in our lives, a reliable and sustainable biomaterial that features in every detail of our everyday living. If we take a close look at our daily lives, we will see that it's not only a piece of wood, it's a living thing.
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"I just feel good to be able to make things, help people, and bring happiness to them." Steven Peabody
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Musicians, poets, luthiers, sculptors, weavers, artists and other workers of wood philosophize on the affinities between trees and humans.
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A short film about wood and family.
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Archtop guitar builder Dale Unger explains why wood is so important to the making of fine instruments.
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UrbanTree based in Pittsburgh Pennsylvania is bridging the gap between people and trees through strictly using reclaimed, donated lumber in their creations. This 3 minute vignette addresses this years theme of wood and humanity by showing how one woodworking shop is extending the lives of older trees that otherwise may be chipped into mulch, burned, or landfilled. They also craft and create with the notion that people should bring nature back into their lives and homes, and the trees are able to help fill this void by taking on a new form. UrbanTree does not remove trees and this is what makes them unique. Their personal take on wood and humanity however is what makes them really stand out. Alternate music / extended cut available.
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The world contains a tremendously unique assortment of woodworkers. Every one has a special beginning, new styles, and a different approach to the art. What they share is a love for wood. Rather it be a way to make friends, express creativity, or touch someone else's heart, wood can open the door to new beginnings.
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Crafting 21st Century Toys
justyna and matas are on a quest to make the perfect toy for children. something that bridges the gap between traditional wooden toys and new technology.
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Artist Rita Dee of Bennington, VT uses driftwood to translate her love of horses into larger than life sculptures. This film highlights driftwood as a natural medium that captures movement and grace and elevates human experience.
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David is a man who has spent his entire life working with wood. This might seem like nothing out of the ordinary, but when we take into account that he lives without a phone, mains electrical power and the only way to contact him is by pining a note to a gate; things become far more interesting. His living accommodation, based in Cornwall, England, is a compound made up of various shacks which he has built with his own bare hands. His wood carvings represent years of intense study of the material, and the personality each piece holds when it eventually arrives at his feet. This is a short story of a man who physically lives through his art, all year long. His disconnection from the modern world shows an unmatched dedication and he represents a dying breed. Meet, The Woodman!
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An observation of the historically entwined relationship between wood and humanity, this three-minute documentary explores the story behind Brighton’s much lauded, The Wood Store. The first of its kind in the UK, our film celebrates the importance, and often under-appreciated role, wood has in modern life and how the store is revolutionising our understanding.
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The story of Ted, the carpenter, and his last work. A vignette on the cycle of creation and loss.
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In the same places where "La Terra Trema" by Luchino Visconti (1948) was filmed, the Rodolico family has been building ships for four generations. If yesterday around these shipwrights a whole community used to gather and identify itself, today that world is disappearing because of the changing times. However, it is the Wood that still preserves and builds the memory of a very ancient knowledge: the one of the last shipwrights.
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Steven Lane is a woodworking artist, from New Zealand, with a unique approach to gathering the materials needed for his work.
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Jimmy Smith grew up in a small town located in the middle of New Jersey's great Pine Barrens. His Father's love for nature led him down a path of woodworking that grew into a business he started and now runs with his brother.
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Chukudu - The Wooden Motobike
This is an incredible story of a young man called Akili, a Chukudu builder .The Chukudu is a two-wheeled vehicle used in the east of the DR Congo. It is made of wood, and used for transporting freight .
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Known for their brightly painted depictions of fantastical creatures, Alebrijes have become a sustainable livelihood for many artists residing in Oaxaca, Mexico. Learning to craft the intricate woodcarvings takes years to master and the most respected carvers have worked tirelessly in developing their own distinct style.
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San Miniato al Monte is a basilica located in Florence, Italy. The basilica is situated atop one of the highest points in the city, and characterized and constructed in the classic Tuscan Romanesque architectural style. The wooden roof truss is painted with bountiful colors and decorated with adornments, and there’s an uncommon walkway built within the roof truss for people to decorate the roof truss. In addition, the wooden music stand for the choir was exquisitely made in approximately 1420.
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The Italian Violin Makers Vettori Family
Upholding the philosophy of “small production but high quality,” Italian violin workshop Paolo Vettori & Sons has practiced its craft for three generations. Paolo Vettori is profoundly influenced by his father, Dario Vettori, on the techniques, structure and style of violin-making. Now, his children, Dario II, Lapo, and Sofia are working together to continue the tradition established by their grandfather Dario Vettori in 1935.
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Mexicas - Recovery of Music and Culture
The Aztecs (Mexicas) has one of the most remarkable stories in world history. Fearless warriors built an empire in the 12th and 13th century and then rose to be the greatest power in the Americas before the Spaniards arrived. The Aztecs settled on several small islands in Lake Texcoco where they eventually founded the town of Tenochtitlan, modern-day Mexico City. The creation of canal system (chinampa) on marshy land around the lake is a vestige of their ingenious past. Today, their descendants - Nahuatl speakers try to recover the essence of their ancestors’ culture through philosophy, music, dances, and hand-carved musical instruments.
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The Mountain Village- Abyaneh
Abyaneh is a small mountain village, located 55km to the north of Kashan. Its unique geographical traits have enabled the locals' culture, customs, clothing and language to be better preserved. The his and hers door knockers on the wooden doors can also be found in the village. Men and women use different knockers, which make different sounds, in order to remind the house owner which gender should be answering this visit.
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The Green Path Sama Jaya Nature Reserve
Sama Jaya Nature Reserve works as a recreational park for local citizens. Surrounded by forests, the green path is the track especially designed for joggers and walkers. The park ranger guided us to some special plant area in the reserve.
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Mexicas - A Story Behind the Masks
Masks were always part of Aztecs (Mexicas) rituals and religious ceremonies, and were thought to be powerful and prestigious. Aztec masks were used as ornaments, worn as part of a ritual, or as a death mask. During the Spanish conquest, one of Mexico’s most magnificent masks were developed by indigenous people to imitate Spaniards face features as a way to mock their oppressors, and perform during festivals. Carnival traditions are preserved and celebrated annually, but only very few skilled artisans continue the traditional art of mask carving.
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2013 AAW Symposium - We Turn As Family
With the 15,000 members worldwide, American Association of Woodturners (AAW) was founded in 1986 in the United States as the largest international wood lathe education system.
In June 2013, IWCS crews came to Tampa to participate their annual event. The program of this exhibition was quite diversified. It was held in an aim of education instead of commercial purposes.
In over 100 classrooms at the venue, wood turners from around the world were invited to share their experience. We also saw many blind and wheelchair wood turners sharing their experiences of woodturning heartily. One of major features of AAW is that regardless of gender, age as well as innate inabilities, everyone has the chance to be an excellent wood turner.
Their energy and spirit touch the heart of men from the eastern culture, which usually let people reserve the skill only for their own. In AAW, no men is selfish, everyone brings out their best. We were not only impressed by their astonishing artworks but deeply moved by the ambiance of all for one, one for all.
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Eli Avisera and His Woodturning Art
Eli Avisera is a leading woodturning artist in Israel. His creative and delicate art works have attracted the attention worldwide. However, he is more than an artist. In 1988, Mr. Avisera has established the "Wood Craft Center" to encourage more people to learn about the beauty of wood-making. Today, he is also a demonstrator who travels around the world to share his knowledge and amazing skills.
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Naim Doumit and His Woodworks
Naim Doumit, a Lebanese leading sculptor, is working on different materials including bronze, stone and wood. He is widely known for his abstract work and the use of streamlined style. Among all his works, he creates numerous art pieces with the theme of female body as he thinks that woman plays an essential role in the society.
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Set Turning of Shawo Wooden Bowl
Shawo Village is located in Hebei province of China, with about 270 households. Hundreds of years ago, almost every household of the village turned wooden bowls by foot-powered lathe. Besides bowls, they also made other wooden cooking utensils, tool-handles, small toys by other small hand-powered lathe. Today, only six elderly grandpas in the village can use the lathe. The younger generation, led by Li Xuemin who is in deep love and respect to the past, realized the important and responsibility of the inheritance and began to learn the technique from the elders.
With the support from various part of the society including the strong support from International Wood Culture Society and AAW, local inheritors are more encouraged and exert themselves to move forward. In the video, you can see the essence of the traditional set-turning technique of Shawo village. The demonstrator is 84-year-old Cheng Jinqing and his apprentice Li Xuemin.
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A Little Woody Piece of San Francisco
Chen Li, a young designer graduated from Rochester Institute of Technology, is seeking to pinpoint his direction from his apprenticeship at the San Francisco WoodShop, California. Founded in 1974 and currently run by John Sheridan, this furniture making studio and school offers possibilities for taking concepts to practice and making ideas possible by techniques, with wood as the material. Their design furniture incorporates both the aesthetic expression and functional goals in the finely crafted pieces, along with the communicative intent embodied in the stories portrayed, meaning conveyed or thoughts illustrated, allowing conception and execution to integrate in terms of the process of making.
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Concert Held to Celebrate 2015 World Wood Day in Switzerland
The concert held in Kulturhof- Schloss Könizon on March 22nd offered a great experience for local people to enjoy the beauty of wood music and to learn more about the cultural background of each instrument. The rich programs were brought forth by Alphorn group Stock Horner, Dulcimer Nayan, Quintet Quair, Zapjevala, and Alphorn Experience.
More information on World Wood Day.
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Wooden Classroom, Lebanon
The event was aimed to help those Syrian children staying in refugee camps in Lebanon to receive much-needed education. A wooden classroom was built in seven days at the Tall Abbas Al Gharbi Refugee Camp, situated at the border of Lebanon and Syria, as part of the World Wood Day regional event. Volunteers gave classes on the importance of wood and assisted the children in making classroom equipment, such as desks, chairs, a board, baskets, etc. A tree planting activity was also arranged to spread the message of sustainable development. All the volunteers who participated in the project were deeply moved and touched by what the classroom could do and mean to the children.
More information on World Wood Day.
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Tokyo Toy Museum, Good Toy, and Wood Education
Through the lens of wooden toys, the appreciation for wood is more than just entertainment. From children to adults, wood is easily accessible via a variety of channels in Japan, such as the Tokyo Toy Museum, where provides a valuable learning environment to stay, play and study with wood. The Mokuiku Summit 2014 has best represented the success of the Mokuiku (Wood education) project, involving a broad range of groups and individuals, both users and lovers of wood.
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2014 AAW Symposium-Turn Up, Light Up
The American Association of Woodturners has brought another informative, energy-filled fest to the woodturning community at its 28th annual symposium in Phoenix. The event offered a variety of techniques to acquire and a series of art show to appreciate while lighting up the lives of those in need with special programs. The woodturning artists authentically embodied the spirit of sharing and bonding that can be hard to come by in the era where website social networking preoccupies people’s time.
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International Woodcarving Competition in Dongyang
World Crafts Council celebrated its 50th anniversary in Dongyang, China in October of 2014. 38 international woodcarvers were invited to participate in the International Woodcarving Competition eight days prior to the Opening Ceremony. They were here to interpret the theme of "Respecting the Past, Carving the Future." By sharing a common language of wood and mutual respect with each other; the competition creates a harmonious collaboration among the participants. All the art pieces would be displayed as a centerpiece at the golden jubilee celebration.
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Follow the Dream - Richard Yates
Chewton, a town north west of Melbourne, is known for the gold rush back in the 1850s. Even though there is no more rush for gold mining, the town still reserves many gold mines and diggings nowadays. Richard Yates, a woodcarver who attended 2014 World Wood Day, lives and carves in the area of the historic diggings, Gold Rush, and the Eucalypt Forest. He is inspired by the history and the surroundings that the traces of influence are shown in his artworks.
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Sailing through the Ancient Egypt
The reassembled Khufu ship is just located beside the Khufu Pyramid, and it can be dated back to 2500 B.C. During the 1950s, archaeologists discovered that thousands of wooden pieces were pressed under huge limestones. Surprisingly, there was only one wooden oak that was broken after almost 4,500 years. Also, we have found related wall paintings in the tomb of Ty, a noble's tomb that can be dated back to 2500 B.C. The only difference is that Khufu ship is driven by manpower, while most of the wall paintings are about sailing boats, which are wind-driven.
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Modern Life, Traditional Heart - Indigenous Australians in Transition
The celebration of indigenous cultures is lively in the northeastern part of Australia that a large number of worldwide visitors come here to join and experience. Compared to the other areas in Australia, Cairns has a higher population of the indigenous people. In here, you can find handmade traditional wooden tools like boomerangs, spears, and more. The Cairns Indigenous Art Festival (CIAF) is one of the most renowned annual celebrations of the Aboriginal and Torres Strait Islander cultures’ visual and performing arts since 2009, and offers an opportunity for indigenous artists to showcase and sell their artworks.
Undara Volcanic National Park is located in the north Queensland, and is famous for the remains of lava tubes formed around 190,000 years ago. The volcano erupted and expelled great amount of lava around the area, and thus geologically and ecologically affected the environment. In order to better balance the ecology here, indigenous people used fire to manage the forest and the fire management is still applied as the most effective way nowadays. Tallaroo, located west of Undara, is known for the permanent hot springs that is considered as a sacred place for healing purposes by the tribal people.
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Windmills Museum in Zaandam
Zaanse Schans is one major attraction of Netherlands, where is famous by its well-preserved historic windmills. Within here, the combination from colors, nature, and culture is vivid reflection of people's imagination about Dutch lifestyle. And these windmills provides not only touristic value but also multi traditional products. Even more, if we date back to 16th century, windmills actually helped Dutch built Holland!
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Sam Maloof - My Last Days
Sam Maloof is “America's most renowned contemporary furniture craftsman” and People magazine dubbed him “The Hemingway of Hardwood.” His furniture has become the model for modern furniture designers, and more fans around the world called his hand-made chair “The King of Rocking Chair.” He always calls himself as a “Woodworker.”
This documentary exclusively shows the last six months of Sam working on his last three master chairs before he passed away, along with interviews of his successors, longtime friends, and wife.
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Nashtifan is close to the border of Iran and Afghanistan. Here, 120 days out of a year are windy, which allows windmills to function well. Some scholars have proposed that these wooden windmills are the origin of the first windmills, which then spread to China in the east and Europe in the west. Pine wood, which grows in the neighborhood forest, is usually used as the axis of the windmill.
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Mr. Mohammad Mohammadzadeh and His Wood Art
The 71-year-old woodcarver, Mr. Mohammad Mohammadzadeh, developed his interest in woodcarving at the age of 4 due to family influence. He kept on challenging himself throughout his career with different kinds of woodworks. Among all, as a Hajj himself, his favorite topic is about Islam, such as the inlaid Quran stand.
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Oud is an ancient string instrument that can be prevalently found in the Arabic world. It is the origin of guitar and is also known as "the prince of Arabic instruments". Mr. Nazih Ghadban is not only an oud luthier but also a performer. He has been trying and experimenting various types of wood in the world in order to make his oud to be qualified as the melodious sound and fell into the category of the aesthetics at the same time.
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Rotorua is a city located south of the Lake Rotorua, the second largest lake in the North Island of New Zealand. Te Puia- Guardian of Te Whakarewarewa Geothermal Valley, is the primary Maori culture, performances and experiences that has become an iconic place most visitors go. The National Carving School in Te Puia offers comprehensive educational and training programs that are most well-known in New Zealand, and many top wood carvers were trained here.
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The Far North District includes the northern tip of the North Island, New Zealand. Located in Waipoua Forest, Tane Mahuta, the Lord of the Forest, is known as the biggest living kauri tree in New Zealand. And in the town Kaitaia lives the Master Waka Builder Hekenukumai Hector Busby, who has built over 30 waka and voyaged to Hawaii and Easter Island without modern navigation instruments.
Among the Far North District, the Waitangi Treaty Grounds is the most important place that preserves the cultural heritage of Maori. The Waitangi Treaty Grounds is where the Treaty of Waitangi sighed in 1840, and preserves the Treaty House, the Carved Meeting House, the Flagstaff, and the biggest Ceremonial War Canoe. The meeting house plays a significant role in Maori's culture and history. All the wooden sculptures around the meeting house represent their ancestors of their tribes, and the meeting house itself is also an important and sacred venue for ceremonies held by Maori people.
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Choubin - The Wooden Village
There’s a village called Choubin in Neyshabour, which means “made of wood” in Persian. All buildings in this area including mosque, library, and even a gigantic residence are not only built of pure wood, but also featuring quake-resistant. Various kinds of timber, such as pine, walnut, and cherry are used and combine in numerous constructions.
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Sheikh Mohammed Center for Cultural Understanding
The Sheikh Mohammed Center for Cultural Understanding is a non-profit organization with the philosophy of "open doors, open minds". It was established in 1988, with the aim to raise awareness and demystify the local culture and customs of the United Arab Emirates. Dubai, the capital city of the UAE, used to play as an important trading spot for wood and wood used to be widely applied in people's daily lives.
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Shouf Biosphere Reserve is the largest cedar reserve in Lebanon, taking up 5% of its total land. In the old times, cedars were traded and used in various ways, including boat and temple-building. For instance, the solar boat in ancient Egypt was made of Lebanese cedars. The massive need for cedars has resulted in the declining of tree numbers, and therefore, reserves were established to protect this precious national tree. Mr. Faisal Abu-Izzeddin is one of the establishers of Shouf Biosphere Reserve.
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The Qadisha valley, which also known as the Holy valley, is one of the earliest Christian monastic settlements in the world. Its monasteries, many of which an age of centuries, stand in subtle positions in the deep gorge. Nearby, the “Cedars of God” is one of the oldest cedar forests in Lebanon. The cedars here were once exported for many usages and now is a protected species. The sites are now co-listed in the UNESCO World Heritage Site.
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Natural Fire & Ponderosa Pine Forest
Bruce Greco, Director of Outreach Ecological Restoration Institute, brings IWCS to the research site in Coconino National Forest, AZ, USA, and talks about how natural fire plays an important role in conserving and maintaining the sustainability of ponderosa pine forests.
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The Traditional Pinyon Pine Nut Picking of the Navajo
The pinyon pine nut, a popular snack food of the native American Navajo people, savory after roasted, is believed to be a good source of protein and other nutrients. In the video, Shanna Yazzie, a Navajo from Cameron, Arizona, told of one of the remaining traditions kept by their hunters and gatherers on pinyon pine nut picking, demonstrating how the people take care of the nuts after harvest.
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Kachina is a culture which can best represent the Native Americans in Southwestern United States. The Kachina is a symbol of spirits or the simulacra of everything in the real world, from ancestors to a concept. The Hopi Kachina Dolls are carved in the form and concept as such and are used to educate children the ways of life, thus the spiritual faith and carving technique may come into heritage. They show us the unique outlook on life and cosmology of Hopis.
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Adobe is also known as the southwest style of house in the U.S.. The houses are made of clay and vigas and latilla, which are usually made of spruce and aspen. Dan and Della Barrone, who run the Olguin’s Sawmill that provides timber for daily usage to the locals, have been in the trade for 28 years. In the video, they talk about the southwest house style, their sawmill, and why they operate their business in a sustainable way.
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A Pueblo Drum Maker - Red Bird
Drum is a crucial element in the American Native culture; they communicate with the nature, ancestors, and spirits through music flow, drum beat, dance and sincere prayers. Therefore, drum-making is exceptionally rigorous, from timber selection to the thickness of drum shell are all variables that would affect the sound quality of the drum. Red Bird, a drum-maker from Pueblo tribe shares the life of American Indian people and the role of drum in its culture, and explains details and basic knowledge of how to make an outstanding drum.
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Dan Henny, a craftsman specializing in rustic style aspen and ponderosa pine furniture, shares with us his history and passion of his career. He also talks about the sudden aspen decline, a challenge that he is facing as the growth of aspen trees in the proximity of Colorado is affected by climate change that weakens their resistance against bugs.
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The Menominee Cultural Museum
The Menominee Cultural Museum in Keshena was opened in Nov. 2011. Artifacts of the tribe from the past and present are in display. It took the organizers nearly 20 years to put it together and establish the museum, and they are working to educate the general public about the culture of the tribe.
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The Black Ash Basket Maker
Mike Benedict, an experienced Native American ash basket artist, talks of how he began to acquire the traditional basket-making skill. As a professional basket maker, he expects that the tradition left by his ancestors may be spread to the younger generation.
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American Association of Woodturners (AAW) was founded in 1986. Woodturning is separated from other wood working, because the tools are a little different, the technique is different, and the action is different as well. Under Tib Shaw’s guidance, we had a view on a variety of interesting wood crafts by artisans from all over the world. And we also had the opportunity to go through the process of wood turning, which is an incredibly satisfying activity!
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Gamla Stan, also known as "The Old Town", a small historic island in the middle of Stockholm, is rich in history and charm, filled with vintage buildings, museums, churches, narrow streets, squares, shops and restaurants.
The Wooden Horse Museum and Runstenen are owned and operated by Bill and Chintana Odell. Aside from the permanent exhibition of new and antique Dala horses, there are some old horses and Stockholm’s largest variety of newly made horses and roosters.
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Ghaf tree is the national tree in the UAE as its value from both cultural and ecological perspectives. It is a versatile tree that provides food, shelter and medicine for the traditional Bedouins and their animals. Ghaf trees can be abundantly found in Dubai Desert Conservation Reserve along with the rich ecosystem that develops around them.
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Florence is famous for its history of being the financial center during the medieval period. It is also considered as the birthplace of Renaissance, the cultural movement has strongly influenced the rest of the Europe and then to the world up to the present day. In Florence, there are many famous churches built with wooden roof; Basilica of the Holy Cross and St. Miniato are two of these examples where the interior wooden structure is painted with patterns and colors.
Apart from architectures, music is another essential element that enriches the culture of Florence. The traditional music instrument, mandolin, is a member of the lute family. It is constructed of several different wood species, including spruce, maple, rosewood and ebony, according to the need in function and the property of wood.
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Laboratorio di Restauro del Fortepiano
Hidden behind a small grey door is a not-so-ordinary workshop run by three craftswomen. This is where fortepiano being restored. Since its invention around the year 1700 by the Italian instruments maker, Bartolomeo Cristofori, piano has gone through an evolution as time passes. Yet, these artists still exerted all their strengths to preserve its original beauty with their skills and knowledge.
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The Exploration and Restoration of Ohlone Indian Culture
Ohlone Tribe, a Native American People lived in California coast from San Francisco Bay through Monterey Bay to the lower Salinas Valley in the late 18th century. The Ohlone Indian culture can be explored at the Chitactac-Adams County Heritage Park, which emphasizes a unique view into the Native American culture of Santa Clara area. In Ohlone lives, the baskets that made from willow sticks and sedge roots played an essential role. The Ohlone basket-weaving technique was once lost and later restored by Linda Yamane, who made her first tribal basket in 1994.
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Encompassing the major cities and metropolitan areas of San Francisco, the San Francisco Bay Area is abundant in natural beauty, exquisite art and diverse culture. There is a unique architectural history illustrating many styles and forms of construction in this area where the landmarks stand for period architectural styles designed by distinguished architects, including Julia Morgan, the first female architect licensed in California. Some timber buildings of great cultural and developmental significance tell the stories of the early immigrants while withstanding the major earthquakes and devastating fire.
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The University of California, Berkeley, one of most prominent universities in the world, embraces not only 22 Nobel laureates in the faculty to date, but three species of sequoia on campus. The reunions of giant sequoia, coast redwood and dawn redwood have been part of the school along with a variety of trees and plants. Dr. Momei Chen, a redwood expert who has long striven to study and protect redwoods, is one of the key persons that help bringing the sequoia family together at UC Berkeley.
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Henry Cowell Redwoods State Park
Established in 1954, Henry Cowell Redwoods State Park is a native land to old-growth Redwood Grove. The 4,623-acre park preserves coast redwood, which is formally named sequoia sempervirens, an evergreen, long-lived, monoecious tree living 1,200–1,800 years, and growing to approximately 300 feet tall and over 16 feet in diameter. The park also boasts an environment for many habitats, such as sandhill community, mixed evergreen and other species. Its 15 miles of hiking and riding trails through a variety of forested areas and the trains through the redwoods are local residents and visitors’ favorites.
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Barrel Builders in Napa Valley
Napa Valley, a viticultural area located in north California, is considered one of the premier wine regions in the world. Servicing the wine industry for the last 20 years in Napa, Yann Guigen, a French cooper, makes his fine cooperage a vintage art and craft. Yann takes care of repairing and maintaining cooperage at Barrel Builders where French oak and American oak are used for wine barrels. From the type, age, grain to treatment, oak barrels provide flavor and aromatic support to the wine that they have been used in wine fermentation and aging for centuries.
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Santa Cruz Guitar Company
As Santa Cruz is renowned for the exquisite craft of the lutherie, Santa Cruz Guitar Company (SCGC) is described as one of the star luthiers in that area. SCGC, a manufacturer of acoustic guitars founded in 1976, makes the best out of wood in the realm of music by using reclaimed wood and harvested new wood including Rosewood, Walnut, Sycamore, Red Maple, Cedar, Spruce and more, in a responsible approach. From time to time, Richard Hoover, the founder, selects the best sounding wood materials possible among downed trees, sunken logs, old tenements and building beams with his team to make the sophisticated stringed instruments.
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Mameli's Mask in Mamoiada
Mamoiada is situated in the centre of Sardinia, the second biggest island of Italy. Sardinia’s Mamuthones is an ancient carnival which can dates back to 2,000 years ago. During the carnival, people wear black mask to scare devils away, and wear white mask to embrace the incoming spring. Next time when you visit Sardinia, besides the delicious cuisine and the fascinating Mediterranean, why don't you stop by Mr. Ruggero Mameli's workshop? He's been working on these traditional masks for more than 30 years, his collections will absolutely amaze you.
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Seri - People Live by the Desert and Sea
(*Correction: At 30:27, the name of the International NGO in this video is Ocean Revolution.)
A glimpse of Seri’s tribal life and culture in Sonora Desert. This fishing village with brilliant desert ironwood carving technique is unique and can only be found in Sonora desert as a symbolic memory of their daily lives and ancient stories. Nevertheless, with the population number less than 500 and the poor financial condition, Seri people is facing the crisis of preserving their original traditions and language.
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In Praise of Nature - Inca’s Traditions & Beliefs
The Peruvian territory was once home to ancient cultures spanning from Caral, one of the oldest civilizations in the world, to the Inca Empire, the largest empire in Pre-Columbian America. Cusco was the historic capital of the Inca Empire, which was declared a World Heritage Site by UNESCO in 1983. Today, rich and ancient traditions are still preserved by Quechua people, such as; gratitude to Pachamama through Holy Wood, traditional weaving with simple wooden tools, a carefully guarded bread recipe that uses eucalyptus wood in the process and, musical instruments connected to Andean cosmology.
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A thousand years ago, Saint Romuald founded the Sacred Hermitage and Monastery of Camaldoli in the forest a thousand meters above the sea level in Tuscany, Italy. The resources provided by both exotic and regional trees have been a support for the daily life, and as a protection to the monastery. The beauty of the mutualism between the monks and the trees is well demonstrated in this forest.
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Bruno Barbon, the Antique-Woodcarver and Restorer
Burno Barbon is a carver, a restorer, and an artist. Growing up in old workshops, Mr. Barbon has been attached to wood since 14 years old. At the age of 75, he still keeps creating exquisite pieces with his passion and outstanding talent at his studio in Venice, Italy.
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An Original Laurel Forest
This natural forest, which is called Original Laurel forest, is a mix of conifers and broadleaf evergreen trees, but the main body is still broad-leaved forest. It is noticed that the "Ash-wood" is the most important water-conservation trees in the area of Himalaya Mountains, even the entire Asia.
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Mt. Changbai Valley was formed by a process of long term erosion of rocks and lava after volcanic eruptions and solidification of lava. The valley is about 100 meters in depth, and 70 kilometers in length. Some says the beauty of Mt. Changbai Valley could be compared with the Grand Canyon in America.
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zi River is an underground river, with a bottom at 40 meters. Tizi means ladder in Chinese and it gets the name for two reasons. First, the steep rocky valley is like a ladder, which is hard to climb, and second, the shape of the valley is like trapezoid.
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The freezing weather in the northeast of China is suitable for white birches. Like its name, the trunk of white birches is snow white all year round. For people who enjoy outdoor activities, white birch is a great tree species partly because the bark of white birches can be made as firewood, and partly because people can get liquid from the tree to quench their thirst.
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The best environment for Pu'er tea leaves to grow is under camphor trees. Camphor trees produce camphor which helps the tea leaves fight against pests and disease. The tea leaves will absorb camphor which will intensify the aroma and taste of Pur'er tea. Camphor trees themselves have developed an ecological protective system and have existed for more than 3,000 years.
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We took a long journey to Nannuoshan to look for the oldest tea tree ("king") that has existed for 800 years. Professor Shengji Pei explained that the tree belongs to the Spondia family. It was exciting to see an 800-year-old tree still flourishing.
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Nannuoshan is located between a monsoon evergreen broad-leaved forest and a mid-montane humid evergreen broad-leaved forest. Species found in each climate can also be found in Nannuoshan. The Hani people have acclimated to living in the mountain and therefore tea has become their economic crop.
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We came across a tea house built from wood standing in front of the oldest tea tree. A Hani woman made a pot of tea for us. It was really refreshing to take a rest there after a long day of walking around in the mountains.
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The Nepali hog plum is highly nutritious. The fruit is oval-shaped, turns yellow when ripe and tastes sour but sweet. These two tall trees seen here have grown together since saplings. Their reliance on each other truly touched us.
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Bamboo is divided into sympodial, scattered and mixed bamboo species. Sympodial bamboo is the original species. 18 of the ancient bamboos are of the sympodial bamboo species and among them, 14 are found in Yunnan. Bamboo can be found in Yunnan between 74.5 m to 4,500 m of the Gaoligong Mountain despite the vast climate range from the hottest to the coldest area.
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The video introduces the local agroforestry and ecosystem of Xishuangbanna. The local Dai people plant camphor trees mixing with tea trees as seen in the video. As a result, the tea leaves have a distinctive flavor and the camphor acts as a natural insect repellent so pesticides are not used. This is a good example of a balanced ecosystem.
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The Traditional Tea Roasting and Brewing of the Hani
We were honored to see the Hani people making tea. The elders have grieved that most of the younger generation have moved into the city for work and only those over forty years old know how to brew tea using natural materials.
All the tools and materials used to brew tea by the Hani are from nature. A wild bamboo culm is used as a cup and leaves can be folded into a funnel to pour water. Fill the bamboo cup with the natural mountain spring water and boil over fire. The fire can also be used to bake fresh wild tea leaves. The tea is done when the wild tea leaves are softened by the fire after about 15 minutes brewing.
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The Traditional House of the Dai People
Dai village is in transition from traditional materials to modern ones. Traditional Dai-style houses retained original topography for decades, but many wood, stone and other natural materials are being replaced by modern materials.
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The Advantages about Birch
Birch may be your best option for survival if you ever get lost in a forest - it can be used from root to top, core to bark and has been one of the best solutions to everything from clothing, transportation, to curing diseases in many cultures in the Northern hemisphere. It is also an excellent raw material for art and handicrafts. Watch the video and find out all you need to know about this amazing gift from nature.
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Spinning Tops with Special Love
Finger spinning tops are not merely toys but can be a token of love. A total of 150 tops traveled far and landed on the hands of the students of Wenzhou School for Special Education. It was a kind gesture by Australian woodturner Erine Newman, who was invited over to lead a two-week woodturning training course for the collaborative project of IWCS-AAW beginning September 15, 2014.
A fifth generation wood worker, Newman is active at woodturning events worldwide. Wholeheartedly involving himself in the project, Mr. Newman exerted special efforts in intriguing students’ curiosity about wood as well as instilled them with safe operation guide beyond demonstrating the skill of woodturning.
More information World Wood Day.
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2012 AAW International Symposium
IWCS had the opportunity to attend the American Association of Woodturners (AAW) 26th International Symposium on 8-10 June 2012 at the San Jose Convention & Cultural Facilities. It was 3 days of interesting demonstrations and exhibits that showcased the art and craft of woodturning. Turners and collectors from around the world attended. It was great meeting fellow wood enthusiasts dedicated to the art and craft of woodturning.
The American Association of Woodturners (AAW) is an international, nonprofit organization dedicated to the advancement of woodturning.
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The 12th All Japan Junior High School Woodcraft Competition
From 19th to 22th January 2012, IWCS went to Tokyo, Japan for a Japanese national woodcraft competition for the juniors. After witnessing the keen and fascinating competition, we eventually obtained the whole picture of the Japanese wood education and its strategy.
Last year, 311 earthquake stroke Japan severely. Therefore, the “12th National Woodcraft Competition for Juniors” set the contest theme as “earthquake-proof cupboard.” 12 regional champions gathered in Tokyo for a total 4-hour-competition. The details of requested items for the cupboard design were announced merely one week before the contest. It required not only creativity but practical skills to complete the work.
Although coming from different regions and backgrounds, every student had an enthusiastic attitude towards woodcraft. This was supported by an ideal and practical education system. As the chief judge Professor Ozaki Shiro had told us, “The competition goal is to make students understand the meaning of wood use, and furthermore, to improve human life by the correct and efficient use of wood.”
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With a nice outcome from AAW's San Jose meeting, IWCS was honored to have Terry Martin as a guest speaker representing AAW to symposium at ZHEJIANG Agriculture and Forestry University in China in September 2012. To spread the idea of Turners Without Borders, Terry showed a different aspect of woodturning and knowledge to local wonders through an excellent demonstration.
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The IWCS video crew had flew to Ireland and captured the making of this amazing "stone wall," created by collective efforts of international wood artists. This collaborative project is curated by Australian wood turner/artist Terry Martin.
Éigse Carlow Arts Festival
Come along to VISUAL Centre for Contemporary Art to see this wonderful sculpture!!
This exhibition brings together ten of the most intriguing and creative wood artists practicing today from all over the world, alongside ten of Ireland’s leading practitioners. This group of sculptors, furniture makers, carvers and turners will work together under the artistic direction of Terry Martin (AUS). Over a week-long studio-based collaborative work creative week-long process in Carlow this June, they will assemble a large-scale sculpture in the form of a wall, approximately 12 feet in length. This work will be installed in the VISUAL Centre for Contemporary Art.
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Turning with Challenges - 2013 AAW
The tactile experience in the 2013 AAW Symposium is an enjoyable program designed especially for the visually impaired participants. The video presented shows the participants turning pens with instructors’ assistance and experiencing fun and joy of woodturning. Through this video, the viewers will have very different understanding of the art of this woodcraft technique.
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Young Students Compete to Show Carpentry Skills
The 2nd National Vocational & College Student Carpentry Skills Competition, hosted by the International Wood Culture Society (IWCS), was held in Changsha on Oct. 27, 2013. It was co-organized by the Central South University of Forestry Science and Technology.
Concurrently with the 2013 International Wood Culture Symposium on Taxodiaceae, a competition was held on making wooden stools using Chinese fir. The aim of the activity was to promote the culture of traditional Chinese woodwork, to display and improve vocational & college students' hand carpentry skills, and inspire creativity and passion for carpentry among students.
Applications for the competition opened in July this year, the competition theme was confirmed in September, and design drawings were submitted a week before the competition. Sixteen students from four vocational schools and eleven universities came together on Oct. 27 to show their talents. During the four-hour competition, the students completed a variety of creative work using saws, chisels, axes, planes, using snap lines, drills, and making mortises. Later during the assessment, every competitor explained to the audience their ideas and purposes, and the functions, features and technical difficulties of their work.
The judges were Professor Yang Ping from the faculty of education, Kumamoto University in Japan; Mr. Yang Jinrong , director of the Jiangsu Gongmei Hongmu Culture & Art Institute; and Professor Li Zhen from Tongji University College of Architecture and Urban Planning. They evaluated the works with seven criteria: design and creativity, production skill, the completion of the works, accuracy and quality, structure, material utilization and interpretation. Li Nie from the Xiuning First Senior Vocational School won first place.
Wood, being a naturally eco-friendly and renewable resource, is fundamental for sustainable development, and a low-carbon society and environment. How to master the properties of wood, make full use of the material, and combine theory with practice are key elements. Wood education teachers have a long way to go and expectations on students are high. Such carpentry skill competitions should inspire more passion for wood and carpentry among young people and promote the culture of traditional Chinese carpentry to create competent practitioners for the future.
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Traditional Craftsmanship Revived in China
Dongyang Woodcarving, developed in Zhejiang Province, China since Tang Dynasty (618-907), is characterized by its exquisite relief carving. Each piece of work goes through 6 making processes and requires excellent craftsmanship to accomplish the delicate design. Despite its fame, it encounters the problem of shrinking number of new blood and lack of creativity. Alerted to the worrying situation, institutions and individuals have taken steps to reverse the situation and it has been proved to be a successful story of preserving traditional craftsmanship.
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2013 China-ASEAN Theme Carving Exposition
Woodcarving Introduced to School Campus
The opening ceremony for the 2013 China-ASEAN Live Wood Carving Exposition and Student Woodcarving Art Festival was held at Guangxi University.The exposition was held in the leafy, shaded square behind the Forestry College at Guangxi University. A large audience, mainly teachers and students, visited the on-site wood carving show over the first 2 days. 20 students from the university also joined the carving team for the festival, while learning and communicating with the artists.
More than 200 students pursuing majors in wood science and technology took part in this activity. In tandem with the exposition and festival, Mr. Yang Jinrong, expert of Chinese Hongmu art and culture, and Mr. Terry Martin, Australian wood artist, gave the students two very impressive lectures.It was a good opportunity for the students to communicate with professional wood carvers face-to-face, and also to start the process of combining wood science with culture. Wood carving, as an art form, has taken its place on the campus.
Different Cultures, One Homeland
The 11 sculptors were from different cultural backgrounds and use different carving styles, but all of the works were created under the same theme, Homeland, and they all used the same scented wood, Camphor.The art works of the 4 artists from ASEAN countries reflected their lifestyles and beliefs. They shared the history and culture of South-east Asian countries with us.Malaysian artist Taufik carved the national flower of Malaysia, the Bunga Raya, while Indonesian artist Sutarya Hrfsor carved the Lotus Flower that is common to both Buddhism and Islam. Indonesian artist I Kadek Parta selected the Ramayana story from Indian history.
Nature and Home, Full of Humanity and Spirit
In the Chinese group, the 7 artists came from Dongyang and Yongjia of Zhejiang province, Xianyou of Fujian province, Lushan of Sichuan province, and Jianchuan of Yunnan province. Their creative works combined modern and traditional skills, reflecting their feelings and dreams about homeland.
Both Xu Yongping and Jin Liquan chose the subject of mother to show their ideas about homeland. Zheng Guodi used the Chinese traditional subject Three Sheep keeping watch on the home. Yang Huanpei’s carving was like a poem and depicted his fantasy homeland, Dali.
Wang Haibo, from Dongyang, Zhejiang province, was the youngest wood carver. He applied Dongyang relief carving skill and used his lively imagination to present us with a Chinese traditional scroll painting, a whole dreamland picture of Peach Blossom Valley.
Wu Xiaomei’s piece was particularly thought-provoking. She showed us a broken house after the earthquake this year in Sichuan, quite a courageous choice.
Wang Guohua, from Xianyou, Fujian Province, took just 2 days to finish his work. He generously incorporated the natural bark and growth-rings of the tree in his piece. As he said, “Human beings need generosity and tolerance, and so does nature. Our home should be a tolerant home.”
Woodturning Show
During the event, Terry Martin, Australian wood artist and a representative of the American Association of Woodturners showed his splendid woodturning technique to the audience in Guangxi University and CAEXPO. His demonstration aroused considerable interest among the crowds.
Highlight of Forest and Wood Products Expo
After Guangxi University, the 2013 China-ASEAN Live Wood Carving Exposition continued at the International Conference and Exhibition Center on 15-17 November, and was a highlight of the Forest and Wood Products Expo.
Mr. Terry Martin, Mr. Feng Wentu, Master of Chinese arts and crafts, and Mr. Yang Jinrong, expert of Hongmu art and culture, were the judges. Zheng Guodi, Yang Huanpei, Sutarya Hrfsor, I Kadek Parta, Taufik and Duangmala Wanlop won prizes for “Outstanding Traditional Value”; Xu Yongping and Jin liqun won prizes for “Special Design”; and Wang Haibo, Wang Guohua and Wu Xiaomei won prizes for “Special Creativity”.
The 2013 China-ASEAN Live Wood Carving Exposition was organized by IWCS, and co-organized by the China-ASEAN Expo Secretariat, Forestry College of Guangxi University, and Jiangsu Hongmu Culture and Arts Institute, and Supported by the China National Forest Products Industry Association, IUFRO-Division 5.
Concurrently with the wood carving exposition, IWCS also organized the 4th China-ASEAN International Wood Culture Forum. Both activities promoted communication, basic academic research and the practice of wood culture in the China-ASEAN area and contributed to the integration of art and culture into the Forest and Wood Products Expo.
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A girl interprets her vision and hearing about the village where she comes from, the Wa tribe in China, and the imagery of the village and movements of villagers are like a documentary vividly presented within her mind. The Wa tribe is undergoing the cultural transformation, and Wa wood drum becomes the crucial cultural element for them to reclaim and preserve what they have missed from the ancestors.
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Hogan - Indian Traditional House
Along the road to Grand Canyon, there stand many a six-sided or eight-sided wooden house. They are called "Hogan", the traditional house of Navajo people.
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The Pilatova's Great Love for Marionette
The Pilátovás persist in keeping the traditional marionette in Slovakia despite the fact that new technology has almost taken over the younger generations’ lives. To revive the beautiful tradition, the Pilátovás have devoted their time and energy to teaching people of all ages the fun and spirit of marionette. They enjoy the feel of wood and the fun of marionette. Their joy we now share with you.
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The City of Georgetown, Penang, is known for its ancient, tropical ambiance and laid-back pace of living. Two-to-three-story wooden houses built during the western colonial era stand in exotic colors. While windows may be cracked and paints peeled off with time, age only adds pride to the antique houses. Where buildings are too old, they are torn down, and the old tiles, blurred glasses and oxidized wooden pieces are recycled by those enthusiasts who care to revive the ancient elegance.
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Bucheli and Chlefeli are two charming wooden instruments that are not widely known, and rarely played and manufactured nowadays. Although they are simple and easy to play, the unique sound features enabled them to accompany well with other musical instruments.
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The beautiful Venice Gondola made with the skill that represents the refinement of Italian craftsmanship passed down from 16 and 17 century, is a cultural heritage that embodies values and stories of it. The launching ceremony for blessing presented in this video enables viewers to have a better insight of this traditional woodcraft.
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Uilleann Pipes has been long known for the symbolic instrument of Irish music. The word "Uilleann" is the homonymic word of union and also a reflection of the history of Ireland. Unlike the Scottish pipes which is known as an outdoor pipe, Uilleann pipes is an indoor instrument and requires more care of the maintenance. John Butler, who was obsessed by the unique sound of Uilleann pipes and traditional Irish music since sixteen, devotes his passion and enthusiasm in pursuing mastership in pipe making.
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Gifu Precious Wood Market in Japan
Located in Central Japan, Gifu prefecture connects main roads to the west and the east coast. This makes it a suitable hub for log transporting and trading.
In the auction season, people come to Gifu Precious Wood Market and try bidding the precious wood they want. Auctioneers open the bids and start to read each specific price in a unique rhythm repeatedly to maintain the intensity of the atmosphere. In such an ambience, people will raise their price continuously and get the bid in a snap!
In front of the office, there stands a monument engraved with the words “Wood’s Soul”, which shows the homage Gifu people pay to the wood. They believe that the wood has guarded and protected them for hundreds of years.
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A Chessboard Master in Nagoya - Makoto Kuroda
Nagoya is in the west part of Aichi prefecture. It is located in the Chubu region between Tokyo and the ancient capital Kyoto hence people also name it Central Capital. Famous for its car industry with Toyota and other brands, Nagoya is the fourth most populated city in Japan.
In this industrialized city, there still lives a group of people who try to preserve the ancient Japanese wood culture. Some are struggling between the reality of life and their ideals of protecting traditional techniques, while some has made a fortune transforming wood art into business.
For example, Mr. Makoto Kuroda is a famous wooden chessboard master who insists to make woodcrafts in a traditional way in spite of the fierce competition of machine products or Chinese hand-made products. On the other hand, Mr. Tatsuro Hioki owns a chain restaurant serving crabs and Japanese cuisine. The restaurant is famous for its wooden interior design and it is popular among Japanese and people from around the world.
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A Master of Sukiya-zukuri Style Architecture-Yoshiaki Nakamura
Kyoto, a city in central Honshu Island in Japan, had been the capital for Japanese emperors for centuries. Here, you can find abundant traditional craftsmanship and wooden architectures that embody the culture of ancient Japan.
Many traditional wooden constructions are still well-preserved in Kyoto. For example, Ryokan-Tsukimikan, the historical hot spring hotel established in the vicinity of Ujigawa, Kyoto in 1937, features Momoyama hot springs, ancient Japanese style design and delicate wooden furniture.
(Mandarin subtitle video: http://iwcs.com/archive-single-page.cfm?id=77)
The architect Yoshiaki Nakamura is a master of Sukiya-zukuri, a traditional wooden architecture style incorporating tea house aesthetics with natural materials. Also, he blends in foreign elements in the hope to explore more possibilities for the traditional Japanese architecture.
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Makonde- Carving through life
The Makonde tribe, an African tribe, was regarded as the cradle of woodcarving in East Africa. They live in Tanzania, Mozambique and have a small presence in Kenya. Makonde people are famous for their fanciful woodcrafts, embodying their spiritual beliefs and family life. Let’s take a look of the video!
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John Zasada and the Art of Living with Birch Bark
Have a careful look inside of your house and you just might find a couple of wares made with birch bark, a great gift from Mother Earth that has transcended from utilitarian wares to a form of art. In this film, birch bark artist John Zasada not just demonstrates birch bark peeling and weaving techniques, but embodies a style of living filled with passion for birch bark handicraft.
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A Spark Ignited - Irish Carpenter and Sustainable Woodland Management
Eoin Donnelly, a carpenter and project coordinator in the Irish National Heritage Park, often demonstrates traditional woodworking in the park. He is also the founder of a group named Muintir na Coille committed to the education and development of sustainable use of local woodland. In this video, Eoin shows how a traditional pole-lathe works, and talks of the ideal based on which the group works.
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Portugal is the leading country of cork exportation in the world. From cork oak forests to manufacturing factories, every step is strictly legislated for protecting precious tree species. Apart from producing wine stoppers, cork bark is also used to develop eco-fashion and various items, including accessories, furniture, even clothes.
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Kilwa Kisiwani (which means "Kilwa of the Island") is located off the coast of Tanzania, East Africa. This thriving seaport was once being forgotten, but now is a protected site in the list of UNESCO world Heritage.
Kilwa Kisiwani was subjugated to different races, including Persian (Iranian nowadays), Portuguese and Arabian due to its superior geographic location for trading. It was once a famous seaport but lost its glory since the mid-19th century. There are still around 1000 residents living in this tranquil island at the present time.
People dwell in huts that are made of palm leaves and logs, which are collected from trees on the island. Villagers build and repair dhows for fishing. Fishing is the main economic activity, but after Kilwa Kisiwani being listed as the world heritage, the newly developed eco-tourism has brought in additional income for villagers.
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Bagamoyo is a tranquil harbor filled with Islamic fishermen and westerners who come here for vacation in the east coast of Africa. It’s about one hour drive toward north from Dar es Salaam, Tanzania.
Fishermen build traditional dhows for fishing and transporting daily goods, such as palm oil and fuel from mainland Africa to nearby islands, for example, Zanzibar.
In Bagamoyo, most fishermen still use traditional dhows while only very few of them with better economic status can afford engine boat. A traditional dhow has one or more masts and is usually made of local timber. To sail the dhow, it requires 4-5 people, one operates the oar while the others spread out the sails on the mast. Today, fishing is still the main economic activity along the Bagamoyo coast.
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The region surrounding the Moshi Town, just at the bottom of the great Mount Kilimanjaro, is known for its forest resources and lively communities. Wood-related industries such as wooden box beekeeping and banana brewing prosper in this area. To help advance the development of the beekeeping business, the government, academia and local business owners have worked together to improve the business by modifying the traditional wooden bee boxes. On the other hand, many banana beer brewers have kept the traditional way of brewing with wooden barrels. Despite their different paths, people involved in these two sectors have worked to maintain the tradition and the culture related to wood utilization in the country.
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The Usambara Mountain is part of the Eastern Arc Mountains, which stretches from Kenya to Tanzania. The mountain range in North-East Tanzania extends approximately 110 km long and 64 km in width. Although the altitude is not as high as Kilimanjaro, the Usambaras are recognized as one of the world’s biodiversity hotspots.
The Usambaras are commonly spilt into two parts, the West Usambara and the East Usambara. Since the East Usambara is close to the coast and receives more rainfall, the geographic feature makes it abundant in plant species.
We visited Magamba Nature Reserve, which is in the West Usambara, to see different tree species in the natural forest and how local people utilize wood in their daily life.
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Located 180 km west from city Arusha, the Ngorongoro Conservation Area (NCA) is a reserve with 8292 km2 land and is recognized as an UNESCO World Heritage Site.
The main feature of NCA is the Ngorongoro Crater, a large volcanic caldera formed around 3 million years ago when a giant volcano exploded. This natural enclosure is populated by a wide variety of wild animals, including herds of wildebeest, zebra, antelopes…etc.
Apart from wild life, Maasai tribe is another feature to observe in NCA. The Maasai is a semi-nomadic group of people whose lifestyle centers on their cattle. Moreover, around NCA, there is a lake named Eyasi where Hadzabe and Datoga people still live in a traditional life.
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The lifestyle of Mountain Tribe in the Philippines
Ifugao is a province in Luzon Island, the Philippines. The mountain tribe lives here is also called the Ifugao. The life of the aborigines from their dwellings, transportation, to woodcraft industry, is mainly relied on the surrounding natural resources such as forests and rice terraces.
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Living with wood in Ganvie
Ganvie is a lake village in Benin, with a population around 20,000 people. Life in Ganvie is strongly bound to wood, from the fish traps, canoes to their dwellings. There are only 3 boatyards left in the area. Mr. Tammassebomou’s boatyard is one of them and still devotes to the boating industry.
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Robert Grieshofer is a luthier for 15 years. He also teaches at the Lutherie School in Hallstatt, Austria. Born in a carpenter’s family, he “inherited” the knowledge about wood as a material and applies this knowledge in violin-making.
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Sailing through History with Leisure Boats
Patapum, a wooden boat built in 1931, is now under repair in the Maritime Museum of Barcelona. The Museum dedicates to the education on seafaring history and tradition of Spain, and passes the wooden boat construction technique onto the interested public through an outreach program. While in Ovar, Portugal, there is a wooden boat association, CENARIO, focusing on the restoration and sailing of wooden boats.
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Porto Wine and Rabelo Boats in Portugal
The Race of Rabelo Boats is an annual competition which first started in 1983. Held in the second biggest city in Portugal, the competition aims to preserve the tradition of Porto wine transportation. Cellars alongside Douro River are sponsors who are also responsible for the maintenance and repair of each Rabelo boat.
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An Overview of the Traditional Malay House
The traditional Malay house is a wooden one and serves the housing needs of people living in the rural areas of Malaysia. Since Malaysia is located in the tropical area, the house is designed to meet certain standards to adapt their needs, culture and climate.
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Logging Process at Changbai Mountain
Changbai Mountain, located in the northeast of China, has abundant natural resources. Long ago, the forest industry was a rather prosperous industry. However, due to forest protection policy, nowadays logging has strict limitations. We were lucky to be there at the end of logging season observing the whole process of logging, classifying and storing.
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The town of Baham is located at the Western Province of the Republic of Cameroon. Given that Baham is close to rainforests and up on a mountainous region, the temperature is rather mild. In the region around Baham there are a total of 16 villages. Residential settlements disperse from the center of the town, and one can see lively neighborhood. Peasants and children either stroll or do house chores along the sandy trails that go up and down the hills. Most of the residents still lead a relatively original life and live on farming and trading. Therefore, the use of firewood and wooden construction materials for small residential cabins are easily seen everywhere.
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The Charcoal Maker in Miwsake, Cameroon
Douala, the largest city in Cameroon, owns the biggest port in the country. It is the commercial capital, majorly handling the export of oil, coca, metal, fruits and timber.
Wood is the most accessible natural resource in Cameroon and is therefore widely used in people’s daily life. We traveled to Youwpe and Miwake, villages around Douala, and collected plenty of precious information about how local people make good use of wood, and make products ranging from artistic sculptures and accessories, to canoes and charcoal. The people also maintain a sustainable way of using wood. For example, charcoal makers in the Miwake region, which is located southwest to Douala, pick only naturally dead trees as their raw material. By doing so, the timber is transformed into another form and becomes another useful product for the people.
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At Speicherstadt near downtown Hamburg, museums scatter on the grand harbor. The International Maritime Museum, opened in 2008, showcases Peter Tamm's collection of over 40,000 items of model ships, construction plans, uniforms, and maritime art. Besides the exquisite and overarching exhibitions, the building itself is a large, old wooden structure that was formerly a warehouse.
On the other hand, the Speicherstadt Museum exhibits objects about trading, especially coffee and tea trading. All of the business activities played an important role in carving the modern look of the Speicherstadt harbor. Several wooden items used in the old day to transport goods are displayed, so are photos and stories about the timber poles that bolster the foundation of the buildings at Speicherstadt.
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Rieck Haus- Vierlander Freilicht Museum
The house of Rieck, built in the 16th century, was restored in 1949 and handed over to the Altona Museum as a branch open air museum. The house reconstructs an image of the life of a rich peasant family back in time. Because of its large amount of wooden structure, furniture, and objects, it was subject to woodworms’ attack and was taken care of by scientists of related profession at the Johann Heinrich von Thunen-Institute (vTI) several years ago.
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Bothwell Park Land Regeneration Site
Bothwell Park, formerly an industrial waste dumpsite now being regenerated as woodlands, is located at Glasgow. It is a 49ha land owned largely by North Lanarkshire Council (NLC) and managed by Forestry Commission Scotland, at an area that is in one of the most economically-deprived communities in Scotland. Playing a part in the regeneration process, the Forestry Commission has worked with the NLC to restore the land and turn it into a public green space that could serve recreational, educational, and environmental purposes to the people in the vicinity. There will be a wetland, woodlands, and an open space in the park.
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The Highland Folk Museum is a living history site with an area of 32 hectares. In 1955, the open-air museum is open to public with portray of domestic and working condition of the old highlanders, showing how they used to build homes, decorate houses, till soils, weave wools and dress. It encapsulates aspects of 200 years of Highland rural life, starting from the early 1700s until the present day.
According to the stone remain of each house base, the carpenters and archaeology professors from University of Glasgow are working together on an experimental project on how the wooden roof would be built and how the interior would be arranged in the past.
The museum interpreted the highland folk history by re-locate and re-create buildings and features, such as schools, farms and shops, plus monthly programs, including various workshops and music events held to provide visitors an engaging experience of the town life.
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Built in 1913, Edinburgh Zoo is a zoology park with an area of 82 acre. It lies on the Corstrorphine Hill, which not only provides extensive view of the city but also offers environment features that shape several microclimates. Therefore, Edinburgh Zoo is also characterized by collections of at least 1,200 different tree species and 3,500 plant species.
In order to create a suitable habitat for the animals, a group of trained botanic gardeners collaborate with the zoo keepers to manage the enclosure for the animals. Moreover, since the climate has changed dramatically over the past few years, the gardeners are now facing the challenge to cope with the issue.
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Wood pasture, a historical land management system in the Europe, is an open woodland providing shelters for cattle and sheep, as well as the timber products including charcoal and house construction.
Glen Finglas is a glen in the Trossachs, which has been described as the miniature Highlands. Part of the region within the area was the Royal Hunting Forest from the King David and James II onwards. And wood pasture is restored across the estate, creating a vast mosaic of woodland. Glen Finglas was once covered with plenty of different tree species, including alder, birch, oak hazel, rowan and willow, but over the centuries, the wood pasture has been decreased to scattered remnants.
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Located in the northeast of Scotland, the Cairngorms National Park is the largest one in the UK, covering an area of 4,528 km2 (1,748 sq mi). The Cairngorms was established in 2003, and inhabited by a population about 70,000 people in the area, where 75% of the land is privately owned by individuals or companies, while 10 to 15% is possessed by NGOs; and the rest is governmental property. The Cairngorms National Park Authority has therefore devoted its efforts to collaborate with the landowners, and encouraged them to plan their lands beyond boundaries. This idea and the economic value of joining the national park have interested the neighboring citizens and led to the park extension in 2009.
Cairngorms owns Britain’s highest and most massive mountain range and also the biggest native forests. Most of the forests and woodlands are well managed not just for timber products, but more importantly, to sustain the biodiversity, habitats, and landscape value.
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National Museum of Scotland
Inaugurated in 2006, The National Museum of Scotland is located in central Edinburgh. The galleries have a wide-range of collections from the age of dinosaurs, related to the technology and about the history of art and design. The museum, exhibition of which covers both natural and cultural displays, is one of the most important places to discover the story of Scotland.
Starting from relics of Iron Age, to the Formula racing car, the gallery exhibits a series of collections that present the origins of Scottish history to the present day. Wooden collections are various in the museum, including the oak sculpture of St Luke back in 1500s, the industry mining machines, etc.
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The name Salzkammergut, meaning “Salt Chamber" in German, was derived from the Imperial Salt Chamber, the authority that ran the salt mines during the Habsburg Empire.
The salt mine, located at Hallstatt, dates back 7000 years. There are many wooden relics left in it by the miners back in time. It has therefore been an important excavation for the archeological projects conducted by the Naturhistorisches Museum at Vienna. In addition to wooden digging and collecting tools, there is a world-famous Bronze-Age wooden staircase lying deep in the mine. The staircase was used by the miners to transport goods in the mine.
Also in the region is the Anzenau Mill Museum, the first building in the town of Bad Goisern. Originally a farmhouse when it was built in the 14th century, a watermill was added to it to saw wood and make bread in the 18th century. Up until now, tasty bread is still being made and sold in the house. In 2005, the building was transformed into a museum to display the traditional lifestyle of the residents.
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